The first days of the Olympic Summer Games in Paris have been a mélange of powerful LGBTQ representation, queer controversy, hookup hiccups and unwelcome weather that started all wet and has turned scorchingly hot. 

Weather woes

The opening ceremony on the Seine was spectacular but soaked athletes, performers and spectators to the bone. And when the rain finally moved on, it left the famed river that was supposed to serve as one leg of the men’s triathlon too polluted for competition, for now. That event is now postponed, in spite of the cleanup efforts that cost Paris $1.5 billion. 

But now the athletes have gone from riders on the storm to a different kind of soaking: Sweating in the 95-degree heat on Tuesday, about 11-degrees above average for this time of year in France’s capital city. 

Much has been reported about the lack of air conditioning in the Olympic Village, just outside Paris. It was built with a cooling system that runs cold water through the floors, which officials said can reduce the ambient temperature by 10 to 20 degrees and achieve a target range of 73 to 79. The effort is part of the hosts’ larger plan to make Paris the greenest Olympics in modern history, according to the Wall Street Journal.

But Team USA wasn’t taking any chances: Every single room and some common areas accommodating the 592-member delegation isn’t risking the slightest discomfort. Every single U.S. room and some common areas have been equipped with portable A/C units, according to a spokesman for the U.S. Olympic & Paralympic Committee. Cool! 

Cock-blocked

Team USA may have A/C but no athlete looking for lesbian, gay or bisexual love at these games has access to Grindr’s “explore” function, a location-based feature, just like at the 2022 Winter Olympics. And journalists like Louis Pisano let the world know on social media. 

not they blocked Grindr in the Olympic Village 😭😭😭😭😭😭 pic.twitter.com/sZsC996Kaa

— Louis Pisano (@LouisPisano) July 22, 2024

As them reported, Grindr began this crackdown on Olympics app usage after 2016, when the Daily Beast published a story about “hookup culture” in the Rio de Janeiro Games’ Olympic Village. The outlet later pulled the article after a widespread outcry. 

Without referencing that report, Grindr explained in a blog post that this is part of a series of enhanced privacy measures the app rolled out for the Summer Games. 

“If an athlete is not out or comes from a country where being LGBTQ+ is dangerous or illegal, using Grindr can put them at risk of being outed by curious individuals who may try to identify and expose them on the app,” Grindr said in its blog post. “Our goal is to help athletes connect without worrying about unintentionally revealing their whereabouts or being recognized.”

There are nearly 70 countries represented in Paris which have national laws criminalizing same-sex relations between consenting adults, according to Human Rights Watch.

Gender testing

Two apparently straight Olympic athletes from countries that have zero representation at these games have been cleared to compete in women’s boxing. Both were disqualified from last year’s World Championships for failing to meet “eligibility criteria.” 

Taiwan’s Lin Yu-ting was stripped of a bronze medal in the March 2023 event after failing a gender eligibility test, and the International Olympic Committee says Algeria’s Imane Khelif was disqualified in New Delhi for failing a testosterone level test.

As the BBC reported, no further details are available as to why Lin, 28, and Khelif, 25, were disqualified from last year’s World Championships, or exactly what kind of gender tests were conducted. 

“These athletes have competed many times before for many years, they haven’t just suddenly arrived — they competed in Tokyo,” said IOC spokesman Mark Adams. In addition, Lin is a two-time winner at the Asian Women Amateur Boxing Championships. 

On Tuesday, Outsports co-founder Cyd Zeigler reported: “To be clear, these two women are not transgender, though they may be intersex.” 

LGBTQ medalists

Five Olympic Games, five Olympic medals. Huge congratulations to @TomDaley1994 OBE and Noah Williams on their Silver medal at @Paris2024 – for Tom, the culmination of a glittering career. pic.twitter.com/MgSIVYmzUW

— Wall's World 🇺🇦 (@itswallsworld) July 29, 2024

Thus far, out gay British diver Tom Daley has won his fifth Olympics medal — his first silver — in the 10-meter platform synchro competition, with diving partner Noah Williams. Out lesbian Lauren Scruggs won a silver medal in fencing for Team USA. And out lesbian Amandine Buchard of France followed up her individual silver medal in the 52kg category of Judo in Tokyo with a bronze medal in Paris. Outsports has updated its count of out athletes competing in the Summer Games to a record 193. 

Pride House

A legacy that began more than a decade ago at the Vancouver Winter Games continues and has been expanded in Paris, with a Pride House on the River Seine. For the first time, the Olympics organization has raised its profile by including this refuge on its official website, and celebrating these Olympics as “The Rainbow Games,” as Alexander Martin wrote. 

According to Jérémy Goupille, co-president of Fier Play, one of the Paris Pride House organizers, “nobody should hide who they are.’ France’s minister for sports, Amélie Oudéa-Castéra, joined Goupille at the inauguration of the new Pride House on the banks of the Seine. She noted the role played by the opening ceremony in positive portrayals of marginalized communities like those who are LGBTQ. 

“Like all of us, I was extremely proud of the opening ceremony on Friday night,’ said Oudéa-Castéra. “I think, that this City of Light, this city of love, expressed itself with respect. It expressed itself with a blend of tradition and modernity that honors our country and allowed it to show what it is capable of. And when it reconciles with itself, by embracing all dimensions of its greatness, all of its people, all of its citizens, without discrimination, it is the most beautiful country in the world”, she said.

‘The Last Supper’ controversy

Even though the opening ceremony broadcast on NBC on its channels across America and all around the world included two men kissing and embracing and a not-at-all subtle reference to a ménage à trois, there was no outrage about those scenes. 

What got the conservative Christian right-wing viewers clutching their pearls was a moment that’s come to be known online as “The anti-Christian depiction of The Last Supper.”

Except it wasn’t. Here’s how The New York Times described the scene: 

“A woman wearing a silver, halo-like headdress stood at the center of a long table, with drag queens posing on either side of her. Later, at the same table, a giant cloche lifted, revealing a man, nearly naked and painted blue, on a dinner plate surrounded by fruit. He broke into a song as, behind him, the drag queens danced.”

Among the people who saw the images as a parody of da Vinci’s painting of “The Last Supper” were the French Catholic Bishops’ Conference, denouncing the “scenes of mockery and derision of Christianity,” and American Bishop Robert Barron of Minnesota, who called it a “gross mockery.” A Mississippi-based telecommunications provider, C Spire, announced it was pulling all its advertisements from Olympics broadcasts. Republican House Speaker Mike Johnson of Louisiana described the scene as “shocking and insulting to Christian people.”

But the opening ceremony’s artistic director, Thomas Jolly, said the event was not meant to “be subversive, or shock people, or mock people” at Saturday’s news conference in Paris. On Sunday, Jolly clarified further that he had not been inspired by “The Last Supper.”

“It is Dionysus who arrives at the table,” Jolly told a French TV interviewer. For those who don’t know, he explained Dionysus is the Greek god of festivities and wine, and is the father of Sequana, the goddess of the Seine River. “The idea was instead to have a grand pagan festival connected to the gods of Olympus, Olympism,” Jolly added. And educated people on social media backed him up. 

Ohhhhh it’s the Feast of Dionysus, not the Last Supper. Somehow I imagine they’ll remain offended. Not sure why people are so surprised at the flamboyance of the French. pic.twitter.com/htXgAXbolc

— Amanda Kruel 💨🐿🌵 (@skweeds) July 27, 2024

And that was confirmed in a post by the official Olympics account on “X”: 

The interpretation of the Greek God Dionysus makes us aware of the absurdity of violence between human beings. #Paris2024 #OpeningCeremony pic.twitter.com/FBlQNNUmvV

— The Olympic Games (@Olympics) July 26, 2024

Beware of misinterpretation! The director of the opening ceremony of the @Paris2024 Games, Thomas Jolly, confirms that this scene was NOT a representation of the Christian Last Supper but a pagan feast, as evidenced by the presence of Dionysus -the Greek god of feasting and wine. pic.twitter.com/F5MYUBZqvz

— Jean-Baptiste Jeangène Vilmer (@jeangene_vilmer) July 28, 2024

But on Sunday, the religious right got what it demanded: An official apology from Olympics spokesperson Anne Descamps noting that “If people have taken offense, we are really, really sorry.” 

So far, however, no one has requested an apology for this depiction of The Last Supper, featuring GOP presidential nominee Donald Trump. 

MAGA Christians: Satirizing the Last Supper is offensive to our religion and we demand an apology!

Also MAGA Christians:
This is fine pic.twitter.com/9N7pTJcHEV

— Edelweißpirat- 🇺🇦 Я з Україною 🇱🇹 (@crandallgold) July 28, 2024

The Los Angeles Blade will continue to bring you coverage of the LGBTQ angle of the Summer Olympic Games in Paris as they proceed. Bonne chance! 

San Diego Comic-Con 2024 once again became a mecca for gender-bending cosplay, with attendees cross-dressing as characters like Spider-Man, Beetlejuice, Elphaba from “Wicked,” Pennywise, and Peter Pan.

Gay attendee Rick Rhoades was thrilled with the detailed costumes.

“I loved seeing all the LGBTQ characters — it was such a pleasant surprise to see the Ambiguously Gay Duo from ‘Saturday Night Live!'” he said.

“So many people dressed up, it’s just as amazing as the show itself!” Rhoades added.

Cosplayer Casey Hayden told the Los Angeles Blade, “I love being able to express myself freely. Regardless of your pronouns, being able to get out of your comfort zone and dress as your favorite superheroes is so interesting and powerful.”

Stephanie Tillotson, a clinical therapist for children and an LGBTQ ally, appreciates how Comic-Con promotes inclusiveness.

“This is a safe and positive event for our LGBTQ community, where they can cosplay as their gender of choice and be treated with respect,” she said.

Tillotson participates in Dungeons & Dragons activities throughout the 4-day event.

“D&D is a wonderful role-playing game where attendees can become a character and be whatever gender they want,” she explained.

The 10th Annual Her Universe Fashion Show kicked off Comic-Con with a standing-room-only crowd. Broadway star Michael James Scott, who co-hosted, performed Katy Perry’s “Roar.”

“What an absolute dream to be part of an event that celebrates who you are,” Scott said. “To be invited back by Her Universe founder Ashley Eckstein and to do it with my husband is a true dream come true!”

Prism Comics, a nonprofit supporting LGBTQ-friendly comic books and professionals, had a lively presence on the convention floor and participated in several queer panels.

The organization celebrated the 10th anniversary of its “Still Transgender, Still Here: Trans and Nonbinary Comics Yesterday, Today, and Tomorrow” panel. Tara Madison Avery moderated, joined by panelists Tilly Bridges, Alex Combs, Liam Coballes, Nicole Maines, Sonya Saturday, and Gaia WXYZ.

Prism also participated in a Queer Horror panel, moderated by screenwriter Michael Varrati. The discussion explored the LGBTQ community’s relationship with the horror genre and whether a distinct queer horror genre exists.

“Thanks to this amazing lineup for a truly insightful discussion,” Varrati tweeted. “Horror IS Queer! #sdcc”

‘The Guncle Abroad’
By Steven Rowley
c.2024, Putnam
$29/307 pages

The cake’s going to be magnificent.

You must have tasted 15 different samples and a dozen frostings, and considered five unique looks before settling on a showstopper. Next, you have to get invitations addressed and in the mail. You have to confirm the tuxes. You have to get flowers and centerpieces ordered. As in “The Guncle Abroad” by Steven Rowley,” you have to get everyone on board.

Patrick O’Hara couldn’t believe how his life had changed.

A few short years ago, he was living in Palm Springs, having “retired” from making films. He was in love, happy, and he had temporary custody of his niece, Maisie, and his nephew, Grant. Life was good.

Now? Oh boy. Patrick and Emory had split-ish (Emory was still living in Patrick’s California home), Patrick was living in Manhattan, making a movie in London, looking for another role soon, and the kids were four years older. Maisie was an attitudinal teen now; Grant was nine and too wise for his age.

They weren’t the cuddly kids Patrick once knew – especially since their dad, Patrick’s brother, Greg, was getting married again and the kids didn’t like Livia, their wealthy socialite stepmom-to-be. Patrick suspected it was because Grant and Maisie still missed their Mom. It hadn’t been all that long since Sara died. Was a new marriage an insult to old memories?

Patrick didn’t think so, and he’d prove it. While Greg and Livia were last-minute wedding-planning, he bought three Eurail passes, one for him and one each for the kids. He’d give them some culture and some new Guncle rules about love. Maybe – was it possible? – he’d even become their favorite GUP again.

But Maisie and Grant had other ideas. They agreed to go on the stupid trip around Europe with their GUP, if Patrick agreed to talk to Greg about calling off the entire wedding. Something old (memories), something new (stepmother), something borrowed (trouble), and something blue (two kids) just had to be undone, and soon.

There’s an old saying, to paraphrase, that if the wedding is perfectly smooth, the marriage won’t be. With this in mind, “The Guncle Abroad” is covered: add a snarky lesbian with an entourage, a tipsy sister on a manhunt, a Lothario who doesn’t speak English, and lost love, all at a lakeside hotel, and yeah, we’re good.

But here’s the thing: author Steven Rowley doesn’t just make readers laugh. We’re covered on that part, too, because the whole pre-wedding scene in this book is pure chaos and LOL funny. Long before that, though, you’ll be charmed by Rowley’s main character and his desperation to stay relevant, to avoid-not-avoid love, and by his efforts to connect with his brother’s kids. And after the not-so-storybook wedding, well, you know how those things are.

Bring tissues, that’s all you need to know.

If you’re in need of a rom-com this summer, just bring the bubbly, pop a cork, and make it this one. Reading “The Guncle Abroad” is best for beach, bench, or backyard.

Loving it? Piece of cake.

The Blade may receive commissions from qualifying purchases made via this post.

In a season that has so far failed to deliver the kind of big-ticket Hollywood must-see “prestige” blockbusters we enjoyed with the “Barbenheimer Summer” of 2023, it’s a relief that there is so much under-the-radar indie content out there to fill in the gaps.

That’s especially true, perhaps inevitably, when the story resonates with “minority” populations and is told by someone from among them who shares their longing to see themselves represented on the screen – and the perfect case in point can be found in “National Anthem,” the first feature-length work from photographer/filmmaker Luke Gilford, which is currently enjoying a limited theatrical run a year after an acclaimed debut at 2023’s SXSW Festival in Austin.

Inspired by his photo monograph of the same name, Gilford’s movie takes place in rural New Mexico and centers on 21-year-old Dylan (Charlie Plummer), a day laborer struggling to provide for his alcoholic mother (Robin Lively) and pre-teen brother (Joey DeLeon) while dreaming of escape. Hired for an extended job at a ranch outside town – headquarters for queer rodeo stars Pepe (Rene Rosado) and Sky (Eve Lindley), and home to the diversely gendered commune of pan, poly, and non-conforming “misfits” they’ve gathered around them – he is soon drawn into the fold by feelings he’s used to keeping secret. In particular, he has feelings for the beautiful and headstrong Sky, who shares a mutual spark with him despite her loyalty to Pepe. Emboldened by their growing relationship, he begins to revel in the freedom he feels within his newfound community – but even as he tries to bring his two worlds together, mounting tensions in both threaten his newfound sense of liberty with a rude awakening that just might leave him without a place in either.

Expressed in a paragraph, that premise is easily recognizable as a queer coming-of-age story, but there’s something about the film’s expansive heart that makes it much more than that. Boiled down to its simplest essence, it’s the kind of narrative – centered on a kind-hearted underdog of a dreamer and charting his path toward transcendence of the obstacles that lie in his way – that has appeal for anyone, queer or straight or anywhere in between. Thanks to Gilford’s compassionate approach to the material, not to mention a savvy grasp of the complex politics of human emotion and a thrillingly open-ended outlook on sexuality and gender that manages to feel more celebratory than it does transgressive, it becomes not just an authentic story about queer experience, but a story about human experience that happens to be about queer people.

Much of how it achieves this is by the way it treats its love story; though it may cover a lot of other angles, “National Anthem” places most of its bets on romance. Indeed, it aims to emulate the passionate tales of love-at-first-sight found in the old-school Hollywood classics we all grew up with, and hits the mark with palpable accuracy despite complicating it with layers of gender, orientation, and pansexual polyamory. Lushly romantic, with as many emotional ups and downs as any tearjerker and a powerfully sexy chemistry that comes through despite the film’s tastefully “PG” presentation of eroticism between characters, it’s as lushly romantic and emotionally engaging as any mainstream Hollywood fantasy. That might even signify a major part of the film’s agenda; if a love story taking place outside the “norm” of cultural conformity can feel so right in a big-screen fantasy, then why shouldn’t it feel that way when it’s an off-screen reality, too?

Much of the reason it feels so right, of course, has to do with the screenplay (by Gilford with David Largman Murray and Kevin Best), which infuses both Dylan and Sky with relatable layers of feeling and makes them achingly human; but it also hinges on the performers in the roles, and thankfully both are perfectly cast. Plummer, whose performance earned exuberant praise during the film’s festival circuit run, wins our hearts from the beginning, conveying a guarded tenderness and sense of longing that never seems forced; but it is when Lindley’s Sky enters the scene that the screen truly lights up with her blend of headstrong self-determination, nurturing patience, and unbridled sexuality. It’s one of the best-written trans roles we’ve seen, focusing not on any suggestion of “otherness” – indeed, her trans identity is never even mentioned, simply left to be self-evident in the most gloriously empowering way possible – but presenting a fully-fleshed out person having a universal experience, and it’s played by a gifted trans actress whose charisma makes the perfect magnet for Plummer’s puppy-dog adoration. She’s on a journey of her own, and she makes it come to life for us as if she were born to do it.

The film handles its other relationships with equal depth, with Lively giving a deft turn that finds compassion and redemption for the neglectful mother she portrays and an endearingly genuine juvenile performance from newcomer DeLeon. A particular standout is nonbinary actor Mason Alexander Park, whose subtly layered energy as a commune member who becomes both a friend and a “maternal” figure to Dylan brings an important calming presence.

Still, it’s ultimately Gilford who is the star of “National Anthem.” Combining a powerful visual aesthetic – which captures the mythic vastness and Americana of its New Mexico setting while infusing its intimate scenes with a luminous aura of inner light shining through into the world – with an assured sense of the emotional “blueprint” of his narrative, he creates a star-crossed love story for the ages, made all the more powerful by the “outsider” status of its characters. Instead of making them curiosities, he finds a way to uplift them all, even as they stumble, fall, or fail. He paints a portrait of this queer rodeo “family” that has room to accept everybody, without labels or judgements or conditions beyond basic respect, and it’s beautiful.

That, of course, is where the title comes in. In taking the familiar landscape and tropes of the American Western genre – which, in spite of its modern-day setting and focus on matters of queer identity, “National Anthem” is unquestionably influenced by – and reinventing them with a queer cast of characters identifying across all the spectrums (and in some cases, multiple spectrums), Gilford’s movie encourages us to say “yes,” to follow our bliss, to take the plunge and explore the things that call to our hearts, and it suggests that, in doing so, we can build the world we want around us as we go. It suggests that, in a world based on comfortable constructs, we can always change those constructs to make things better.

That’s what his characters do, and in so doing become a sort of “nation within a nation,” perhaps, by choosing to live outside the oppressive tide and find one’s own “American Dream” – and it’s truly a land of the free and a home of the brave.

That’s a bold message, perhaps, and a timely one in this particular election year.

When this week’s Summer Olympic Games kick off in Paris, it will bewith an abundance of flair, fireworks, and joie de vivre — that’s French for “joy of life” — and more inclusion than ever before.

For the first time, the Olympics have achieved gender parity, with 50% of athletes identifying as men and 50% identifying as women, and at least two athletes identifying as transgender nonbinary. There is one trans man, boxer Hergie Bacyadan of the Philippines. These athletes will compete in 32 sports and 339 events, starting this week, and once again there will also be a Refugee Team featuring 37 athletes from all over the world, vying for medals in 12 sports.

There will also be a huge amount of LGBTQ representation among more than 200 countries and that Refugee Team. The big name athletes include track and field star Sha’Carri Richardson, shot-putter Raven Saunders, basketball superstars Diana Taurasi, Breanna Stewart, new “Pops” Brittney Griner, Alyssa Thomas (who is engaged to her WNBA teammate DeWanna Bonner), BMX Freestyle riders Hannah Roberts and Perris Benegas, the British diver Tom Daley, who is competing in his fifth Olympic Games, and Brazil’s legendary soccer player Marta, who will compete for a sixth time.

But determining exactly how many athletes are out is no easy feat.

Published estimates of total competitors range from 10,500 to 10,700, and the official Olympics site counts 11,232 athletes, including one 18-year-old woman representing the People’s Republic of China who will compete in a sport making its debut at this Olympics, called breaking — better known as breakdancing. She is identified only as “671,” no first or last name, just “671.” Good luck, “Six!”

While we don’t know how “671” identifies, there is a consensus that these games will see the largest contingent of out athletes since the 2020 Olympics were played in Tokyo in 2021, delayed a year because of the pandemic. GLAAD and Athlete Ally counted 222 out athletes competing in Tokyo, as mentioned in their comprehensive guide to these Summer Games, a collaboration with Pride House France.

In 2021, the editors at the LGBTQ sports website Outsports had estimated there were 120 competing in Japan, and updated that number to 186 after learning about other athletes who were LGBTQ, including some who came out after competing. That number, they said, set a new record.

This year, they have once again done the math, and calculated how many queer competitors will participate in this year’s Summer Games: Fewer than in Tokyo, but more than in any other Olympics.

“At least 144 publicly out gay, lesbian, bisexual, transgender, queer and nonbinary athletes will be in Paris for the 2024 Olympics, the second consecutive Summer Games where the number has reached triple digits,” says Outsports co-founder Jim Buzinski. “There are also a record number of out male Olympians.”

And yet, Team USA has only one man who is publicly out: distance runner Nico Young, a cross-country and track and field athlete at Northern Arizona University. Young, 21, came out as gay in 2022 in a post on Instagram.

“I am living proof that it is not a choice, it is something I have always known and been aware of, but have kept silent out of fear of rejection,” Young wrote. “I have struggled to accept myself, but I am becoming more proud and happy with who I am. I have realized that the only reason I never liked this part of who I am was because of what society has told me, not because of how I actually feel. This is a quality of myself as well as so many other people that should be accepted and celebrated just the same as a straight person’s identity is.”

USA has the most out athletes

At least 24 countries — including the Refugee Team — are represented by at least one publicly out athlete in 32 sports this year. As before, the United States has the most out athletes of all with 28, about one-fifth of the athletes on the “Team LGBTQ” list compiled by Outsports.

Brazil has 22 out athletes, Australia has 17, Great Britain is fourth with 10 and Germany has nine.

Not surprisingly, out women athletes far outnumber out men on their list by about a 7 to 1 margin. But it’s not women’s basketball that has the most out athletes of any sport, with more than 30 players identifying as LGBTQ. It’s women’s soccer.

Tierna Davidson of Menlo Park, Calif., is the sole American competing in women’s soccer who is publicly queer. She proposed to her partner Alison Jahansouz in March. At Stanford, Davidson and her team won an NCAA title in college football. Then, at age 20, she won the 2019 Women’s World Cup — the youngest player on USWNT — and the Bronze with Team USA in Tokyo. But with the departure of the team’s gay icons, namely Megan Rapinoe, Davidson, 25, told The Athletic she said she feels pressure like never before.

“I think that there’s no illusion that the ratio of queerness on the team has decreased a little bit, at least with players that are out,” she said, noting that as an introvert she is not seeking the high profile of Rapinoe. “And so, I think it’s important to recognize that I am part of that ratio, and that it is important to bring issues to the table that are important to me and to my community, and be able to be that representative for people that look up to queer athletes and see themselves in me on the field.”

Canadian soccer player Quinn, 28, returns to the Olympics this week as the first transgender nonbinary athlete to have won a gold medal, at Tokyo in 2021, as the Blade reported. They came out to their team in an email in 2020, and recently took part in a Q&A about that experience.

“I think I had a better relationship with my teammates after coming out,” they said. “I had a new confidence and ability to be vulnerable with them and it strengthened many relationships in my life. There were some players on my professional team at the time who were ignorant, but having the overwhelming majority of players and staff support me really created an environment where anything less than that wouldn’t be tolerated.”

As of press time, GLAAD and Athlete Ally are still counting how many out athletes will be competing in Paris. But the numbers aren’t as important as visibility, GLAAD President & CEO, Sarah Kate Ellis told the Blade.

“LGBTQ athletes continue to shine at the Olympic Games, including transgender athletes who will help reporters and viewers to see their humanity as well as their achievements,” Ellis said. “For the first time there will be gender parity among Olympic athletes, a significant milestone that comes as transgender and nonbinary people are also included. This guide, created in collaboration with Athlete Ally and Pride House France, is uniquely positioned to help media covering the Games include and report on LGBTQ athletes so their talents and stories are centered to inform and inspire acceptance among audiences around the world.”

Of course, compiling all these lists is a gargantuan task, one that LGBTQ historian Tony Scupham-Bilton of Nottingham, U.K., has been doing for more than a decade with a blog called The Queerstory Files. He told the Blade he contributed to the list Outsports published.

“I had six athletes which they didn’t have on their list when we compared them last week, but there were about 20 athletes on their list which I didn’t have,” Scupham-Bilton said, noting that inclusion is increasing. “Paris has already exceeded previous levels of representation and involvement. That indicates a probable increase in medals. I have also noticed that there has been an increase in the number of Olympians coming out between Olympics.”

One other big change in terms of representation that this historian sees is how the Olympics themselves have embraced the LGBTQ community.

“Even though there have been Pride Houses at most Olympic Games since Vancouver 2010, the majority of which have been supported by the various organizing committees, Paris 2024 is the first to include it on its official website,” Scupham-Bilton told the Blade.

As the Blade reported, Team USA celebrated Santa Cruz, Calif., native Nikki Hiltz qualifying for the Olympics with their record-setting finish in the 1,500-meter race earlier this month with an Instagram post that drew a flood of negative comments from straight cisgender men.

Hiltz, 29, is the other trans nonbinary athlete competing in Paris. Team USA’s post showed them writing “I ❤ the gays” on a camera lens. A lot of the comments showed ignorance of their actual identity, calling them a “cheater” and “a man.”

Hiltz responded with grace, in an Instagram post about how far they’ve come since 2021. That year they finished dead last in the Olympic trials, held shortly after they came out. Earlier this month, Hiltz reflected on their growth.

“I’ve spent the past 3 years rebuilding my confidence and reshaping that narrative. Telling myself every single day that I belong. Showing up to meets, taking up space, and making friends with those little voices in my head that consistently tried to convince me I was too confusing, I was a burden or I wasn’t enough,” they wrote.

This year, in Eugene, Ore., was different.

“I stood on the start line of the Olympic Trials 1500 final and told myself ‘I can do this, the world will make space for you. Remember to enjoy this race and have fun playing the game of racing, this is your moment.’ The gun went off, it got hard, I didn’t crumble, I didn’t fall off the pace, I held on and 3 minutes and 55 seconds later I broke the finish line tape and became an Olympian.”

But by far the biggest name in LGBTQ sports at this Olympics is that of the fastest woman in the world: Sha’Carri Richardson. She missed out on competing in the Tokyo 2020 Olympic Games in 2021 for testing positive for cannabis, and now is going for gold.

Richardson graced a recent cover of Vogue, and told the magazine how committed she is to this goal: “Everything I do—what I eat, what I drink, if I stay up too late—it’s all reflected on the track,” she said. “Every choice. That’s what the world doesn’t see.” But she also talked about keeping herself fixed firmly in the present. “If all I’m doing is looking ahead, then I can’t be where I need to be. Which is here, now.”

The Blade will be there, in Paris, to bring you all the excitement from the Olympic Games.

By GISSELLE PALOMERA | CALÓ News — The most successful telenovela in history is back on our TV screens through Prime Video in 240 countries and territories worldwide. After a more-than-historically successful run “Yo Soy Betty, La Fea,” returns as “Betty La Fea, The Story Continues” for a 10-episode series premiering July 19. 

The series starts off with la original, Beatriz Pérez Pinzón, better known as Betty o Betty La Fea (Ana María Orozco), narrating over the scene of a funeral where she says: “Finalmente me fuí de sus vidas.” 

It’s not actually her own funeral, but a dramatic segue into her return 25 years later. Since the show, Fernando Gaitan, Colombian screenwriter and producer of the original series, has passed away. His legacy outlives him through the revamp of this series, produced now by Mauricio Cruz Fortunato. 

Seconds into the eulogy, Betty knocks over the casket as it’s being lowered to the ground, to which queer presence, Hugo, or Huguito (Julian Arango), fulfilling the sassy gay man trope once again, responds with: “Con ustedes: Brutty La Fea,” introducing her as the same lovable bruta or Klutz we all grew to love over the first series.

Betty and Armando reunite after separating, while their daughter is off studying fashion in New York. The new sequel picks up where Ecomoda, a previous show spinoff, leaves off. In Ecomoda (2001-2002), Betty and Armando welcome daughter Camila into their lives and embark on the journey of balancing parenthood and success at their family’s company. 

Once the funeral is over, Betty’s father, abuelito Hermes Pinzon Galarza (Jorge Herrera), picks her up along with Betty’s longtime friend, Nicolás Mora Cifuentes (Mario Duarte), welcoming him back on screen with the same dorky, lovable and slightly annoying friendship with Betty. Hermes makes a one-line comment suggesting that Betty should hurry so they have enough time to leave flowers on her mother’s grave. This is a shocking departure after news outlets reported last summer that Dona Julia was set to return to the series. 

In this sequel, the underlying theme is that of a broken family in need of unity, after the loss of a family member, and Ecomoda, their family’s fashion corporation, going through a financial crisis. ‘Mila,’ or Camila, (Juanita Molina) comes in as one of five new characters as Armando and Betty’s daughter. Mila and Betty are somewhat estranged and the first episode shows a much closer relationship, with Mila referring to her dad as ‘Armandaddy.’ 

Following the family member’s death, a video is played regarding how assets will be divided in relation to Ecomoda. To everyone’s shock, Betty is appointed as the new president of Ecomoda, booting Armando out of the position after a short, two-year run as the fashion company president. 

Speaking of assets, without the presence of the OG “cartel de feas,” now only consisting of Bertha Muñoz (Luces Velásquez) and Sandra Patiño (Marcela Posada), the show would be a lot more drama and a lot less comedy. 

Sandra comes out as queer, adding more valid on-screen representation and stating that she finally felt safe to come out because of Betty’s allyship and encouragement to be true to herself. 

Main character and problematica, Patricia Fernandez (Lorna Cepeda), also returns to the sequel, bringing the same attitude to our screens, but with a big update– she’s married to a rich viejito. 

The first episode wraps up with a heartbroken Betty reading a letter her mamita wrote to her from her deathbed, giving her the courage to continue fighting the good fight she’s always fought to be independent and courageous. 

The series does not miss and in fact continues to do justice to feminism as its central theme and embracing oneself in the face of corporate greed and family troubles. 

The new series is faithful to the original series, using flashbacks to set the scene for many meaningful and painful memories between Betty and Armando. 

Among other characters that returned to the new series are: Marcela (Natalia Ramirez), Freddy (Julio Cesar Herrera), and Saul (Alberto Leon Jaramillo).  

The series is now available on Prime Video.

By GISSELLE PALOMERA | CALÓ News — Drag performers came together at the Museum of Latin American Art (MOLAA) to close out Pride Month, hosting a discussion on drag and how to create safe and inclusive spaces for the BIPOC and AAPI communities. 

“I do what I do, so others can do it too,” said Foxie Adjuia, one of three panelists for the  Symposium on Empowerment in Pride Spaces. “I’m in transpersonal disciplines, and I’m going to be utilizing drag as a way to impact my community in a positive way,” added Adjuia, a drag performer on The Boulet Brothers’ TV series, “Dragula.”

The symposium was dedicated toward building community, resilience and acceptance through an interactive drag performance with Adjuia, Robbie Osa and Mahalia Nakita. 

During the discussion, Adjuia, Osa and Nakita asked questions to respond themselves and ask input from the audience. On the question of how to utilize Pride as a form of liberation and keep it in alignment with the civil rights movement of the LGBTQ community, Adjuia said that Pride is about chosen family and about unchaining ourselves from the hegemony that a lot of queer and Black, Indigenous and People of Color get indoctrinated into. 

“[Pride] is an act of liberation in and of itself and it’s an act of self-actualization,” Adjuia said. 

Adjuia opened up about how it hasn’t always been easy to embrace Pride and overcome the adversity that comes with this identity. “What really got me through the darkness was my community and their act of Pride, connection with each other and uplifting energy.” 

They performed their speech about community connection and added that they believe that Pride is not just about partying, but about embracing the struggle that started with the 1969 Stonewall Riots. This was a pivotal point in LGBTQ+ history. 

Using the spirit of Pride to overcome adversity  

“LGBTQ+ awareness is a challenge for a lot of students, especially if they don’t understand how to judge certain situations because they are special ed,” said Yuri Jimenez, special education teacher. “So I have to create conversations and lessons to create that space where everyone feels accepted.” Attendees of the event responded to the questions, drawing from their own experiences.

“[BIPOC Drag Queens] get that double combo of being racially profiled as Latino and gay,” said Osa, a drag performer and behavior analyst. “I found that drag is a platform to dismantle those stereotypes.”

Osa is an alumni of California State University, Long Beach, who now dedicates her time toward building inclusive and accepting spaces in education. She uses drag as a form of art that relays political and meaningful messages. 

“Tolerance comes with strings attached, and acceptance means fully [embracing] who you are, your faults and loving you unconditionally,” said Osa. 

Promoting equality and inclusion

“We are all part of different groups within the [BIPOC] community and each community needs a little bit of representation [in Pride spaces],” said Nakita. 

“As a therapist, I’m always making sure that I am creating affirming spaces for whatever identities walk through my door, and making sure that I am educated and can provide them with resources and support,” said Jennifer Jiries, who is a queer therapist and social worker based in Long Beach. “We heal in community, so we need to have spaces that actually support healing and connection.”

By GISSELLE PALOMERA | CALÓ News — “El Paisa” will be featured nationally as part of the 2024 PBS Short Film Festival starting Monday, July 15, shortly after winning the award for Best LGBTQ+ Short at Cannes International Film Festival. In its 13th year, the PBS Short Film Festival features 15 independent films chosen for their impact and reflection of American life, culture, lived experiences and family dynamics. 

The film continues its successful run across Los Angeles film festivals, sweeping awards for Best Short Film, Best LGBTQ+ Short Film and several Jury Awards.

The film is a product of the Latino Public Broadcasting. The Digital Media Fund, designed to provide resources for independent Latin American filmmakers to create digital short form programs for online distribution in collaboration with an existing public television platform such as PBS. 

The Digital Media Fund prioritizes submissions in the genres of science, biography, history, health, personal storytelling, art, cultural documentary and narratives. The fund allocates between $10,000 and $30,000 dollars for the projects, depending on the proposal. Submissions are now closed and will reopen next year. 

“El Paisa,” is an East L.A.-set coming-of-age story featuring an unlikely duo that begins to deconstruct the traditional expectations and roles of gay men within Latin American culture. 

Film director Daniel Eduvijes Carrera says the film is reminiscent of his own story as a queer son of immigrants who struggled to embrace his own identities as he grows up on the unforgiving streets of L.A. riddled with barrio gang violence. 

Carrera says he felt completely isolated due to his queer identity growing up. In a director’s statement, he says there was some level of support from his Latin American identity within his own family of nine siblings, but when it came to embracing or even understanding his queer identity, he was completely at a loss. 

It wasn’t until Carrera walked into his first gay vaquero bar on his 21st birthday and witnessed the embodiment of masculinity entwined with queer culture he only dreamed of as a kid that it made sense to him that his queer identity could in fact co-exist with his Latin American identity. 

Carrera is now an accomplished voice in filmmaking, using his perspective and lived experiences to create stories that deconstruct the societal norms that marginalize queer people within Latin American cultures. He has gained notable fellowships, grants and prestigious recognition for his voice in the filmmaking and entertainment industry. 

The film will be available to watch across all PBS platforms that include the PBS App, YouTube and PBS.org.

This story was produced by CALÓ News, a news organization covering Latino/a/x communities.

BERKELEY — The student newspaper at University of California, Berkeley, noted that despite campus-wide celebrations during Pride month, one group too often goes ignored: LGBTQ+ student-athletes. And so Daily Californian senior staff writer Daniel Gamboa sought to change that, with an in-depth look at queer students who play school sports. 

“At Cal, queer athletes are thriving,” he wrote, spurred by a Campus Pride report that he said found queer and gender non-conforming athletes were twice as likely to experience harassment as their straight, cisgender peers. Since 2019, Cal Athletics has received a perfect score on Athlete Ally’s Athletic Equality Index, which quantifies LGBTQ+ inclusivity across collegiate athletics departments.

For his article titled “Proud to be a Bear: How queer athletes, admin create community,” Gamboa spoke to out student-athletes at Cal who have found acceptance at Berkeley. 

“I felt so much less alone,” said incoming senior Isabel King, a midfielder on Cal’s women’s lacrosse team and a bisexual. “Here, being queer isn’t something that defines who you are, but something that allows you to create relationships with other people who identify like you and find spaces that help you flourish.”

Being around so many people at UC Berkeley with so many unique identities — queer and otherwise —made her feel comfortable with her own, King said.

She compared her collegiate experience to her high school days, playing lacrosse, before she came out. King said unlike Berkeley’s queer-friendly environment, she felt uncomfortable being her authentic self. 

“I want to continue making a space for queer athletes to find affinity with one another and feel a sense of togetherness,” said King, in talking about Cal Bears United, a student-run affinity group for Cal student-athletes, which she serves as a co-executive director. The group hosts community events geared towards helping LGBTQ+ athletes thrive at Cal. “I love Bears United because yes, we are club mates, but more than that, we are all friends.”

“(UC Berkeley) doesn’t just acknowledge that you are your person but also gives you space to be a queer person recognizing your identities,” said Cassidy Puleo, a backfielder for Cal field hockey and Cal Bears United’s other co-executive director. Puleo moved to Berkeley from a small, suburban community, where it was not nearly as common to find other members of the LGBTQ+ community. She said the representation she found at Cal as a masculine-presenting gay woman affirmed her identity.

That representation includes leadership, Puleo said, such as her head coach, Shellie Onstead, who also identifies as queer. When they were planning their team’s media day, Puleo recommended that the team bring a Pride flag to their photo shoot.

Puleo told The Daily Californian Onstead was so touched by the gesture, that the coach pulled her aside after the photo shoot for a heartfelt conversation. 

“That was something she couldn’t do in sports when she was younger, something she never thought she would see,” said Puleo. “It served as a reminder to me to be outspoken about who I am, to share my identity with people and embrace that side of myself. You never know what it could do for other people.”

To be clear, the article’s headline, “Proud to be a Bear,” doesn’t necessarily mean to suggest this is a  look at Bears of the burly and bearded gay male-identified type, but Gamboa isn’t excluding anyone either. As Cal students, alumni, administrators, parents and fans know, “Oski the Bear” is the mascot of the university’s sports teams, the California Golden Bears, and is likely a cousin of the state’s official animal, the grizzly bear. 

Although King said she feels “welcomed and appreciated” for her identity, she cannot help but notice that homophobia is ever present on campus, from anti-LGBTQ jokes shared by her classmates to hurtful slurs spread intentionally.

“It’s not anyone’s fault, but casual acts of prejudice tend to slip through the cracks. It is on every athlete and administrator to shut down homophobia at its root,” King said, adding that even though Cal Athletics has a zero-tolerance policy for homophobia, the application and enforcement of that policy isn’t clear. One can only hope The Daily Californian will follow-up after the Fall semester starts in August.

It’s a boy for Brittney and Cherelle Griner. The Phoenix Mercury center revealed the news in interviews with CBS Sports and NBC News. 

“Every minute I feel like he’s popping into my head, said Griner. “Literally everything revolves around him. And I love it.”

The couple officially welcomed the baby boy on July 8. He weighs 7 pounds, 8 ounces.

“That’s my man. He is amazing,” Griner told CBS Sports. “They said as soon as you see them, everything that you thought mattered just goes out the window. That’s literally what happened.” 

Griner, 33, corrected the CBS News correspondent who said, “You’re about to be a mom!” She told her Cherelle, 33, had already delivered the baby and that she preferred to be called,“Pops.” 

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Griner told NBC News correspondent Liz Kreutz they chose to name their newborn son, “Bash.” 

TONIGHT: WNBA star Brittney Griner reveals to @LizKreutzNews her son Bash with wife Cherelle has arrived ahead of the Olympics. Much more of their interview coming up on NBC Nightly News pic.twitter.com/oLYNYC0d9z

— NBC Nightly News with Lester Holt (@NBCNightlyNews) July 19, 2024

The WNBA star said she is Bash’s biggest fan and is constantly taking photos of him. “My whole phone has turned into him now,” Griner told CBS Sports.

The baby comes as Griner gets set to play in Saturday’s WNBA All-Star Game and then head to Paris with Team USA to compete for their 8^th straight gold medal at the Summer Olympic Games. 

“It kind of sucks because I have to leave, but at the same time, he will understand,” said Griner. 

Her time in Paris will mark the first time since the basketball star was released from a Russian gulag, where she was held on drug charges for nearly 10 months in 2022.

“BG is locked in and ready to go,” Griner told NBC News on Friday. “I’m happy, I’m in a great place. I’m representing my country, the country that fought for me to come back. I’m gonna represent it well.”

Griner also spoke with NBC News about her hopes the U.S. can win the freedom of imprisoned Wall Street Journal reporter Evan Gershkovich, who was sentenced to 16 years in a Russian maximum security prison on Friday. 

“We have to get him back,” she said.