San Jose State University’s women volleyball team has collected yet another W by forfeit — its seventh so far this season — as controversy swirls around one player on its roster. She’s one of the seniors, and she has been dragged in the media by her own co-captain, who outed her as transgender. 

The Washington Blade is not naming this student athlete since neither she nor the school have confirmed or even commented on her gender identity.

SJSU visited San Diego last weekend for a match before the Aztecs’ biggest home crowd of the season — including protesters waving “Save Women’s Sports” banners and booing one player on the Spartans team in particular: The woman who is reported to be trans. 

Security was tight, with metal detectors and extra guards and police officers present. Video posted to YouTube by a right-wing sports media site — which names the player — shows an angry fan arguing with security about his First Amendment rights. 

Video recorded during Nov. 9’s game shows a player for San Diego was injured following a spike by the player rumored to be trans, and had to be helped off the court. However, the video clearly shows that player was injured by landing poorly on one foot, not as a result of the spike. 

The Aztecs defeated the Spartans 3-1, but San Jose has still punched its ticket to the conference finals, thanks to its record number of forfeits. 

Wyoming was set to visit SJSU Thursday, but for the second time is joining other universities that have forfeited games against the Spartans, all without providing a reason. Boise State announced it will forfeit an upcoming match set for Nov. 21, its second forfeit against SJSU. 

In September, the Spartans’ co-captain, senior Brooke Slusser, outed her own teammate, the player at the center of this controversy, in joining a federal lawsuit against the NCAA spearheaded by anti-trans inclusion activist and former college athlete Riley Gaines.  

Slusser said in the lawsuit and in subsequent interviews that the player in question shouldn’t be on her team. The suit claims the NCAA’s policy on trans athletes violates Title IX by allowing “men” to compete in women’s sports and use women’s locker rooms where they display “full male genitalia.”  

The NCAA policy for trans athletes participating in women’s volleyball aligns with that of USA Volleyball, which requires trans female athletes to suppress their testosterone below 10 nmol/L for a period of one year before competition. That is also how the NCAA determines eligibility. SJSU has stated repeatedly that all its players are eligible. 

The lawsuit also asks the NCAA to revoke any titles or records won by trans female athletes in women’s competitions, which seems to be specifically aimed at stripping out trans NCAA champions Lia Thomas and CeCé Telfer of their titles in swimming and track and field, respectively. 

Prior to this season, the player rumored to be trans did not attract any attention other than being a successful starter, like Slusser. But now that she is in the media spotlight, Slusser has come forward to tell right wing media, including Megyn Kelly, why she feels another woman two inches taller than she is poses a danger. 

“I don’t feel safe,” Slusser said on “The Megyn Kelly Show” last month. “I’ve gone to my coaches and said I refuse to play against [her] … It’s not safe.”

In the video, both Kelly and Slusser refer to the player as “him” and a “man,” and name her. 

Now comes another twist: San Jose State University suspended associate head coach Melissa Batie-Smoose with pay, indefinitely, after she filed a Title IX complaint against SJSU. She claims the player Slusser identified as trans conspired with an opponent to help the team lose a match and injure Slusser. Batie-Smoose named the player in question in her complaint and on Sept. 23, joined the same lawsuit that Slusser is now a part of. 

“Safety is being taken away from women,” Batie-Smoose told Fox News. “Fair play is taken away from women. We need more and more people to do this and fight this fight because women’s sports, as we know it right now will be forever changed.”

Media reporting on the suspension, including Fox News, continue to name the athlete in question, with some also reporting what they say is the athlete’s birth name. 

San Jose State released a statement following the suspension of Batie-Smoose: “The associate head coach of the San Jose State University women’s volleyball team is not with the team at this time, and we will not provide further information on this matter,” the team said.

SJSU Coach Todd Kress told ESPN that reports saying that any member of the Spartans colluded with their opponent are “littered with lies.” 

The Spartans are currently among the top six finishers in the Mountain West Conference that will qualify to compete in the conference tournament scheduled for Nov. 27-30. 

‘American Teenager’
By Nico Lang
c.2024, Abrams Press
$30/288 pages

In great-grandma’s day, they hooked.

They were high-topped and dainty, too, to show off a tiny, cheeky-but-demure ankle beneath long skirts. These days, though, they Velcro, tie, strap, or you just slip your toes into whatever you put on your feet. You gotta wear your shoes but, as in the new book “American Teenager” by Nico Lang, you wish someone would walk a mile in them first.

Seven-hundred-plus.

That’s how many anti-gay, anti-trans bills were presented to state legislatures around the country last year, many aimed at minors. As if being a teenager isn’t hard enough. With this in mind, Lang shadowed seven trans kids, to find out how they and their families cope with our current political landscape.

Fifteen-year-old South Dakotan Wyatt is in 10th grade. He knows that the lawmakers in his state “will just keep turning up the boil” on trans bills and it makes him physically sick. When Lang asked Wyatt to describe himself, Wyatt couldn’t do it, as if, says Lang, he was “still in transit, not yet arrived.”

Near Birmingham, Rhydian is a good student at the Magic City Acceptance Academy, the only school in the South that specifically welcomes LGBTQ students, and he enjoys the deep love and support of his parents and grandmother. But he’s frustrated: Rhydian’s been waiting for months for top surgery, which has been put on hold for reasons that are political.

Mykah identifies as gender-fluid, Black, and bi-racial and they desperately dream of a future performing career. In Houston, Ruby’s beloved church held a re-naming ceremony for her when she turned 18. Seventeen-year-old trans boy Clint is Muslim, and has managed to avoid scrutiny from his Chicago mosque.

Jack, along with her mother and nonbinary sibling, Augie, were homeless before their mother finally managed to find housing; in the meantime, Jack lost her health care. And in Los Angeles, Kylie has health care, support, friends, and an activist mother.

She has advantages that most trans kids can only wish for – and she knows it.

Acne. Peer pressure. Social media. Being a teen has always been difficult, even without anti-LGBTQ legislation. In this fine work of journalism, author Nico Lang shows how a handful of kids in one group are coping with governmental policies and life in general.

Hint: you can expect the unexpected.

“American Teenager” shows the highs and lows of being a teen with the added stress of politics included – and here, the individuality inside the ordinary is striking and wonderful. Lang is careful to show how these are just typical kids – good-hearted, smart, funny, sarcastic – and it rings throughout each profile how much the discrimination they endure affects their lives and relationships. That’s a clarion call, absolutely, but readers who can see between the lines will also enjoy this book’s humor, it’s compassion, and the sheer joy of meeting decent, thoughtful teens.

Parents will like this book for its candor, and that goes doubly for adults who love a trans kid. Start “American Teenager” and before long, you’ll be hooked.

The Blade may receive commissions from qualifying purchases made via this post.

If you are anywhere in the Queer rainbow and you grew up as a Catholic, it’s possible — if not likely — that your relationship with that religious institution might be, to put it mildly, conflicted.

Though there are voices within the church establishment today that endorse official acceptance of LGBTQ people and support their equality, for most of its history that has not been the case. Yet, it has also represented a sort of sanctuary for queer people who could avoid the otherwise socially mandated expectations around sexuality and gender by excluding themselves from the conversation — through ordainment into the service of the church and the convenient vow of celibacy that came with it.

While such a path may not be appealing to most queer spiritual seekers today, the church still looms large in the psyche of those brought up in its traditions, and revelations about the vast record of sexual abuse that has taken place behind its sanctified veil have only complicated things further. That’s one reason why the queer appeal of “Conclave” — the buzzy screen adaptation of Robert Harris’s 2016 novel from director Edward Berger — cannot be denied; perhaps, in some fictionalized story about the inner workings of the church at its highest level, some resolution might be found to the centuries-old struggle between sexuality and religious faith.

Packed into a brisk two-hour running time, it wastes not a single frame in conveying its narrative, which chronicles the election of a new Pope after the sudden death of the old one and explores the labyrinthine politics that underlie that highly secretive process. Tasked by his role as Dean of the College of Cardinals to preside over it all is Cardinal Lawrence (Ralph Fiennes), a stoic thinker whose recent resignation from his position over a crisis of faith was rejected by the late pontiff himself; nevertheless committed to conducting the titular proceedings — and hoping to advance the progressive vision of his church’s future represented by popular candidate Cardinal Bellini (Stanley Tucci) — he tackles his responsibilities with a full sense of commitment.

It’s a task that will require all his unbiased wisdom to complete. In direct opposition to Bellini is Cardinal Tedesco (Sergio Castellitto), a reactionary traditionalist who wants to return the church to the policies of its ancient past, with more “centrist” candidates Tremblay (John Lithgow) and Adeyami (Lucian Msamati) bringing additional layers of political nuance to the voting process. With the various contenders trying to manipulate the outcome in their favor and an unforeseen influence rising in the form of newly appointed Cardinal Benitez (Carlos Diehz), Lawrence must set aside his worldly concerns and seek the guidance he needs not only from his keen intellect and understanding of human nature, but from the very faith he struggles with, as well.

Constructed like an old-fashioned potboiler, a mystery set in the halls of power and woven through with political intrigue and private ambition, “Conclave” plays like the kind of classic Hollywood “prestige” movie guaranteed to stir liberal sentiments while couching them in a socially aware yet entertaining yarn. Like most dramas set within a religious context, it invites speculation about the “hidden hand” of the Almighty behind the story, providing an entry point for audiences seeking reassurance about their beliefs in the midst of all the skullduggery, and even delivering an ending that allows the devout to remain steadfast to their faith; it blends philosophical and intellectual sophistication into the kind of thriller which, like the stylized “whodunnits” of Agatha Christie, unearths all manner of human corruption behind the pomp and decorum of a fiercely protected status quo as it inexorably works its way to a clever and satisfying finish — shepherded by Lawrence, standing in for the more worldly “master detectives” created by Christie and other authors of her genre thanks to his sharp intellect and shrewd observational skills. As such, it inevitably provides the expected twists, hidden secrets, and clandestine alliances through which the “mystery” will eventually be traced, and while we can’t always see where it’s headed, it steeps us in a comfortable familiarity that feels predictable anyway.

Still, that’s not entirely a bad thing; the sum effect of “Conclave” rises far above its generic structure, and makes it easy to forgive its tendency toward formula-dictated storytelling. That’s partly due to Berger’s direction, which sculpts the movie’s overall impact through its meticulous attention to detail, immersing us in its world with a near-tactile depiction of the rarified Vatican environment — aided immeasurably by the exquisitely moody cinematography of Stéphane Fontaine, who delivers a richly intimate yet tantalizingly dark setting immersed in the kind of deep shadows that seem to invite conspiracy  — while putting an unwavering focus on the internal narrative of its characters and the sometimes murky motives that drive them. It’s also thanks to the screenplay by Peter Straughan, which crafts those characters as much through what they choose not to say as by what they do, while skillfully using them to explore culturally-relevant themes about the corrupting influence of power and the antiquated prejudices that still hold sway within its cloistered walls.

Most of all, however, the film’s ability to grip us and draw us in rests upon its actors, most particularly Fiennes, already an odds-on favorite for this year’s Best Actor Oscar, who gives a career-best performance as Lawrence, turning a character who might easily seem too good to be true into a layered, relatable “Everyman” that has our instinctive loyalty from the first moment we meet him. Tucci, Lithgow, and Msamati all have standout moments, and Diehz shines as the quiet and unassuming Benitez — but it’s Isabella Rossellini who almost walks away with “Conclave” with her largely silent performance as a Vatican nun who says very little but sees and hears everything.

All this A-list quality certainly succeeds in making Berger’s movie into an engaging, intelligent, and visually impressive piece of populist cinema; and even if its twisty-and-interconnected plot developments sometimes stand out as a little too apt to be believable, its strong points far outweigh those mainstream “compromises.” Still, what likely has made “Conclave” into the first must-see title of awards season is more about what is happening offscreen rather than off. Much of the Papal election it portrays reflects hard-to-miss parallels with the real-life presidential election (which, at the time of this writing, had yet to take place), from the sharp divide between progressive ideals and regressive conservatism to the entrenched misogyny, racism, and homophobia that inserts itself into the process everything about this fictional Catholic thriller reminds us of the American political campaigns of 2024. And as for specific relevance for queer audiences, we don’t like spoilers — but we can venture to say that at least a few of the film’s surprise developments have a profound resonance with LGBTQ concerns.

Of course, that might not be enough by itself to add this one to your watchlist; but there’s enough food for thought to be found in it that it is worth your while, no matter what.

 “Conclave” is now playing in theaters.

Infinity Festival brings together art, innovative technology and creative thinking, to the intersection of the Hollywood entertainment industry. This year, the event is taking place at The Avalon Hollywood, Nov 6 through Nov 9. 

The event founders, Mark Lieber and Adam Newman, created this space to bring together Hollywood’s creative visionaries, with Silicon Valley’s cutting-edge technology. 

Mark and Adam are not only business partners, but life partners too. 

“We met at a party in the Paramount lot and that was 28 years ago,” said Adam. “We worked separately for many, many years and when our careers started to change a bit, we came together to develop projects in television through a company that we formed.”

The two decided to marry in 2014, soon after it became legal to do so in California after Prop 8 was successfully ruled unconstitutional and same-sex couples were allowed to marry. 

“We live together, so work is 24/7 and we often get into situations where I have to ask Mark not to talk about work after one o’clock in the morning because I need to go to sleep,” said Adam. 

The two set out on a mission to unite their complementary strengths and creative visions, to bring together this innovative festival that spotlights the foremost cutting-edge technologies in the entertainment industry. 

This year’s festival will feature prominent voices from the technology, gaming and entertainment industries. The festival will also feature Julien’s Auction, presenting over 200 collectibles from Star Trek on exhibition throughout the festival and then culminating in a live auction on Saturday at 10AM. 

The festival’s purpose is to display and discuss the future of technology and its intersection with the gaming and entertainment industries using Artificial Intelligence, Virtual Reality and Augmented Reality.

The festival features keynote speeches, collaborative demonstrations with partners like Sony, HP, Verizon and Intel.

The panels will feature discussions on the evolution of animation, cross-media development, virtual effects, gaming production and many other topics.

“We’re not there to talk about how scary AI is, but to talk about how it’s going to be a wonderful tool to push the entertainment business into a broader scope of technology,” said Adam in an interview with Los Angeles Blade. 

Mark addressed the concerns that many people have regarding AI taking jobs in the entertainment industry, specifically Hollywood. 

The major points of discussion and demonstration at Infinity Festival include: Generative AI, Utility AI, Procedural AI, Mini Labs- Scripted & Unscripted, Machine Learning, Ethics, Natural Language Processing, Computer Vision (AR, Spatial Computing), Deep Learning and Expert Systems.

Earlier this year, Gov. Newsom singed AB 896, the Generative Artificial Intelligence Accountability Act, into law. 

“We are talking to people who are using it in a way that won’t eliminate creative jobs, but maximize efficiency,” said Adam. 

There is a lot of fear and anxiety surrounding job loss to AI, but Adam reassures festival attendees that learning about how to work in tandem with AI, will be beneficial to productivity and that this is a good thing for many of these industries and their many job functions. 

“I look forward to seeing everybody, I mean really, it’s just a great group of people and bring these two groups of tech and production together,” said Mark.  

(Photo Courtesy of Mark and Adam) Adam (L) and Mark (R), have been married for over 10 years and together they dedicate their careers toward making Infinity Festival a success for the entertainment, gaming and tech industries.

Mark and Adam created the festival in 2018, but they have been married for 10 years. They got married shortly after it became legal in California in 2013. 

They both came from a background in entertainment, Mark has experience in executive roles and Adam had experience in Hollywood production. They came together, married and in 2017, when both of their careers were taking a different path, they decided to start Infinity Festival. 

Since then, they have worked together to bring forth the best and latest technology to their events and bridge the gap between industries that will continue to incorporate AI into their systems.

The Monolith Awards this year will happen on Friday, Nov 8 at 7:30PM at The Aster. There are various categories for the Monolith Awards; Gaming Tech: Audio-Driven Narrative, Excellence in User Experience, Visionary Innovation, Live Engagement, Jurors Choice: New Media Fine Art, Audience Award for Best of Fest Popular Vote, Next Gen: Student + Teacher, and the Nexus Award: Excellence in Applied Technology.

GALECA kicked off the year’s awards season by nominating the 10 best TV news journalists in the nation. The league of over 500 professional critics, and entertainment journalists unveiled its picks for the 10 best on-air television news journalists working today. 

GALECA members nominated a varied group of new gatherers to name the one TV news anchor or on-air reporter whose journalistic expertise most impresses them. 

“It’s great to see GALECA’s members recognize these stellar journalists in what obviously remains a very powerful medium,” said group president Walt Hickey. “With the world facing so much today, it feels really important to champion the pros who, with their teams, investigate and report on the stories that impact us with clarity and perspective.”

Best TV News Journalists working today:

Christiane Amanpour

One of the most honored, fearless—and peripatetic—TV journalists of our time, Amanpour currently serves as CNN’s Chief International Anchor. When she isn’t reporting from the field on global developments, she challenges world leaders with tough questions on her three current affairs shows. Her weeknight PBS version, Amanpour & Company, offers the most wide-ranging coverage.

Jonathan Capehart

Capehart juggles hosting his own weekend political show on MSNBC with associate editor duties at The Washington Post. In his podcast for the latter, he delves into topics like the latest in climate change, the humanitarian crisis in war-torn Sudan, and the science of aging. He also shares takes on the headlines alongside moderate conservative David Brooks in Brooks & Capehart, a weekly segment on PBS NewsHour.

Kaitlan Collins

GALECA members obviously appreciate a redemption story. During college, Collins used some homophobic pejoratives bantering with friends on Twitter. Her first job out of college: Entertainment reporter for a dodgy website run by Tucker Carlson. Within a few years, though, she pivoted—hard—to politics and CNN, where she quickly gained a reputation for fact-checking leaders when they spewed misinformation. In 2018, an irritated Trump administration barred her from attending White House press conferences. Collins now calmly holds the powerful accountable and lands scoops as host of CNN’s The Source.

Anderson Cooper

The venerable CNN anchor still finds time to report from Ukraine to Israel to seemingly every natural disaster zone. He’s also an occasional correspondent for CBS’ 60 Minutes, where in an April segment he got comic Kevin Hart to apologize for his past homophobic tirades. Last year, Cooper began hosting CNN’s The Whole Story, an impressively in-depth news investigation series he created and executive produces.

Mehdi Hasan

Hasan first gained major attention hosting a hard-hitting news show on MSNBC (he developed his take-no-prisoners approach as a news editor for the U.K.’s Channel 4 network). Today, he interviews global figures like Israeli historian Benny Morris as host of Al Jazeera’s Head to Head and writes a column for The Guardian US—all while running his fledgling “adversarial journalism” venture, Zateo (an ancient Greek word meaning “seeking out”).

Lester Holt

NBC’s steady Nightly News anchor showed his mettle as fact-checker-in-chief during the 2016 Hillary Clinton-Donald Trump presidential debate. He has also delivered incisive reports on the COVID-19 pandemic, political disinformation, and the Israel-Hamas War. How Holt finds time to main-anchor the murder-investigation series Dateline is its own mystery.

Rachel Maddow

Maddow has long been one of GALECA’s favorite TV journalists. Diving deep into history to shed light on current global dilemmas, the MSNBC anchor—also an author and podcaster—sometimes pokes fun at her own wonkiness. But members clearly appreciate how Maddow lays out information and exposes disinformation in her fights against kleptocracy and fascism. Over the years, she and her show have won three of the group’s Dorian Awards and received 11 nominations.

David Muir

The ABC World News Tonight anchor impressed many viewers when he firmly fact-checked some of Donald Trump’s most outlandish fabrications during Trump’s presidential debate with Vice President Kamala Harris. A former international news reporter for ABC, Muir has trekked the globe to investigate famine in Madagascar, the Israel-Hamas war, and more. He also manages to cohost his network’s newsmagazine show, 20/20.

Robin Roberts

As cohost of ABC’s Good Morning America and special reporter for the network’s World News Tonight, Roberts has touched hearts with her accounts of facing cancer, a rare blood disorder, and witnessing her Mississippi hometown’s devastation by Hurricane Katrina. Her recent interviews with newsmakers like Ukrainian President Volodymyr Zelenskyy and WNBA star Caitlin Clark have only boosted her reputation as one of America’s most thoughtful on-air journalists. Earlier this year, she received the Poynter Medal for Lifetime Achievement in Journalism.

Jacob Soboroff 

Soboroff, a political and national correspondent for NBC News and MSNBC, stands out for his determined exposés on the U.S.-Mexico border crisis and the ongoing plight of immigrants. Separated: Inside an American Tragedy, his 2021 investigative book on the Trump administration’s policy of separating migrant families, provided the basis for a new documentary directed by Oscar winner Errol Morris (The Fog of War). Soboroff has also reported from hotspots like Haiti and this year’s Republican National Convention. 

GALECA members work for key media outlets across the country, U.K., Canada and beyond. 

The group mainly focuses on nominations for the Dorian Awards, which recognized the best in film, TV and both Broadway and Off-Broadway content. 

TEL AVIV, Israel — The Washington Blade was on assignment in Israel from Oct. 4-14, 2024. 

The Blade covered the first anniversary of Oct. 7, and interviewed the cousin of a woman who Hamas militants killed after they kidnapped her and her sister-in-law. The Blade also interviewed the widow of a gay Israel Defense Forces soldier who spearheaded efforts to amend the country’s Bereaved Families Law to recognize LGBTQ widows and widowers of fallen servicemembers.

Activists in Tel Aviv, Jerusalem, and Be’er Sheva also spoke with the Blade.

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The Blade could not access Al Jazeera’s website in Israel. 

The Israeli government in May banned the Qatar-based network from working in the country, and shut down its bureaus in East Jerusalem and Nazareth, a predominantly Arab city in northern Israel. A judge in June extended the ban for 45 days. Israeli soldiers on Sept. 22 raided Al Jazeera’s bureau in Ramallah, the Palestinian capital, and ordered its closure for 45 days. (Washington Blade screenshot by Michael K. Lavers)

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Emmy-nominated actress Nava Mau, was this year’s honoree at GuadaLAjara Film Festival, receiving the Árbol De LA Vida Humanitarian Lifetime Achievement Award during the opening night at Downtown Los Angeles’ Million Dollar Theatre.

“I think right now, I’m sitting in what it means to be a trans Latina and have the support of my community–beginning, middle and end,” said Mau in an interview with Los Angeles Blade on the carpet at Guadalajara Film Festival. “There is nothing else like that.” 

Mau is an Emmy-nominated actress known for her groundbreaking performance on the 2024 UK Netflix hit-series, Baby Reindeer. 

Bamby Salcedo, the CEO and co-founder of the TransLatin@ Coalition, presented the award to Mau at the Opening Night Awards Ceremony. Salcedo has been a previous Trailblazer Award recipient and is now passing on the torch to Mau, another trailblazing, trans, Latina. 

“Yeah, I think that it’s surreal, because I met her when I was 21 and I was so young and really feeling the weight of the road on my shoulders, and she is somebody who I saw as a beacon of light. I saw her as someone who is self-actualized and as someone who unites people every single day,” said Mau. 

Mau says that she is always in awe of Salcedo and feels that it is humbling to even be considered worthy of receiving the award from her. 

“I am just incredibly honored and grateful that I get to be here in this festival to present Nava Mau with the El Árbol de LA Vida Trailblazer Award, which I have been a recipient of in previous years,” said Salcedo. 

Salcedo was the recipient of the award in 2022 and is now passing the torch to Mau. Salcedo has known Mau since she was very young and takes pride in having seen her grow and blossom into the person she is today. She sees this moment as a full-circle moment in her life and in her career as a trailblazing activist. 

“I’ve seen her grow and I’m seeing her talent blossoming in the industry,” said Salcedo. “And that is just so beautiful and I am just so grateful and honored that I get to do that.” 

Both trailblazing, trans, Latinas have used their struggles and lived experiences as an opportunity to unite their communities and ignite change. 

“I want to say to all the beautiful people who are listening–particularly young transgender, gender nonconforming, intersex and queer people–to shine their light and walk their path as they are supposed to,” said Salcedo. “And I want them to know that they are not alone. There are organizations like the Trans Latin@ Coalition and other organizations that are doing critical work so you can have a better life and for you to understand that you do have a place in our society.” 

Salcedo urges queer and trans youth to take up the space they are entitled to and to know that there are people like her and Mau, that will not back down from paving the paths that still have yet to be paved. 

GuadaLAjara Film Festival took place this year on Nov 1 through Nov 3, at multiple venues across the city. The opening night for the festival took place at the historic Million Dollar Theatre in Downtown Los Angeles. 

Diane Guerrero was also honored at the opening night. She is known for her roles in Disney’s Encanto, Netflix’s Orange is the New Black and Jane the Virgin.

The opening night of the film festival also featured a screening of Sujo, Mexico’s official entry for the 2025 Oscars. 

When Finnish-British filmmaker Mikko Mäkelä’s film “Sebastian” premiered at the 2024 Sundance Festival, he told Variety he wanted his movie to provide a “frank and honest portrayal of queer sexuality.” That’s surely enough to lure queer audiences – particularly gay male audiences, thanks to its gay male protagonist – with the promise of steamy onscreen sex, and his movie, now available on VOD platforms after a limited theatrical release, certainly delivers on it. 

That, however, is only half (perhaps less) of what it’s all about, because, like its title character, it lives in two worlds at once.

In fact, “Sebastian” isn’t even his real name. He’s actually Max (Ruaridh Mollica), an aspiring writer who works a “survival job” at a literary magazine while working on his first novel – a “pseudo-memoir” chronicling a gay sex worker’s encounters with various clients. It’s not exactly “pseudo,” though; the experiences he writes about are real, gained by advertising himself on a website for gay escorts to obtain “research” for his book. The results are getting him noticed, and a publisher (Leanne Best) is interested in the completed manuscript – but he finds his focus being pulled away from his “real” life and deeper into the anonymous thrill of exploring his own sexuality in the safety of an assumed identity.

It’s not just his work that’s affected; among the other things that begin to suffer from his growing obsession are his relationships: with his co-worker and bestie, fellow aspiring writer Amna (Hiftu Quasem); with his conservative mother back in Edinburgh, who already disapproves of his lifestyle in faraway, hedonistic London; and to a much older client (Jonathan Hyde) with whom “Sebastian” has developed an unexpected emotional attachment. Most of all, it’s his own sense of identity that is caught in the conflict, as he tries to keep both sides of his double life together while preventing his whole world from falling apart.

It’s a story with a lot of irons on the fire – a quality it seems to share with the novel its protagonist is writing, much to the irritation of his would-be publisher. What begins as the saga of a fledgling male escort – we first meet Max during his first booking as “Sebastian,” after all, suggesting almost from the start that it is this persona that is our true protagonist – soon shifts into that of an ambitious-but-frustrated young author attempting to fuel his creativity through lived experience, laced with the ongoing thread of his own sexual awakening and self-acceptance. It even makes overtures toward an unexpected (and unorthodox) love story, before venturing down a darker path to become something of a cautionary tale, a warning against the dangers of leading a compartmentalized existence and allowing the gratification of one’s personal appetites to overshadow all the other facets of our lives. Along the way, it throws in some commentary about the tense dynamic between creative expression and commercialism in the arts, not to mention the reinforcement of stigma and negative attitudes around sex workers – and sex in general – through the perceptions and representations created by social traditions and popular culture.

This latter perspective might be the key to what is really at the heart of “Sebastian” all along, toward which Mäkelä’s screenplay hints with a description of Max’s work-in-progress as being about “the shame of being ashamed.” From the beginning, it is his own fear of being found out that becomes his greatest obstacle; far more than his reluctance to cross lines he’s been raised to respect, it’s the dread of having his reputation and his prospects shattered that causes him to waver in his path – and that feeling is not unfounded, which is in itself a telling indicator that the power of social judgment is a very real force when it comes to living our authentic lives. Indeed, his personal taboos are quick to fall away as he pursues his undercover “research”, but the guilt he feels about being caught in a social position perceived as “beneath” his own is something he cannot shrug off so easily. With so many generations of religious and societal dogma behind them, such imperatives are hard to ignore.

Yet, there’s yet another aspect of “Sebastian” to discuss, that, while it is self-evident in the very premise of Mäkelä’s movie, might be easy to overlook in the midst of all these other themes. A story about someone pretending to be someone else is inherently about deception, and Max, regardless of his motives, is a deceiver. He deceives his clients to obtain the material for his writing, and he deceives his employers and his publisher about where he gets it; he deceives the people closest to him, he deceives potential romantic partners – but more than anyone else, he deceives himself.

It’s only by becoming honest with oneself, of course, that one can truly find a way to reconcile the opposing sides of our own nature, and that is the challenge “Sebastian” sets up for its protagonist, no matter which name he is going by in the moment. Whether or not he meets it is something we won’t spoil, but we’ll go as far as saying that a breakthrough comes only when Max is forced by circumstance to follow his instincts and “get honest” with someone – though we won’t tell you who.

In the end, “Sebastian” satisfies as a character study, and as a journey of self-acceptance, largely thanks to a charismatic, layered, thoroughly authentic performance from Mollica, a Scots-Italian actor of tremendous range who convincingly captures both sides of Max’s persona and transcends them to create a character that incorporates each into a relatable – if not always entirely likable – whole. Mäkelä’s steady, clear-eyed direction helps, as does the equally dignified and vulnerable performance from veteran character actor Hyde, whose chemistry with Mollica is as surprising as the relationship they portray in the film.

Even so, “Sebastian” suffers from the many balls it attempts to keep in the air. Though it aims for sex-positive messaging and an empathetic view of sex work, it often devolves into the kind of dramatic tropes that perpetuate an opposite view, sending mixed messages about whether it’s trying to diffuse old stereotypes or simply reinvent them for a modern age of “digital hustlers.” Further, in its effort to offer an unfiltered presentation of queer sexuality, it spends perhaps a bit more screen time than necessary showing it to us as explicitly as possible while omitting all but a glimpse of full-frontal nudity, but just enough to conjure the word “gratuitous.”

Don’t get us wrong, though; Mäkelä’s movie – only his second feature film effort to date – is an engaging, sexy, and ultimately thought-provoking ride, even if its tangled ambitions sometimes get the better of its narrative thrust, and it comes with our recommendation.

It’s just that, one of these days, we’d really like to see a movie where sex work is honestly portrayed as a job, just like any other – but I guess we’ll have to wait until society is ready for it before we get that one.

‘Low-Hanging Fruit’
By Randy Rainbow
c.2024, St. Martin’s Press
$28/224 pages

Whine, whine, whine.

You got something to say, say it. Got an opinion? The world is waiting. It doesn’t do any good to mutter, sputter, or whine when something’s bothering you. As in the new book, “Low-Hanging Fruit” by Randy Rainbow, take it to the complaint department.

Randy Rainbow has a lot to say, and he’s not afraid to say it.

For starters, he’s “resigning from trying to fix you, effective immediately.” Any boneheaded thing you want to do now, whatever. Nothing is his responsibility anymore. He has other issues to worry about.

“The truth is,” he says, “I have a lot of complaints about a lot of things.”

There are right ways of doing things, he says, and there are wrong ways and we just all really need to know the difference – especially if you’re a “Karen.” He’s compassionate if you were born with that name, but not too much.

“I’m a flamboyant homosexual who’s lived my entire life with the name Randy Rainbow, so you’ll get little sympathy from me in this department.”

Other than that, you may wonder what Rainbow’s (ahem) “position” is: he’s actually thinking about running for president as a member of “a Rainbow coalition…” He doesn’t have much experience but, he says, if there’s one thing we’ve learned in the past few years, that doesn’t matter at all. He stands on a green platform, but he can’t ban fluorocarbons because, you know, the hair thing and all.

Rainbow misses his 20s, old-school dating sites, hooking up, and his former attention span. He waxes nostalgic about the places he’s lived, including an apartment overlooking a “fruit market.” He wonders why teenagers are suddenly “successful lifestyle gurus.” He hates when “stars begin losing their luster” and he wishes again for actors like Hayworth and Garbo.

But, he says, “Diva-complaints aside… I really do thank God for all the opportunities I’m given.”

So the elephant in the room right now might be one you’ll (never?) vote for, but you know that author Randy Rainbow will reliably skewer that political animal online, hilariously. The fun-poking continues in the most deliciously snarky way in “Low-Hanging Fruit.”

And yet, that’s not the only subject Rainbow tackles. Readers who love catching his posts and videos are treated here to a random string of observations, opinions, and rants-not-rants, with the signature sassy style they’ve come to expect. What you’ll read can be spit-out-your-wine funny sometimes, and other times it touches a nerve with nods toward culture, new and old, that’ll make you nod with recognition. Nothing in Rainbow’s path goes without sharp-edged comment, which is exactly what you want from his books. Unexpectedly, this one also includes a soft word or two and a few slight confessions that are gentle and that might even make you say, “Awwwwww.”

If you’re ready for something snide and cynical that’ll make you laugh, something that you’ll want to read aloud to a companion, “Low-Hanging Fruit” is what you need. Look for this book now and you’ll have no complaints.

Forest green faux fur, rhinestones, a fabric-lined ceiling, planted faux flowers and green plastic grass adorn the inside of an anthropomorphized car named Mollie who spends her days riding off into the sunset on Sunset Blvd in West Hollywood and beyond. 

The driver of this 2008 Ford Escape, Caspian Larkins, 24 and a Cancer sign, moved to Los Angeles to pursue acting and through a series of humbling restaurant jobs and other side hustles, ended up driving for Uber. Though working for Uber was not on Larkins’ bingo card for 2021, they wanted to find a way to make the experience not only fun for themself, but also for the people who roll on Mollie. 

Larkins, who identifies as nonbinary and queer, grew up being one with nature in the wilderness of Oregon and when you step inside Mollie, it feels like a little magical, mystical slice of Oregonian forest–of course if it were reimagined on four wheels and zooming through traffic in Los Angeles. 

Forest green faux fur and a pink ruffle with a layer of tiny fabric roses, line the doors. Stickers on the sunroof and windows reflect rainbow hues across the white leather seats and passengers. (Photo credit Gisselle Palomera)

Going viral overnight doesn’t happen to just anyone, but this iconic duo now have thousands of followers on social media and have big plans for the future. 

ShaVonne Boggs, a content creator who hailed an Uber ride from Larkins, posted an Instagram reel of the ride and featured Larkins in all their fairy-core glory, driving through L.A traffic, with the viral Gwen Stefani ‘Just a Girl,’ audio clip playing over. 

“I went to bed that night with a couple hundred followers on my account and I woke up the next day and I had gained like 3,000 followers,” said Larkins. 

Larkins has a unique sense of style that incorporates nature, fashion and sustainability, often foraging for materials from the side of the road to add to the car and accepting donated fabrics from people who reach out to them through social media. 

“I’m a forager. What can I say?,” said Larkins and then jokingly added that Jeff Bezos also personally delivers some of the items they use to decorate Mollie. 

“I come across stuff on the street sometimes that I’ll pick up, put in my car and repurpose.” 

Larkins says that Mollie is a little bit dinged up and bruised up from the outside, but that it’s the inside that truly matters. 

There is a third character in this story that resides on the inside of the car at all times. 

Jack Aranda is the name of the guardian angel of this fairytale ride. It is a miniature rubber ducky that was given to Larkins by a spiritual witch that opted for an Uber drive, over a broom one night. 

“It was midnight, by Venice Beach and you know it was good vibes, but yea she gets in and we’re talking and she’s like ‘I’m going to give you this duck,’ and gives me this little tiny purple good luck duck,” said Larkins. “So I kept the good luck duck and I put him on my dashboard.”

Larkins says that ever since this encounter, the luck in their car changed. 

“Red lights will always turn green for me, and sometimes someone will run a red light and miss [hitting] me and I just think it’s divine intervention because of Jack.” 

Larkins poses in front of their car Mollie on a road in West Hollywood, CA. (Photo Credit Gisselle Palomera)

Larkins says that the decorated interior and its elements serves not only as a conversation starter, but also as a filter from unwanted conversations and painfully boring small talk. 

“I think that since I’ve decorated my car, it’s like my filter,” said Larkins. “The people who get in and are like, ‘Oh my god,’ those are my people and those are the ones that I’m there for. And the ones that get in and are silent, I just let them sit there and soak in the rainbows.” 

They say that there have been more good interactions, than bad ones and more people who ‘get it,’ than those who don’t. 

Anthropomorphizing cars is nothing new to pop culture. In fact, cars have almost always had names and it is almost a part of engrained American culture to assign personalities to them based on their cosmetic characteristics. 

The earliest examples on TV go as far back as the 1940s and some of the most memorable examples are Christine, the possessed, killer Camaro from Stephen King’s imaginative mind. 

Or Herbie, the 1963 Volkswagen Racing Beetle from the early cartoon TV show Herbie, the Love Bug.

In everyday routine, people spend so much time and energy on and around inanimate objects, that they sort of become meaningful elements who accompany us on our journeys from here to there–and back. 

“What I’m doing now with her is switching out different designs with the seasons,” said Larkins. 

Larkins drives around Los Angeles and West Hollywood, picking up and dropping off people from all walks of life. (Photo Credit Gisselle Palomera)

“So right now we have our spring/summer look and a lot of the things in there are removable, velcroed and stapled.” 

They say that right now they are exploring a very niche area of automotive interior design that they feel has not been explored within vehicles recently. 

“It’s just hard for other people to conceptualize it and what I often describe to people, comes off as very tacky and just kind of nasty– not demure, not cute.” 

Larkins feel they are really just now setting the stage for what’s possible, as far as interior customizations. 

“I want to start creating this world in which design plays a bigger role in what a car could be and the experience of just being transported,” said Larkins candidly. “I want to invite people into my little delusional fantasies.” 

Larkins believes that even in the present and near future of self-driving vehicles, they would like to collaborate with these major self-driving car companies and take part in designing and customizing the vehicles so that it can be a pleasurable and fun experience for riders who might feel anxiety about self-driving technology. 

The inside of Mollie is adorned from top to bottom and from left to right. (Photo Credit Gisselle Palomera)

Modifying and customizing cars has been a part of the North American experience since the early 1930s. Now, attention is shifting toward the addition of technologies like Augmented Reality, to enhance the experience of driving and getting from point A to point B, and also using that technology to navigate the vehicle without a driver. 

There are now endless possibilities when it comes to custom car culture and Larkins feels this is their place to explore and forage for the looks that people want and can’t even imagine. 

“I want to step away from driving for the platforms and I would love to design with them,” said Larkins. “There is a group of people that are in support of this future technology and there is this other group of people that are kind of scared of it because it feels very cold and very uninviting and very new, so I would like to be the one to sort of bridge that gap for those people and make it less scary.” 

The vision that Larkins has, is that they would like to reimagine the possibilities of custom interiors with interchangeable parts and additions that one could only think of as synonymous to Barbie and her endlessly fun assortment of interchangeable outfit components. 

Larkins sees a long future ahead, where they have the opportunity to collaborate with airlines, rideshare companies and any other sponsors who are willing to make their visions come to reality. Until then, they will continue to weave up and down the asphalt arteries of WeHo and beyond, rolling on Mollie and working on their fairytale ending.