GALECA: The Society of LGBTQ+ Entertainment Critics released their nominations for 2024 films and it’s no surprise the year’s campiest film took home the most awards. Coralie Fargeat’s The Substance (2024) a fearless, campy and over-the-top 2024 film about Hollywood’s perspective of beauty standards, was awarded Film of the Year. 

An unofficial member of the Brat Pack and star in The Substance, Demi Moore, impressed GALECA film critics so much so, the queer critics bestowed her with the Timeless Star career achievement award which honors “an exemplary career marked by character, wisdom and wit.” Moore joins a list of previous winners such as Jane Fonda, John Waters, Jodie Foster and over a dozen others. 

Her gripping and deeply unsettling, but great, performance in The Substance also earned her the Dorian award for Film Performance of the Year. 

Fargeat took home Director of the Year and her film won the Campiest Flick and Genre Film of the Year. Though the film itself was shocking, it was no surprise that Fargeat’s Mubi release would do so well among the queer critics. 

“In our 16th year, GALECA’s members still have wicked fun toasting their favorites in film both mainstream and LGBTQ-themed,” said Walt Hickey, president of GALECA.

Writer-director Jane Schoenbrun’s psychological horror drama I Saw the TV Glow (2024) led the Dorian award nominations, ultimately snatching the LGBTQ+ Film of the Year, as well as LGBTQ screenplay honors. 

“I’m certain even some ultra-conservatives who are out to erase all sorts of ‘woke’ words and letters—not to mention history—are secretly taking note of our winners. Everyone appreciates the expert Q+ eye on entertainment.”added vice president Diane Anderson-Minshall.

Ariana Grande claimed the Supporting Film Performance of the Year award for her role in Wicked (2024), while Jonathan Bailey was named Rising Star and Cynthia Erivo – who aced her performance as Elphaba Thropp – won LGBTQ+ Film Trailblazer. Erivo took home the trailblazer award which aims to honor artists who “inspire empathy, truth and equity,” – an absolutely fitting description of Erivo’s character in the box office hit. 

Road-trip documentary starring Will Ferrell and trans comedy writer Harper Steele, Will and Harper (2024) won both Documentary of the Year and LGBTQ+ Documentary of the Year. 

Justin Kuritzkes earned Screenplay of the Year for Challengers (2024), while Trent Reznor and Atticus Ross won Film Music of the Year for their Berlin-themed techno score inspired by 90s rave music. 

More wins came for Vera Drew’s The People’s Joker (2023) and Julio Torres’ Problemista (2024), who both won the Unsung Film Dorian award. 

RaMell Ross won Visually Striking Film of the Year for the historical drama, Nickel Boys (2024).

The Dorian Award for Animated Film of the Year went to Flow (2024) – a mystical film about a courageous cat on its journey away from home.

The Best Non-English Language Film award went to Brazil’s factually accurate historical drama I’m Still Here (2024), while Best LGBTQ+ Non-English Language Film award went to the controversial Emilia Peréz, even amid the controversies surrounding Karla Sofía Gascón.

We have to admit that, in a week like this one, writing about movies – or, even more so, movie awards – feels a little bit irrelevant.

Even so, the Blade would be remiss if we didn’t report that the nominations for the 16th Annual Dorian Awards have been announced by GALECA: The Society of LGBTQ Entertainment Critics, not just in the name of maintaining normalcy but as a reminder of the importance and influence of the “Q+ eye” within the arts and entertainment sphere. After all, we’ve been leading pop culture as tastemakers ever since there has been a pop culture. And while the Dorian voters’ choices don’t always line up exactly with those of the higher-profile mainstream awards bodies, they reflect a strong counter-cultural perspective that feels ahead of the curve when it comes to singling out underappreciated gems, seemingly predicting – or proclaiming – the trends and topics rising in the public consciousness before the film industry itself seems to catch on.

This year’s crop of nominees especially highlights this “maverick” insight, omitting many of the front-running choices in the annual awards season in favor of niche-y (but timely) “genre” films that are typically disregarded by organizations like the Golden Globes or the Oscars. Indeed, the Dorians’ two most-nominated titles – filmmaker Jane Jane Schoenbrun’s “I Saw the TV Glow” and Coralie Fargeat’s “The Substance” – are horror films, reflecting a growing critical appreciation for the genre among a rising younger generation of queer film commentators, as well as within the larger cinephile community itself.

The Dorian Awards — named after the title character in “The Picture of Dorian Gray,” written by queer literary and theater icon Oscar Wilde, in whose honor the awards are named — differ from other awards in that they divide the top film prizes into multiple categories, and further offer separate awards in several of those divisions for mainstream or LGBTQ movies. At the same time, the performance awards are not divided by gender; rather, the prizes are designated for lead and supporting performances, with actors of all genders competing together for a single prize in each category. In addition, there are a number of awards unique to the Dorians, such as Best Genre Film, Best Unsung Film, and Campiest Film.

Leading this year’s nominations with a total of nine is “I Saw the TV Glow,” a surreal, trans-themed horror allegory largely ignored by the other awards groups; with nominations for both Best Film and Best LGBTQ Film, plus nods for Schoenbrun’s direction and screenplay and the performances of stars Justice Smith and Brigette Lundy-Pain in the Lead and Supporting Performance categories, respectively. In addition, it’s a contender for the Dorians’ “Most Visually Striking” award, which celebrates the overall “look” of a film’s design.

Coming in second with eight nods, darkly satirical body-horror thriller “The Substance” competes as Best, Campiest, Genre, and Most Visually Striking film, with additional nominations including Best Performance (Demi Moore and Margaret Qualley, in Lead and Supporting categories, respectively) and nods for its direction and screenplay as well.

Somewhat surprisingly, acclaimed trans mobster musical “Emilia Pérez” was omitted from the Dorians’ Film of the Year category, despite being a front-running contender in other major awards races – though it still claimed six nominations, including LGBTQ Film, Non-English-Language Film, and LGBTQ Non-English Language Film, and Performance nods for breakout transgender star Karla Sofía Gascón and co-star Zoe Saldaña. Also with six nods is “Challengers,” Luca Guadagnino’s bisexual-themed tennis romance, which scored in both the Best Film and LGBTQ Film, among others; “The Brutalist,” director Brady Corbett’s epic saga of a Jewish Holocaust survivor’s rise to success as an architect in post-WWII America, grabbed five, including nods for Best and Most Visually Striking Film, Corbett’s direction, and Adrien Brody’s career-topping lead performance.

Other films with multiple nominations were “Challengers” (five), “Anora,” “Nickel Boys,” and “Wicked” (four each), and “Problemista” and “Queer” (three each). Guadagnino also helmed the latter, an adaptation of William S. Burroughs’ gritty novella about an aging American ex-pat in 1950s Mexico City filmmaker, which scored a Best Lead Performance nom for star Daniel Craig and made the list for both Best LGBTQ Film and LGBTQ Screenplay, but did not earn him a Best Director nomination – though he did make the cut for the “Challengers.”

Other noteworthy titles in GALECA’s awards lineup include the inventive faux-silent slapstick comedy “Hundreds of Beavers” (nominated both as Campiest and Best Unsung Film of the Year); “Sing Sing” (which earned nods for both its star, out queer actor Colman Domingo, and real-life convict turned movie star Clarence Maclin; Robert Eggers’ stylish reimagination of the silent classic “Nosferatu” (riding the pro-horror wave to compete in both Best Genre and Most Visually Striking Film categories); and trans-centric competitors “The People’s Joker,” “National Anthem” (both up for Unsung LGBTQ Film), and “Will & Harper” (Best Documentary and LGBTQ Documentary), all providing a timely counterpoint to the real-world transphobia currently being deployed as a political wedge in American politics.

Of course, alongside all these queer-themed contenders, there are still plenty of competitors also in the running for the remaining high-profile awards – such as “Wicked” and its leading players, “Conclave,” and the aforementioned “Anora” and “Sing Sing.” Any of these nominees could end up winners, too, which is part of what makes the Dorians a singular entity in the annual awards race.

In addition to revealing the Dorian nominees, GALECA also announced that it would donate $1,000 to The Los Angeles Press Club’s emergency relief fund, earmarked for entertainment journalists directly affected by the historically devastating wildfires that have destroyed vast swaths LA and left thousands of residents homeless.

In a statement, GALECA Executive Director John Griffiths said, “Entertainment journalists are an obviously integral part of the Hollywood ecosystem, and we want to make sure they aren’t forgotten in what’s already a very tough environment for those in our profession.” Vice President Diane Anderson-Minshall added, “We applaud our friends at the Press Club and its sister organization the National Arts & Entertainment Journalism Awards for coming to our brethren’s need.” 

Professional journalists whose main livelihood involves entertainment criticism, editing and/or reportage can apply for help at lapressclub.org. Additional donations may be made there as well.

The winners of the 16th Dorian Film Awards – which also include signature special awards for Rising Star, Timeless Star, Film Trailblazer, and the Wilde Artist Award – will be announced on February 13.

GALECA: THE SOCIETY OF LGBTQ ENTERTAINMENT CRITICS

16TH DORIAN FILM AWARDS LIST OF NOMINEES 

FILM OF THE YEAR

Anora (Neon)

Challengers  (Amazon MGM Studios)

I Saw the TV Glow (A24)

Nickel Boys (Orion Pictures/Amazon MGM Studios)

The Substance (Mubi)

LGBTQ FILM OF THE YEAR

Challengers (Amazon MGM Studios)

Emilia Peréz (Netflix)

I Saw the TV Glow (A24)

Love Lies Bleeding (A24)

Queer (A24)

DIRECTOR OF THE YEAR

Brady Corbet, The Brutalist (A24)

Coralie Fargeat, The Substance (Mubi)

Luca Guadagnino, Challengers (Amazon MGM Studios)

RaMell Ross, Nickel Boys (Orion Pictures/Amazon MGM Studios)

Jane Schoenbrun, I Saw the TV Glow (A24)

SCREENPLAY OF THE YEAR 

— Original or adapted

Anora (Neon)

Challengers (Amazon MGM Studios)

Conclave (Focus Features)

I Saw the TV Glow (A24)

The Substance (Mubi)

LGBTQ SCREENPLAY OF THE YEAR

Challengers (Amazon MGM Studios)

I Saw the TV Glow (A24)

Love Lies Bleeding (A24)

Problemista (A24)

Queer (A24)

NON-ENGLISH LANGUAGE FILM OF THE YEAR

All We Imagine as Light (Sideshow / Janus Films)

Emilia Peréz (Netflix)

Flow (Sideshow / Janus Films)

I’m Still Here (Sony Pictures Classics)

The Seed of the Sacred Fig (Neon)

LGBTQ NON-ENGLISH FILM OF THE YEAR

Crossing (Mubi)

Emilia Peréz (Netflix)

Queendom (Greenwich Entertainment)

Vermiglio (Sideshow / Janus Films)

All Shall Be Well (Strand Releasing) 

UNSUNG FILM OF THE YEAR

—To an exceptional movie worthy of greater attention

Didi (Focus Features)

Hundreds of Beavers (Cineverse, Vinegar Syndrome)

My Old Ass (Amazon MGM Studios)

Problemista (A24)

Thelma (Magnolia)

UNSUNG LGBTQ FILM OF THE YEAR

Femme (Utopia)

My Old Ass (Amazon MGM Studios)

National Anthem (Variance, LD Entertainment)

The People’s Joker (Altered Innocence)

Problemista (A24)

FILM PERFORMANCE OF THE YEAR

Adrien Brody, The Brutalist (A24)

Daniel Craig, Queer (A24)

Colman Domingo, Sing Sing (A24)

Karla Sofía Gascón, Emilia Peréz (Netflix) 

Cynthia Erivo, Wicked (Universal)

Marianne Jean-Baptiste, Hard Truths (Bleecker Street)

Nicole Kidman, Babygirl (A24)

Mikey Madison, Anora (Neon)

Demi Moore, The Substance (Mubi)

Justice Smith, I Saw the TV Glow (A24)

SUPPORTING FILM PERFORMANCE OF THE YEAR

Michele Austin, Hard Truths (Bleecker Street)

Yura Borisov, Anora (Neon)

Kieran Culkin, A Real Pain (Searchlight Pictures)

Ariana Grande, Wicked (Universal)

Aunjanue Ellis-Taylor, Nickel Boys (Orion Pictures/Amazon MGM Studios)

Brigette Lundy-Paine, I Saw the TV Glow (A24)

Clarence Maclin, Sing Sing (A24)

Guy Pearce, The Brutalist (A24)

Margaret Qualley, The Substance (Mubi)

Zoe Saldaña, Emilia Peréz (Netflix)

DOCUMENTARY OF THE YEAR

Dahomey (Mubi)

Daughters (Netflix)

The Remarkable Life of Ibelin (Netflix)

Sugarcane (National Geographic)

Will & Harper (Netflix)

LGBTQ DOCUMENTARY OF THE YEAR

Chasing Chasing Amy (Level 33)

Frida (Amazon MGM Studios)

Merchant Ivory (Cohen Media Group)

Queendom (Greenwich Entertainment)

Will & Harper (Netflix)

ANIMATED FILM OF THE YEAR

Flow (Sideshow / Janus Films)

Inside Out 2 (Disney)

Memoir of a Snail (IFC Films)

Wallace & Gromit: Vengeance Most Fowl (Netflix)

The Wild Robot (Universal, DreamWorks)

GENRE FILM OF THE YEAR

For excellence in science fiction, fantasy and horror

Dune: Part Two (Warner Bros.)

I Saw the TV Glow (A24)

Nosferatu (Focus Features)

The Substance (Mubi)

Wicked (Universal)

FILM MUSIC OF THE YEAR

The Brutalist (A24)

Challengers (Amazon MGM Studios)

Emilia Peréz (Netflix)

I Saw the TV Glow (A24)

Wicked (Universal)

VISUALLY STRIKING FILM OF THE YEAR

The Brutalist (A24)

Dune: Part Two (Warner Bros.)

Nosferatu (Focus Features)

Nickel Boys (Orion Pictures/Amazon MGM Studios)

The Substance (Mubi)

CAMPIEST FLICK 

Hundreds of Beavers (Cineverse, Vinegar Syndrome)

Madame Web (Sony)

Megalopolis (Lionsgate)

The Substance (Mubi)

Trap (Warner Bros.)

“WE’RE WILDE ABOUT YOU!” RISING STAR AWARD

Jonathan Bailey

Vera Drew

Karla Sofía Gascón 

Brigette Lundy-Paine

Mikey Madison

Katy O’Brian

Drew Starkey

WILDE ARTIST AWARD

To a truly groundbreaking force in entertainment

Colman Domingo

Luca Guadagnino

Coralie Fargeat

Jane Schoenbrun

Tilda Swinton

GALECA LGBTQIA+ FILM TRAILBLAZER

For creating art that inspires empathy, truth and equity

Vera Drew

Cynthia Erivo

Luca Guadagnino

Jane Schoenbrun

Julio Torres

TIMELESS STAR (Career achievement award)

Honoring an exemplary career marked by character, wisdom and wit

To be announced February 13 with all winners.

Nomination counts per studio:

Altered Innocence – 1 

Amazon/MGM + Orion – 13

A24 – 25

Bleecker Street – 2

Cineverse / Vinegar Syndrome – 2

Cohen Media Group – 1 

Disney – 1

Focus Features – 4

Greenwich Entertainment – 2

IFC – 1 

Level 33 – 1 

Lionsgate – 1

Magnolia – 1 

Mubi – 10

National Geographic – 1

Neon – 5

Netflix – 11

Searchlight -1 

Sideshow / Janus Films – 4 

Sony – 1

Sony Pictures Classics – 1

Strand – 1

Universal  – 5

Utopia – 1

Variance / LD Entertainment – 1 

Warner Bros. – 3 

About GALECA & The Dorian Awards

Formed in 2009, GALECA: The Society of LGBTQ Entertainment Critics honors the best in film, television and Broadway/Off Broadway, mainstream to LGBTQIA+, via the Dorian Awards. A 501 c 6 nonprofit, GALECA serves to remind bigots, bullies and our own beleaguered communities that the world looks to the informed Q+ eye on entertainment. The organization also advocates for better pay, access and respect for its members, especially those in our most underrepresented and vulnerable segments. GALECA’s efforts also include the Crimson Honors, a college film/TV criticism contest for LGBTQ women or nonbinary students of color. 

See our members’ latest reviews, commentary and interviews, along with looks at entertainment’s past, on Bluesky and elsewhere @DorianAwards. GALECA’s YouTube channel features the group’s past Dorians film and TV Toast awards specials, video chats with filmmakers and performers, plus talks with members about their latest books and more. Find out more at GALECA.org.

GALECA: The Society of LGBTQ Entertainment journalists is a core member of CGEM: Critics Groups for Equality in Media, an alliance of underrepresented entertainment journalists organizations.