Queer Latin Dance L.A. hosted their Holiday Social on Saturday, celebrating their 10-year anniversary. Beginner and experienced dancers were welcomed to the night-long party that went from 8 p.m. to 1 a.m. The evening featured music by D.J. K Bunny and special performances. 

Arlene Santos, one of the cofounders of Queer Latin Dance L.A., said the group started when a friend who had visited Santos’ own studio invited her to teach at a meetup in North Hollywood. Through word of mouth, about 80 people showed up to the first meetup of what they called a ‘same-sex dance class.’ Chairs and tables had to be shuffled around to make space for dancing in the small, smoky dive bar.  

Santos told CALÓ News that people had driven to North Hollywood all the way from Diamond Bar and Orange County. When she suggested salsa studios closer to those travelers, they told her they didn’t feel welcome in other dance spaces. One of the reasons was that gender was more strictly enforced; attending men didn’t want to dance with other men and women weren’t welcome to try and lead. Same-sex dancing couples received uncomfortable stares from others and teachers used unnecessarily gendered language to refer to class members. 

“That’s something that I was guilty of 20 years ago when I was teaching,” Santos said. “I’d say, ‘okay, take the ladies and rotate.’ And now it’s something I would never even dream of saying because it doesn’t even make sense to me anymore. It’s not about ladies and gentlemen, [dancing] is about leaders and followers.”

The queer-specific dance scene has grown over the past 10 years, according to Santos, who said Queer Latin Dance L.A. cross-promotes with other groups and sends students with different schedules to places that are a better fit. The company has grown in their own ways as well. Now, a few former students have become instructors who lead the group’s very own competitive dance team. 

Santos said she’s hopeful about the years to come.  

“I just want the scene to keep growing and for these spaces to be around so that anyone can come and dance and feel like they’re in a safe space,” she said.

Saturday night featured a salsa class at 8 p.m., bachata lesson at 8:40 p.m., and dance performances at 10 p.m. more information can be found on their site

When it comes to all-sing-and-dance musical productions, the Gay Men’s Chorus of Los Angeles never fails to pull out all the stops. The festive shows make the Top Twenty LA Holiday Events List annually and 2024 looks to be no exception.

The SugarPlum Fairies Holiday Concert is set to feature “some of the most magical music ever written, filled with sugar plums, rich chocolate, and pure fantasy.”

Audiences can expect the 200-strong chorus to perform 25 songs ranging from iconic Christmas classics to a modern twist on the festive ballet. The Nutcracker’s Dance of the Sugar Plum Fairies and Willy Wonka and the Chocolate Factory’s Pure Imagination are among the musical repertoire, while Dolly Parton’s Hard Candy Christmas and Sia’s Candy Cane Lane represent the new holiday cohort. 

“You’re going to hear some Christina Aguilera, you’re going to hear some old school [songs] from the 60s about candy, and you’re also going to hear some traditional music,” said choreographer, Ray Leeper. “Wonka is really hot right now, so you’re going to hear some of the the old Wonka and from the new movie.”

This year’s Christmas show promises to be a particularly special one, with the group celebrating its 45th anniversary of service and community. 

“Everything we do is because of the incredible support we get from our singing members, who have been giving their time, energy, commitment, and activism for over 45 years,” GMCLA Executive Director, Lou Spisto explained. 

The chorus continues to garner acclaim for artistic excellence while remaining deeply rooted in its service. For those who don’t know, GMCLA was founded in 1979 in the midst of the country’s gay rights movement. 

Members spread a message of love and acceptance, with programs like SugarPlum focusing just as much on social justice as they do show tunes. 

“The Gay Men’s Chorus of Los Angeles is well known for great music, great artistry, and great concerts that we do in these major venues around town–but it’s far more than that,” Spisto added.“Each year, we do around 43 events in high schools, community centers, and hospitals to be with our communities and support them… those who look like us and those who don’t. I’m so proud to say we’ve grown these projects over the last six years.”

Its award-winning school program Alive Music Project has served over 90,000 young people since its inception. AMP also offers an opportunity to enrich each school’s music education program, with Choral students invited to perform with GMCLA at the presentations.

Their Arts for Healing & Justice program provides introductory music classes for incarcerated youth in Los Angeles County’s juvenile correctional system. They join an interdisciplinary collaboration of outstanding organizations, providing exceptional arts programming to build resiliency and wellness, eliminate recidivism, and transform the juvenile justice system.

Concerts such as SugarPlum are helping to raise funds for this vital work on an annual basis. When the chorus isn’t working on ticketed events like their Christmas concert, their yearly free events help to expand community access even further. Past venues include the Hollywood Bowl, Walt Disney Concert Hall, and Pasadena Civic Auditorium. 

As for the immediate future, GMCLA’s hope is triumphing over hate. The result of this year’s presidential election is likely to affect California’s LGBTQ+ community in some way, but Spisto is only seeing upsides, not downsides. 

One such upside? Using SugarPlum as the perfect opportunity to celebrate Los Angeles’ vibrant queer community for the loud and proud individuals they are. 

“It’s an interesting time in our world today. GMCLA has been speaking loudly, singing loudly, and standing up for this community and others for decades, and we’re going to continue to do that,” said Spisto.

SugarPlum Fairies will be at the Saban Theatre, Beverly Hills on December 14 at 8pm and December 15 at 3:30pm. Buy tickets now at https://www.gmcla.org/sugarplumfairies. Prices range from $45-$125. If you want to support the Chorus’ ongoing educational work, you can make a donation at GMCLA.org/holidaygiving. Eligible donations of $120 or more–or new monthly donations of $10 or more–will receive an official GMCLA Holiday Sweatshirt as a thank-you gift. Donations must be made by December 31st to be eligible.

At 54 and single, comedian Adam Sank is as much a veteran of the gay dating scene and of the stage, so when he was challenged to put together his new show, he did what came natural: he mined his lifetime of hookups and dates gone wrong, for an hour of laughs.

Now he’s bringing that award-winning show, Bad Dates: A One-Man Show About Many Men, to Southern California for a pair of dates in Los Angeles and San Diego Dec 6-7.

“The show opens with me saying, ‘I’m 53 years old and single,’ and fortunately, I haven’t had to change the script in the last year and a half that I’ve been performing this,” Sank said with a wry smile over a Zoom call from his New York apartment.

If that sounds like a hint of bitterness about the single life coming through, Sank is quick to dismiss it. 

“I think there’s this notion in our culture, it’s sort of ingrained in us that if you’re not married, if you don’t find your person, you’re somehow lesser. You’re somehow leading a less full life,” Sank said. “It’s taken me a long time to be able to say I truly believe that’s bullshit.”

“Finding your person does not equal happiness and being single does not equal sadness,” he continued. 

Sank has been rising through the comedy trenches for twenty years. He says he got a late start in stand-up at age 32, after getting burned out working as a television news producer. Over the years, he’s competed on Last Comic Standing and appeared as a commentator on shows like I Love the 2000s and Best Week Ever. 

Bad Dates marks something of a departure, with a stronger focus on long-form narrative as Sank goes deeper into what a life spent single means. And it’s a departure that’s won him many plaudits from critics such as two Broadway World Cabaret Awards for the show’s original run at the Stonewall Inn in New York last summer.

“There’s a cost to spending your entire adult life searching for the one, the perfect love story, when we expend so much energy and time and resources into that one thing we neglect everything else,” he said.

But Bad Dates at least proves there’s one benefit to trudging through the dating trenches across decades: the stories. And boy, does Sank have stories. Twinks, injuries, being invited to orgies, not being invited to orgies–Sank’s dating life has proven a goldmine of hilarious material.

“We like hearing about any misfortune because we identify with so much of it and it makes us feel less alone. You know, I think a lot of people out there–especially people who are not necessarily young and single–relate to this show because they’re like, ‘Oh my God, I’m not the only one who has been through these situations,’” he said.

Which isn’t to say Sank doesn’t have those romantic notions. He’s just maybe become a bit more realistic about the pursuit of partnership.

“When I was younger, I don’t think I was ready. I think I had so much work I needed to do on myself, and I had this very false idea about what a relationship should look like and what it would do for me. I basically bought into the whole rom-com idea that you would meet your person and you would live happily ever after. And that’s just not true for anyone. Even if you have the world’s greatest relationship, you have to constantly be doing work on yourself and on your relationship to keep it going,” he said.

If Sank reveals any regret, it’s that he didn’t figure all that out sooner.

“I really need a guy in my age range who’s single and they’re almost always really damaged–which is why they’re still single at my age,” he said. “I’m sure I’m just as damaged as they are, but the point is, it’s a lot harder.”

Adam Sank’s solo show Bad Dates goes on at The Broadwater Main Stage, 1078 Lillian Way, Los Angeles, on Friday, December 6 at 9pm, and at the Diversionary Theatre, 4545 Park Boulevard #101, San Diego, on Saturday, December 7 at 7:30pm. Tickets here.

Zizi Bandera and Ty Curiel, came together to form what is now Botitas–a small business brand and organizing space for Queer, Trans, Black, Indigenous and People of Color to celebrate and embrace identity, ethnicity and community. 

The co-founders of Saturday’s Botitas event Cafécito and Comunidad, say they had to close the RSVP’s because they reached capacity and were afraid of having issues with the Parks and Recreation Department that issues parking permits and sets a limit for the number of people allowed to gather at Elysian Park in Los Angeles. 

“It’s our first event here and it’s an amazing turnout,” said Bandera. “TikTok blew us up.”

Bandera referenced the TikTok video they posted announcing the event and says that they woke up the next morning to see that they had well over a hundred RSVP’s for the event that they expected would only have a couple dozen people. 

“We had someone who is part of our community call up the councilmember for this district and was able to talk to whoever is in charge of Parks and Rec to OK more capacity,” said Bandera. “[Eunisses Hernandez, Councilmember CD-1] also got us the tables and permits.”

Bandera stresses that the amount of people who reserved a spot for the event comes to show the need for space like Botitas. 

“I thought it was going to be maybe fifteen, twenty people,” said Bandera. 

The space is held intentionally for the BIPOC community within the broader LGBTQ+ community, with the intention of centering BIPOC voices that can otherwise be erased, marginalized, sidelined or silenced in broader community conversations. 

“Our focus is to have these community spaces and to serve our trans Latine community in Los Angeles and beyond,” continued Bandera. “We thought about making this project a nonprofit, but we wanted to really have full agency and control over, in terms of the needs of our community.” 

Bandera says that going the nonprofit route has its own challenges and obstacles because of different stakeholders. They stress the importance of their community being the stakeholders in this business journey. 

Though the day was a bit gloomy with some light rain, many people gathered to mingle, chat and yap, along with some coffee at Elysian Park in Los Angeles this past Saturday (Photo Credit Gisselle Palomera).

“I’ve been working in community organizing, mobilizing around LGBTQ and immigrant issues for almost fifteen years now and I’ve always wanted to create something that was for us, led by us–queer, trans, Latine and intergenerational.” 

Bandera says that they were inspired to create this space for QTBIPOC because of a report released earlier this year pointing to a loneliness epidemic that disproportionately affects LGBTQ+ people over their heterosexual peers. 

The report states that ”…LGBTQ+ youth exhibit higher rates of loneliness, social isolation, and depressive symptoms than their heterosexual peers. Moreover, LGBTQ+ youth grappling with loneliness are less likely to reach out for help regarding their mental health concerns.’

The other co-founder of Botitas has different reasons to have started this business journey. 

“Botitas is one day today and another thing tomorrow,” Curiel said. “Our idea came from wanting to create a brand–something that you can wear when you’re out and about in the city. A brand that is backed by people who resonate with you as Latine folks, queer, trans and that’s what we are.” 

Curiel also states that the current state of politics also plays a major role in his idea to create Botitas. “We want to [create these spaces], especially in this time and age where there’s a rhetoric of people spreading hate.”

This event is in a public space, encouraging people who show up, to gather in a space that supports sobriety. The offerings included cafécito, pastries and games. 

Earlier this year during pride month, Curiel says he and Bandera were looking at historic news articles and photographs of LGBTQ+ life in Los Angeles during the 1950s and 60s, from an exhibit at the Central Library in DTLA, and that’s when it hit them both that none of the people in the photos looked like them. They did not feel represented. 

This moment urged them to reconsider what it means to them to feel represented, heard and seen–thus bringing about the idea for Botitas. 
Follow @Botitas.World on Instagram and TikTok to get more information on upcoming events.

Content Warning: Mentions of hate, gender-based violence.

Trans Day of Remembrance is coming up this Nov. 20, preceded by the Trans Week of Awareness from Nov. 13 to 19.

This year has been full of grief for the transgender community across the country. In 2024 alone, the Human Rights Campaign has kept track of 27 transgender and gender-expansive people across the United States who died of violent causes, such as gun or intimate partner violence. According to the Los Angeles District Attorney’s Office Hate Crime Report on data from 2022, 44 anti-trans hate crimes were the highest number ever recorded in the county, surpassing 42 in 2019. The county crimes had a large rate of violence as well at 91 percent. TDOR seeks to honor the lives of people lost to this type of circumstance.

For those unfamiliar with the history, Trans Day of Remembrance started in 1998 with Gwendolyn Ann Smith. According to Vogue Magazine, the trans writer and activist heard of Black trans woman Rita Hester’s murder in Boston in an online forum, and found the case was greatly similar to that of another Black trans woman who had been killed in Boston in 1995, Chanel Pickett. Realizing a need for documentation, Smith created the Remembering Our Dead web project to track instances of violence against the trans community.

In 1999, trans community members in both San Francisco and Boston used the web project as source material to coordinate candlelight vigils, creating the November holiday.

“I am no stranger to the need to fight for our rights, and the right to simply exist is first and foremost,” Smith said. “With so many seeking to erase transgender people — sometimes in the most brutal ways possible — it is vitally important that those we lose are remembered, and that we continue to fight for justice.”

If you’re looking to pay your respects or be in community with others, here are a few events to attend. Allies welcome.

November 15, 6 p.m.: The Trans Advisory Board in West Hollywood is hosting a small reception and ceremony at the WeHo City Council Chambers. For more details, visit weho.org/lgbtq

November 20, 3 to 6 p.m.: Cal State L.A., is hosting a resource fair with music, vendors, and more to celebrate and commemorate the trans community. Find more information on their event page. 

November 20, 4 p.m.: L.A. Civil Rights Department, Trans Advisory Council and the office of Councilwoman Traci Park are hosting a gathering at City Hall. Guests are invited to join an evening of reflection and community. Register for free through this form.

November 20, 5 to 7 p.m.: The queer and trans connect team at Latino Equality Alliance is hosting a special event inviting community members to bring photos for their TDOR altar and enjoy light refreshments. Find more details and register for the event for free through their online form. 

Infinity Festival brings together art, innovative technology and creative thinking, to the intersection of the Hollywood entertainment industry. This year, the event is taking place at The Avalon Hollywood, Nov 6 through Nov 9. 

The event founders, Mark Lieber and Adam Newman, created this space to bring together Hollywood’s creative visionaries, with Silicon Valley’s cutting-edge technology. 

Mark and Adam are not only business partners, but life partners too. 

“We met at a party in the Paramount lot and that was 28 years ago,” said Adam. “We worked separately for many, many years and when our careers started to change a bit, we came together to develop projects in television through a company that we formed.”

The two decided to marry in 2014, soon after it became legal to do so in California after Prop 8 was successfully ruled unconstitutional and same-sex couples were allowed to marry. 

“We live together, so work is 24/7 and we often get into situations where I have to ask Mark not to talk about work after one o’clock in the morning because I need to go to sleep,” said Adam. 

The two set out on a mission to unite their complementary strengths and creative visions, to bring together this innovative festival that spotlights the foremost cutting-edge technologies in the entertainment industry. 

This year’s festival will feature prominent voices from the technology, gaming and entertainment industries. The festival will also feature Julien’s Auction, presenting over 200 collectibles from Star Trek on exhibition throughout the festival and then culminating in a live auction on Saturday at 10AM. 

The festival’s purpose is to display and discuss the future of technology and its intersection with the gaming and entertainment industries using Artificial Intelligence, Virtual Reality and Augmented Reality.

The festival features keynote speeches, collaborative demonstrations with partners like Sony, HP, Verizon and Intel.

The panels will feature discussions on the evolution of animation, cross-media development, virtual effects, gaming production and many other topics.

“We’re not there to talk about how scary AI is, but to talk about how it’s going to be a wonderful tool to push the entertainment business into a broader scope of technology,” said Adam in an interview with Los Angeles Blade. 

Mark addressed the concerns that many people have regarding AI taking jobs in the entertainment industry, specifically Hollywood. 

The major points of discussion and demonstration at Infinity Festival include: Generative AI, Utility AI, Procedural AI, Mini Labs- Scripted & Unscripted, Machine Learning, Ethics, Natural Language Processing, Computer Vision (AR, Spatial Computing), Deep Learning and Expert Systems.

Earlier this year, Gov. Newsom singed AB 896, the Generative Artificial Intelligence Accountability Act, into law. 

“We are talking to people who are using it in a way that won’t eliminate creative jobs, but maximize efficiency,” said Adam. 

There is a lot of fear and anxiety surrounding job loss to AI, but Adam reassures festival attendees that learning about how to work in tandem with AI, will be beneficial to productivity and that this is a good thing for many of these industries and their many job functions. 

“I look forward to seeing everybody, I mean really, it’s just a great group of people and bring these two groups of tech and production together,” said Mark.  

(Photo Courtesy of Mark and Adam) Adam (L) and Mark (R), have been married for over 10 years and together they dedicate their careers toward making Infinity Festival a success for the entertainment, gaming and tech industries.

Mark and Adam created the festival in 2018, but they have been married for 10 years. They got married shortly after it became legal in California in 2013. 

They both came from a background in entertainment, Mark has experience in executive roles and Adam had experience in Hollywood production. They came together, married and in 2017, when both of their careers were taking a different path, they decided to start Infinity Festival. 

Since then, they have worked together to bring forth the best and latest technology to their events and bridge the gap between industries that will continue to incorporate AI into their systems.

The Monolith Awards this year will happen on Friday, Nov 8 at 7:30PM at The Aster. There are various categories for the Monolith Awards; Gaming Tech: Audio-Driven Narrative, Excellence in User Experience, Visionary Innovation, Live Engagement, Jurors Choice: New Media Fine Art, Audience Award for Best of Fest Popular Vote, Next Gen: Student + Teacher, and the Nexus Award: Excellence in Applied Technology.

Even the dogs know 90210 is the zip code that offers the best treats.

Beverly Hills is known for high-end shopping, $500 haircuts, pampering at every turn and a few famous and infamous celebrity homes. But this Sunday it’s going to the dogs — at least for one day.

Beverly Hills will host its annual Doggy Daze 90210 festival next Sunday at Roxbury Park, transforming the grassy expanse known as “Wiggly Field” into a hub for pet adoptions, entertainment and family activities.

The free event, running from 11 a.m. to 3 p.m. on Nov. 3, aims to connect homeless pets with potential owners while celebrating the bond between humans and animals.

“This is more than just a pet festival — it’s about building community and helping animals in need,” said Dana Besen, spokesperson for the City of Beverly Hills, which organizes the event.

Five rescue organizations, including The Amanda Foundation and Wags and Walks, will bring adoptable pets to the festival. A highlight of the day will be a pet parade featuring costumed animals, followed by a talent contest.

30 vendors will line the park, offering everything from luxury pet spa services to gourmet pet food. Even Shake Shack is getting in on the action, selling special “pup cups” for four-legged attendees.

For children, the festival will feature an arts and crafts zone, face painting, and library story time sessions. Food trucks will be onsite throughout the day.

The event has attracted notable local support, with Beverly Hills residents Lili and Jon Bosse serving as gold sponsors. Owen Care and Foo Dee Doo Press have also signed on as sponsors.

To manage the expected crowds, organizers have arranged free parking at Beverly Hills High School, with pet-friendly shuttles running to and from the park from 10:45 a.m. to 5 p.m.

Last year’s event drew hundreds of attendees and resulted in so many pet adoptions, according to city officials, that the event is now one of the most popular the city hosts. They expect an even larger turnout this year.

The festival comes as animal shelters across Los Angeles County report high numbers of pets needing homes, making events like Doggy Daze increasingly important for connecting animals with potential adopters.

Roxbury Park is located at 471 S. Roxbury Drive in Beverly Hills. More information about the event can be found at beverlyhills.org/csevents.

Drag legend Lady Bunny is back in Los Angeles in “Don’t Bring the Kids,” her laugh-out-loud comedy show that has been selling out venues nationwide. Known for her towering wigs, sharp wit, and fearless attitude, Bunny’s latest revue delivers everything fans love about her—and more. On Saturday, October 19, at 6 p.m., “Don’t Bring the Kids” lands at The Vault in the Beverly Center, promising an early evening of pure, unfiltered entertainment that’s definitely not for the faint of heart.

So, what can fans expect from Lady Bunny this time around? True to form, “Don’t Bring the Kids” is packed with jaw-dropping moments, from parodies of pop icons like Adele and Cardi B to an original dance tune called “Is It Ozempic, Or…”, based on Bunny’s distorted views of the popular weight-loss drug. “The show is a mix of musical styles,” Bunny explains.  It even includes a dishy number about some of your favorite queens from RuPaul’s Drag Race. “I tease Trixie Mattel for stealing my look, call out Willam for being a whore, and do a remake of ‘Big Dick Energy’ about Yvie Oddly. Let’s just say the rumors are true,” she says.

“Drag Race has given me plenty of material,” she reflects.  “I love poking fun at the queens, and I always update my act with topical humor.”

“Don’t Bring the Kids” isn’t merely about drag celebrity gossip. Bunny tackles serious issues, like defending drag queen story hours in the face of conservative backlash. “As I say in the show, ‘Look at my wig. I can barely groom myself!’” Bunny quips. 

There’s also a parody of the viral spat between Marjorie Taylor Greene and Representative Jasmine Crockett, and Bunny takes the opportunity to unveil her brand-new bitch track, “Pussy This Good”, out now on all platforms.

The performance pushes boundaries, and Bunny admits that’s exactly the point. “I came up in the late-night NYC club scene where we were encouraged to be as wild and dirty as possible. My humor isn’t for everyone, and it’s certainly not for kids — hence the title.”

“Don’t Bring the Kids” is both a warning and a promise. Bunny makes it clear that her comedy is strictly for mature audiences, with jokes and performances that might be too much even for some adults. “I’ve always felt it’s important to be upfront,” she continues. “I love dark, raunchy humor, and that’s what my audience comes for. Every show so far has gotten a standing ovation, and we’ve sold out in Philly, DC, and San Francisco.”

For Bunny, bringing her show to LA, particularly at The Vault, is an exciting opportunity. “I’ve worked with Voss Events (the show’s producer) for years, and they found this fantastic space.  I DJed there this past New Year’s Eve, and it’s perfect — great stage, excellent sound. I’m excited to be back in LA, a city that always knows how to appreciate a little twisted drag humor.”

Of course, no Lady Bunny interview would be complete without a few words about her longtime friendship with Troy Masters, publisher of LA Blade. “Troy and I go way back,” Bunny recalls. “One of my first magazine covers was for Outweek, a publication he ran back in the ’80s.  I was still thin then and working my own blonde hair! He’s been such a supporter, even hiring me to work as a phone monitor for his boyfriend’s sex line. I’d pop onto the leather line in a queeny voice, calling myself ‘Humphrey Davenport, dominant top.’ The leather guys hated it, but I thought it was hilarious.”

Lady Bunny presents “Don’t Bring the Kids” at The Vault in the Beverly Center on Saturday, October 19^th at 6pm.  For ticket’s visit VossEvents.com.

APLA Health will celebrate its 40th anniversary this Sunday at West Hollywood Park, by kicking off the world’s first and oldest AIDS walk with a special appearance by Salina Estitties, live entertainment, and speeches.

APLA Health, which was formerly known as AIDS Project Los Angeles, serves the underserved LGBTQ+ communities of Los Angeles by providing them with resources. 

“We are steadfast in our efforts to end the HIV epidemic in our lifetime. Through the use of tools like PrEP and PEP, the science of ‘undetectable equals intransmissible,’ and our working to ensure broad access to LGTBQ+ empowering healthcare, we can make a real step forward in the fight to end this disease,” said APLA Health’s chief executive officer, Craig E. Thompson. 

For 40 years, APLA Health has spearheaded programs, facilitated healthcare check-ups and provided other essential services to nearly 20,000 members of the LGBTQ+ community annually in Los Angeles, regardless of their ability to pay. 

APLA Health provides LGBTQ+ primary care, dental care, behavioral healthcare, HIV specialty care, and other support services for housing and nutritional needs.

The AIDS Walk will begin at 10AM and registrations are open for teams and solo walkers. More information can be found on the APLA Health’s website.  

The first LGBTQ+Ñ Literary Festival in Spanish – the first of its kind – will kick-off six days of panels, short film screenings, book signings, performances and a photo exhibit starting today, at different locations across Los Angeles. 

The LGBTQ+Ñ Literary Festival will bring together Spanish-speaking and Latin American writers who explore and celebrate a variety of themes in their work, including sexual diversity and perspectives on identity. 

“Feminist culture and LGBTQ+ culture have been the movements that have most transformed modern societies in recent decades, and therefore deserve special attention,” said Luisgé Martín, director of Instituto Cervantes of Los Ángeles. “There was no stable forum that brought together creators from across the Spanish-speaking world, which is why we have organized this literary festival. It aims to serve as a framework for reflection and a meeting point for LGBTQ+ writers.” 

The festival will bring together authors, readers, academics and activists, to discuss their experiences and share perspectives about the LGBTQ+ community and its academic intersections. 

The first stop for the literary festival is at the Instituto Cervantes of Los Ángeles, from 7 PM to 9 PM on Tuesday, to screen short films that are part of FanCineQueer. 

The festival will feature authors like Myriam Gurba Serrano, Alejandro Córdova “Taylor”, Felipe J. Garcia, Boris Izaguirre, Nando López, María Mínguez Arias, Felipe Restrepo Pombo, Claudia Salazar Jiménez, Pablo Simonetti, and Gabriela Wiener. 

There will also be a photo exhibit and featured photographers such as Gonza Gallego and Liliana Hueso. 

The festival will take place at multiple venues including the Instituto Cervantes of Los Ángeles, The Student Union at Los Angeles City College and Circus of Books. 

For more information on the event visit the Instagram page for Instituto Cervantes of Los Ángeles.