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Celebrating Arab and Muslim heritage, art, gastronomy

Three new books open a window to influential cultures

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‘Portugal: The Cookbook’ explores the Arab roots of Portuguese cooking. (Book cover image courtesy of Phaidon)

As a college student, I hungered for Arab and Muslim representation. Prejudice against our communities was mainstream and demoralizing. Things, however, can sometimes change sooner than we expect. 

Although Muslims and Arabs are still maligned, it is no longer as widespread and is often counterbalanced by allyship and, crucially, Muslim and Arab representation. From Hulu’s “Remy,” Netflix’s “Master of None,” HBO Max’s “Sort Of,” to the upcoming premiere of Disney+’s “Ms. Marvel” to Muslim characters on “Love Victor,” “Never Have I Ever,” and “Genera+ion,” Muslim characters and creators are now common. And these creators are diverse, proud, and often queer. 

Mahersalah Ali is a two-time Oscar winner (one for the Black queer Best Picture winner “Moonlight”) and Riz Ahmed is the first Muslim to be nominated for Best Actor; he won an Oscar this year for a short film taking on British xenophobia, and spearheading an initiative to boost Muslim representation in Hollywood from screenwriters to actors. 

From starving to satisfied, it has been quite a transformation in American culture. And it’s not only TV and film. Political representation isn’t novel anymore. I still remember when former Rep. Keith Ellison was asked on CNN to prove his loyalty by the conservative host Glenn Beck. Today, Reps. Ilhan Omar and Rashida Tlaib are progressive trailblazers. Irvine, Calif., has a Muslim mayor in Farrah Khan. Joe Biden has nominated the first Muslims to the federal judiciary, one has been confirmed and the other, civil rights lawyer Nusrat Choudhury, awaits Senate confirmation. And Biden, lest we forget, said “inshallah” (God willing) on the presidential debate stage. “We’ve made it,” I want to shout. But I know we’re still fighting for full normalization in American life.

Hence my excitement over three new books (two cookbooks and one art text) that feature Arab and Muslim heritage, art, and gastronomy. 

Arab roots of Portuguese cooking 

“To these new rulers [the Moors], cuisine was an art, and food a gift from God that should be consumed in moderation and shared with those in need,” writes Leandro Carreira, the author of “Portugal: The Cookbook.” It’s not surprising to learn that Arabs and Berbers shaped the evolution of Portuguese cuisine, but what’s striking is the nature of its legacy. In this cookbook of 700 recipes, half draw from the Moors. 

When Moors conquered the Iberian Peninsula (Portugal and Spain) they brought with them not only warriors and administrators but architects, astronomers, poets, and, inter alia, cooks along with cookbooks, such as the Medieval “Kitab al Tabikh.” 

The Moors introduced hydraulics that irrigated the farmland (along with orchards and leafy gardens) and beautified the land by planting citrus trees both for the fruit and scent. The list of crops introduced by Moors includes eggplant, artichoke, carrot, lentils, cucumber, and lettuce. The latter would later christen the residents of Lisbon, who are colloquially known as Alfachinhas (“little lettuces”). Moors popularized sour oranges, apricots, dates, melons, and watermelons; spices such as pepper and ginger; pickling of olives and nuts; sour marinade to preserve fish; rose water and orange blossom. The Moors’ vinegary salads were the precursor to gazpacho. The introduction of sugarcane later severed Portuguese colonization and fueled the slave trade, and transformed sugar from luxury to staple. 

Naturally, the North African rulers brought couscous, the main consumed wheat until the late 16th century. To this day, northwestern Portuguese villagers prepare couscous using the methods and utensils introduced by Berbers 900 years ago. 

The Moors cultivated hospitality and conviviality at the table along with the order in which food is served: soups followed by fish or meat and concluding with sweets. The Arabs’ cousins, the Jews played their part in shaping Portuguese cooking, too. Jews prepared their post-Sabbath meal by laying aside a slow-burning stew of meat, chickpeas, collard greens, hard-boiled eggs, and vegetables; today, the Portuguese call it Adafina. Jews introduced deep-fried vegetables and Portuguese missionaries later brought them to Japan and (voilà!) tempura. 

In its history, “Portugal” evokes our interwoven humanity. 

Arabiyya: Cooking as an Arab in America

The past few years have seen cookbooks with narratives of culture and personal journeys foregrounding recipes — many focused on Arab culture. “The Gaza Kitchen” by Laila el-Haddad and Maggie Schmitt and “The Palestinian Table” and “The Arabesque Table” by Reem Kassis, for example. To this list, we can add “Arabiyya: Recipes from the Life of an Arab in Diaspora” by the James Beard finalist Reem Assil. 

For connoisseurs of Arab food in America, Reem is no stranger. Reem’s California, a bakery in Oakland and San Francisco, has acquired temple status for its use of California’s ingredients in the service of Arab dishes. A few years ago, the New York Times praised Reem’s as an “Arab Bakery in Oakland Full of California Love.” (The bakery was, sadly, the target of vulgar anti-Palestinian prejudice for its mural of Palestinian activist Rasmeah Odeh.) 

Food was Reem’s saving grace. Facing a debilitating digestive disorder, and the wreck of familial stress, Reem left college and headed to the Bay Area live with her Arab uncle and Jewish aunt. Soothed by California’s climate, nature, and ingredients, she found mental and physical healing — and roots and purpose. 

“Arabiyya” is a guide to California-based, Arab-rooted recipes alongside tales of Reem’s journey and her family’s. Her grandparents fled the Nakba — the 1948 “catastrophe” of the forced exile of roughly 750,000 Palestinians at the hands of Israeli troops — and the Naksa, the 1967 War that forced her family to decamp once more for Lebanon. The Lebanese Civil War led to one more flight to Greece, and finally, California.

Growing up American, Reem knew little of her grandmother’s resilience. After her sitty’s (colloquial Arabic for grandmother) passing, she pasted together tales from relatives of her grandmother’s determination to uphold Arab hospitality no matter where she landed. Her identity as a Palestinian was threatening both in Lebanon and America — but she walked with dignity. Arab hospitality meant that home was a safe comfort no matter the headwinds outside, and, at times, her grandmother went lengths to survive. A tale of sneaking out during a pause in fighting in Beirut became family lore: sitty couldn’t forget her lemons (who would serve fish without lemons?!) even after a rocket attack knocked her down. 

Food’s healing and grounding became the thread uniting Reem with sitty. “I’ve come to realize that my grandmother, who loaded the table to its edges with tasty morsels of my favorite foods, lives through me,” Reem relates. 

Reem’s journey to cook and bake as love and spontaneity opened a window to heritage — a family’s history and Arab pride. Her recipes (like the California Fattoush Salad where traditional tomatoes are swapped for oranges and citrus and fried sunchokes) overflow with love. “Arabiyya” is destined to be a classic among Arab-Americans. 

Arab artists in their prime 

Artists from the Arab world exhibiting in the West face a challenge: Our culture is ubiquitous in Western depictions but poorly understood; a dilemma for the artist who must inevitably “interrogate the stereotypes that spectators bring to the practice of looking at mythologized places,” in the words of critic Omar Kholeif in his review of the Abu Dhabi-born and NYC and Dubai-based Farah Al Qasimi. 

Al Qasimi is one of five Arab artists featured in the new collection on “art’s next generation” entitled “Prime.” In “After Dinner 2” (2018), Al Qasimi captures the pressures of domestic life in her native UAE and the misconceptions westerners have about Arab domesticity. A mother stands behind her daughter kneeling on the couch while looking out at the window. The mother’s stance is recognizable to any child raised by an Arab mother: head tilted up and her arms stretched out — a plea for God’s mercy in the face of a stubborn child. The pink and white staging of the drapes and couch suggest the mother-daughter dispute is about marriage, the daughter having sights on another admirer. Neither the daughter’s nor the mother’s face is visible. The mother’s face overflows out of frame while the daughter’s rests behind the drapes. Al Qasimi’s photograph turns on its head the Western conception that Arab women are hidden “behind the veil;” their life is plain to see if one discards their preconceived notions and recognizes that mothers and daughters differ universally. 

Gulf Arab states, soaked in oil and gas money, however, pander to Western standards. Alia Farid scrutinizes the imitation. Urbanization has upended life in the Gulf, including in the official representation of culture. Seeking to parade heritage, Gulf states are crafting historical narratives that embody less the realization of culture and more a contrived display that weaves together disparate artifacts, as Farid displays in a mock-museum exhibition titled “Vault” (2019). These exhibitions stand as staid advertisements — a defensive declaration: “We, too, have culture!” — placing together all manners of ancient and modern objects without telling a coherent story or inspiring new creativity. 

In a juxtaposition, “At the Time of the Ebb” (2019) is a video installation documenting the celebration of Nowruz Sayadeen (Fisherman’s New Year) on the island of Qeshm, Iran. “We are brought close to culture at its grassroots level — the suggestion being that cultural life is built in communities as opposed to something to represent within the entanglements of a global museum industry, one that willfully neglects the culture it seeks to validate,” observe critics Hana Noorali and Lynton Talbot. 

The Middle East’s wars and rivalries inform the work of Lebanese artist Rayyane Tabet, who works in Beirut and San Francisco. “Steel Rings” (2013) is a recreation of the Trans-Arabian Pipeline that was abandoned due to political upheaval but not before hundreds of miles of pipes were laid (and remain) underground. In Tabet’s exhibition, steel rings laid on the floor stand in for the pipeline’s route with engravings on the rings marking the locations passed underneath. The uncompleted pipeline is the only material project to exist between five regional nations. It is a sad statement on the region’s divisions that the only thing crossing that many borders is abandoned and buried steel. Humanization of the region’s troubles comes into relief in “Cyprus” (2015). The installation consists of a 1,800-pound wooden boat suspended from the ceiling. The boat was deployed by the artist’s father to flee Lebanon’s civil war but was unable to complete the journey to the neighboring island. Years later, the family found it on the coastline. Suspended in midair, solitary, the boat speaks to the anguish burdening people in the face of conflict — a hardship that is often insurmountable, like the boat drawback by the current. “Cyprus” centers our thoughts beyond the headlines — obscuring the human toil — and toward people struggling in their wake. 

It is refreshing to see Arab artists creating thought-provoking art on their own terms. And so, the wheels of American life roll on as we crave our hearts on its road.

The Blade may receive commissions from qualifying purchases made via this post.

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Books

Mother wages fight for trans daughter in new book

‘Beautiful Woman’ seethes with resentment, rattles bars of injustice

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(Book cover image courtesy of Knopf)

‘One Day I’ll Grow Up and Be a Beautiful Woman’
By Abi Maxwell
c.2024, Knopf
$28/307 pages

“How many times have I told you that…?”

How many times have you heard that? Probably so often that, well, you stopped listening. From your mother, when you were very small. From your teachers in school. From your supervisor, significant other, or best friend. As in the new memoir “One Day I’ll Grow Up and Be a Beautiful Woman” by Abi Maxwell, it came from a daughter.

When she was pregnant, Abi Maxwell took long walks in the New Hampshire woods near her home, rubbing her belly and talking to her unborn baby. She was sure she was going to have a girl but when the sonogram technician said otherwise, that was OK. Maxwell and her husband would have a son.

But almost from birth, their child was angry, fierce, and unhappy. Just getting dressed each morning was a trial. Going outside was often impossible. Autism was a possible diagnosis but more importantly, Maxwell wasn’t listening, and she admits it with some shame.

Her child had been saying, in so many ways, that she was a girl.

Once Maxwell realized it and acted accordingly, her daughter changed almost overnight, from an angry child to a calm one – though she still, understandably, had outbursts from the bullying behavior of her peers and some adults at school. Nearly every day, Greta (her new name) said she was teased, called by her former name, and told that she was a boy.

Maxwell had fought for special education for Greta, once autism was confirmed. Now she fought for Greta’s rights at school, and sometimes within her own family. The ACLU got involved. State laws were broken. Maxwell reminded anyone who’d listen that the suicide rate for trans kids was frighteningly high. Few in her town seemed to care.

Throughout her life, Maxwell had been in many other states and lived in other cities. New Hampshire used to feel as comforting as a warm blanket but suddenly, she knew they had to get away from it. Her “town that would not protect us.”

When you hold “One Day I’ll Grow Up and Be a Beautiful Woman,” you’ve got more than a memoir in your hands. You’ve also got a white-hot story that seethes with anger and rightful resentment, that wails for a hurt child, and rattles the bars of injustice. And yet, it coos over love of place, but in a confused manner, as if these things don’t belong together.

Author Abi Maxwell is honest with readers, taking full responsibility for not listening to what her preschooler was saying-not-saying, and she lets you see her emotions and her worst points. In the midst of her community-wide fight, she reveals how the discrimination Greta endured affected Maxwell’s marriage and her health – all of which give a reader the sense that they’re not being sold a tall tale. Read this book, and outrage becomes familiar enough that it’s yours, too. Read “One Day I’ll Grow Up and Be a Beautiful Woman,” and share it. This is a book you’ll tell others about.

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Books

New book examines queer behavior among animals

‘A Little Queer Natural History’ reminds us of the facts of life

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(Book cover image courtesy of University of Chicago Press)

‘A Little Queer Natural History’
By Josh L. Davis
c.2024, University of Chicago Press
$16/128 pages

When you were a small child, someone taught you about the birds and the bees.

It might’ve been a parent or other adult who explained where babies come from, or another kid who filled your head with scary, exciting things that you believed until you learned better. However you learned the facts of life, it changed you forever and in the new book, “A Little Queer Natural History” by Josh L. Davis, there’s more to the wild story.

You are not alone. Just look around.

All kinds of creatures share the planet with us but, in the same way that you shouldn’t judge a person at first glance, you can’t jump to conclusions about those creatures. That’s especially true with sexual behavior. While we can’t rightly attribute human feelings or intentions to them – animals likely don’t understand gay from straight – we may assume “that most species of animal probably exhibit some form of queer behaviour.”

Take birds, for instance: early 20th century explorers noted the Adelie penguin for its male-male partnering activity. Female Western gulls often raise their chicks with female partners. Female pheasants may “present as males” if their estrogen is depleted.

As for mammals, Western lowland gorillas and bonobos both engage in sexual activity with either sex. Domestic sheep, hyenas, and giraffes also “could be considered to have a sexuality that we would define as homosexual or bisexual.”

And “When it comes to sex in plants,” says Davis, “all bets are off.”

Komodo dragons can reproduce through parthenogenesis, or without fertilization. Parrot fish are able to change sex if they need to. Morpho butterflies are gynandromorphs, having “both male and female tissue within… a single individual.” Castrated male cane toads will develop egg cells due to a “Bidder’s organ.” Even dinosaurs are included in this book.

“Despite sex often being viewed as a fundamental for life on Earth,” says Davis, “there is still a lot we don’t know about it and scientists are constantly learning more.”

When you first get “A Little Queer Natural History” in your hands, you’ll notice how whisper-thin it feels. Don’t let that fool you; the pages may be light, but what you’ll find is not.

Author Josh L. Davis stuffs each entry tight with real scientific information, and he uses actual scientific terms to do it. There’s zero dumbing-down in that, but Davis is quick to explain terms and ideas, which helps readers to completely understand what’s here. For sure, you’ll feel like a smarty-pants as you make your way through this book.

Readers, however, may scratch their heads and wonder why some of the entries are included – it may be a stretch to include fossilized creatures or male animals that care for their offspring, for instance. Chances are, though, that you’ll be so captured by the knowledge contained in each short chapter that you won’t mind.

“A Little Queer Natural History” is a smart book, perfect for quick reads at random at this busy time of year. If that’s what you need now, enjoying it’s a fact of life.

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Books

New book follows 7 trans kids coping with modern political attacks

Author Nico Lang delivers fine work of journalism

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(Book cover image courtesy Abrams Press)

‘American Teenager’
By Nico Lang
c.2024, Abrams Press
$30/288 pages

In great-grandma’s day, they hooked.

They were high-topped and dainty, too, to show off a tiny, cheeky-but-demure ankle beneath long skirts. These days, though, they Velcro, tie, strap, or you just slip your toes into whatever you put on your feet. You gotta wear your shoes but, as in the new book “American Teenager” by Nico Lang, you wish someone would walk a mile in them first.

Seven-hundred-plus.

That’s how many anti-gay, anti-trans bills were presented to state legislatures around the country last year, many aimed at minors. As if being a teenager isn’t hard enough. With this in mind, Lang shadowed seven trans kids, to find out how they and their families cope with our current political landscape.

Fifteen-year-old South Dakotan Wyatt is in 10th grade. He knows that the lawmakers in his state “will just keep turning up the boil” on trans bills and it makes him physically sick. When Lang asked Wyatt to describe himself, Wyatt couldn’t do it, as if, says Lang, he was “still in transit, not yet arrived.”

Near Birmingham, Rhydian is a good student at the Magic City Acceptance Academy, the only school in the South that specifically welcomes LGBTQ students, and he enjoys the deep love and support of his parents and grandmother. But he’s frustrated: Rhydian’s been waiting for months for top surgery, which has been put on hold for reasons that are political.

Mykah identifies as gender-fluid, Black, and bi-racial and they desperately dream of a future performing career. In Houston, Ruby’s beloved church held a re-naming ceremony for her when she turned 18. Seventeen-year-old trans boy Clint is Muslim, and has managed to avoid scrutiny from his Chicago mosque.

Jack, along with her mother and nonbinary sibling, Augie, were homeless before their mother finally managed to find housing; in the meantime, Jack lost her health care. And in Los Angeles, Kylie has health care, support, friends, and an activist mother.

She has advantages that most trans kids can only wish for – and she knows it.

Acne. Peer pressure. Social media. Being a teen has always been difficult, even without anti-LGBTQ legislation. In this fine work of journalism, author Nico Lang shows how a handful of kids in one group are coping with governmental policies and life in general.

Hint: you can expect the unexpected.

“American Teenager” shows the highs and lows of being a teen with the added stress of politics included – and here, the individuality inside the ordinary is striking and wonderful. Lang is careful to show how these are just typical kids – good-hearted, smart, funny, sarcastic – and it rings throughout each profile how much the discrimination they endure affects their lives and relationships. That’s a clarion call, absolutely, but readers who can see between the lines will also enjoy this book’s humor, it’s compassion, and the sheer joy of meeting decent, thoughtful teens.

Parents will like this book for its candor, and that goes doubly for adults who love a trans kid. Start “American Teenager” and before long, you’ll be hooked.

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Books

Randy Rainbow doesn’t hold back in new book

Something snide and cynical that’ll make you laugh

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(Book cover image courtesy of St. Martin's Press)

‘Low-Hanging Fruit’
By Randy Rainbow
c.2024, St. Martin’s Press
$28/224 pages

Whine, whine, whine.

You got something to say, say it. Got an opinion? The world is waiting. It doesn’t do any good to mutter, sputter, or whine when something’s bothering you. As in the new book, “Low-Hanging Fruit” by Randy Rainbow, take it to the complaint department.

Randy Rainbow has a lot to say, and he’s not afraid to say it.

For starters, he’s “resigning from trying to fix you, effective immediately.” Any boneheaded thing you want to do now, whatever. Nothing is his responsibility anymore. He has other issues to worry about.

“The truth is,” he says, “I have a lot of complaints about a lot of things.”

There are right ways of doing things, he says, and there are wrong ways and we just all really need to know the difference – especially if you’re a “Karen.” He’s compassionate if you were born with that name, but not too much.

“I’m a flamboyant homosexual who’s lived my entire life with the name Randy Rainbow, so you’ll get little sympathy from me in this department.”

Other than that, you may wonder what Rainbow’s (ahem) “position” is: he’s actually thinking about running for president as a member of “a Rainbow coalition…” He doesn’t have much experience but, he says, if there’s one thing we’ve learned in the past few years, that doesn’t matter at all. He stands on a green platform, but he can’t ban fluorocarbons because, you know, the hair thing and all.

Rainbow misses his 20s, old-school dating sites, hooking up, and his former attention span. He waxes nostalgic about the places he’s lived, including an apartment overlooking a “fruit market.” He wonders why teenagers are suddenly “successful lifestyle gurus.” He hates when “stars begin losing their luster” and he wishes again for actors like Hayworth and Garbo.

But, he says, “Diva-complaints aside… I really do thank God for all the opportunities I’m given.”

So the elephant in the room right now might be one you’ll (never?) vote for, but you know that author Randy Rainbow will reliably skewer that political animal online, hilariously. The fun-poking continues in the most deliciously snarky way in “Low-Hanging Fruit.”

And yet, that’s not the only subject Rainbow tackles. Readers who love catching his posts and videos are treated here to a random string of observations, opinions, and rants-not-rants, with the signature sassy style they’ve come to expect. What you’ll read can be spit-out-your-wine funny sometimes, and other times it touches a nerve with nods toward culture, new and old, that’ll make you nod with recognition. Nothing in Rainbow’s path goes without sharp-edged comment, which is exactly what you want from his books. Unexpectedly, this one also includes a soft word or two and a few slight confessions that are gentle and that might even make you say, “Awwwwww.”

If you’re ready for something snide and cynical that’ll make you laugh, something that you’ll want to read aloud to a companion, “Low-Hanging Fruit” is what you need. Look for this book now and you’ll have no complaints.

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Arts & Entertainment

The Provider is a queer study in love, class, and liberation

LA Blade Interviews Author Carter Wilson About His New Novel

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The LA Blade sat down with Carter Wilson, novelist and anthropologist, to discuss his new novel “The Provider.”

Wilson is best known for his 1980s gay bestseller about a fictional photographer on the expedition where the Inca ruins at Machu Picchu were “discovered,” featuring a love story between the photographer and a Peruvian guide. With co-writer Judith Coburn, Wilson contributed Harvey Fierstein’s narration for the Oscar-winning documentary “The Times of Harvey Milk,” and wrote Dustin Hoffman’s narration for “Common Threads,” which also won an Academy Award. Wilson’s research on gay Mexico enabled him to help gay men seeking asylum in the U.S. as members of a persecuted minority.

Los Angeles Blade: What is your novel “The Provider” about?

Wilson: A married contractor approaching 40 decides to give in to his curiosity about casual sex with other men. When he meets a wealthy older man, he finds himself falling in love.

Los Angeles Blade: What’s special about your main character?

Wilson: Jake Guarani has always prided himself on being a sexually accomplished ladies’ man. In ten years of marriage, however, he has not cheated on his wife. He’s the “provider,” working hard in the construction business to take care of his family—something he’s both proud of and resents. Though brash and forthright, Jake also has his insecurities. Through friendship with a school pal, he was raised around North Shore of Chicago wealth, so the casual put-downs of his clients and co-workers hurt. At one level, “The Provider” is about how sex and class work together—or don’t.

Los Angeles Blade: Why did Jake wait so long before exploring his sexual interests in other men?

Wilson: The conventional demands of his life and profession kept him from allowing himself to think seriously about that side of himself. Now the internet has helped make hook-ups easier to arrange.

Los Angeles Blade: In the story of a “straight” guy’s affair with another “straight” guy, what will be of interest to people in the lesbian and gay community?

Wilson: Well, it’s a love story. Though it’s a cliché, in the past lesbian book people assured me that women were buying my fiction because they love a love story. How other people of any stripe manage the difficult waters of sex, relationship, and obsession is always a strong pull.

Los Angeles Blade: Where did the impulse to tell this particular story come from?

Wilson: From talking with married men who have sex with men about how they handle the complications, contradictions, and the fun.

Los Angeles Blade: About a quarter of the way into “The Provider,” the reader encounters a lot of graphic descriptions of sex between the two main characters. Why is this?

Wilson: Jake, my protagonist, is also a “provider” in the sense that he gets off on pleasing his partner. It is sexual hunger which brings him and the older guy together in motel rooms and then leads them along into something else. (I had a friend who used “motel” as a verb: “My cousin used to come by and motel me,” he would say.) The two men get to know each other primarily in these brief interactions. So I couldn’t go dot-dot-dot on the subject of bodies and hearts and minds when all three are in play.

Los Angeles Blade: Is it easy for you to write about sex?

Wilson: Ha! I started to say it’s not easy for me to write about anything, but after so many years at it, that’s not exactly true anymore. The hardest part of writing about sex is avoiding the clichés. They crop up all around. Equally hard is letting the reader feel the wonders which sometimes attach to the physical acts.

Los Angeles Blade: Is there really some distinction between “erotic writing” and porn?

Wilson: My friend Jay Cantor says erotic writing may just be “the higher porn.” The difference, however, is real. In a XXX movie, telling the pizza man you don’t have any change but you’d be glad to get horizontal with him in the bedroom might suffice. But it is just not enough for character-based and memorable erotic writing, the kind of thing you find in D.H. Lawrence or Flaubert.

Los Angeles Blade: You say “class” is seldom related to sexuality these days. Why is that?

Wilson: Mainly because in our current culture, we pretend that social class with all its weird markers and its cruelties does not exist. Ethnicity (or gayness) blankets a lot of our troubles that are really about class. Jake Guarani is proud of being a working guy, but the fact he’s pleasuring a patrician, old-family fellow is a large part of the affair’s turn-on for him.

Los Angeles Blade: What is your feeling about what “bisexuality” is really about?

Wilson: We often talk about bisexuality in very sloppy and unhelpful ways. Take me as an example. I have been out of the closet for 47 years. I have not had sex with a woman for 41 years. I identify as being gay (I sometimes excessively shout it from the rooftops). Yet given the experiences of my past, am I technically somehow still really “bi”? But the interesting problem lies deeper than that. It lies in what theorists of sex call “sexual object choice.” Is it possible not to have some kind of long-term preference for men or women? And if so, how many people are there really like that? When a psychiatrist friend tells Jake he thinks Jake is that relative rarity—a “true” bisexual—Jake asks if that means there’s some kind of discount or something he hasn’t been putting in for.

Los Angeles Blade: Why are gay men sometimes suspicious of men who claim to be bi?

Wilson: In one way the suspicion is justified. Being heterosexual remains a privilege despite all we’ve done to equalize things. So proclaiming yourself bi can be a way to cling to hetero privilege while also enjoying all the fruits of being queer. (I was going to say the fruits of being a fruit, but I won’t.) However, I’m against the cynicism in judging others that way. That’s some of what “The Provider” is all about.

Los Angeles Blade: Six novels, nonfiction, a children’s book, film work. You’ve had a long and varied writing career. Are there common themes that hold it together?

Wilson: I’m old enough to have passed through the so-called sexual revolution of the 1960s and ’70s, a time for which I remain grateful, as it gave me the… well… balls to come out. The idea that the liberation of the body and the exploration and fulfillment of desires would elevate and enlarge the mind and the spirit remains strong in me. My other fascination has been Mexico and especially Mayan people there. Three of my novels take place in the state of Chiapas, and I think there was liberation from middle-class fuddy-duddyness in getting to know a second culture as well as I could.

Los Angeles Blade: Working on two Academy Award-winning documentaries must have been fun, yes?

Wilson: Fun yes, but also hard work done under a lot of time pressure. The narration of a feature-length documentary is like one long poem, and you have to be able to hold everything you need to say in your head and not repeat or even echo yourself. Especially on “Harvey Milk,” my co-writer and I got to contribute to the structuring of the film when the director and others had worn themselves out trying different possibilities.

Los Angeles Blade: You’ve also done a good deal of movie writing.

Wilson: Yes, though nothing that ever made it all the way up to the big silver. Dramas with friend Tim Hunter, original comedies with Judith Coburn, an adaptation of John Webster’s Jacobean melodrama “The White Devil” with Tim, and by myself a screenplay for Christopher Isherwood’s excellent first American novel “The World in the Evening.”

Los Angeles Blade: Are there things you learned from film writing that help writing fiction?

Wilson: A good rule for movies is always to know where your main character is. Where did we see her last and when will she show up again? In fiction this is less necessary, but if you keep to it, you won’t wander off and lose time on peripheral stuff you’ve later got to cut. Of course, the big difference between fiction and film is that unless you have a voice-over narrator, in a feature you can’t just say “The next morning Winky woke up with a hangover as big as the Ritz.” You have to indicate all that somehow. Well, you can put up a card, “Six Years Later in Amalfi, Italy” but that’s a little shoddy usually.

Los Angeles Blade: Tell us a little about your work on gay asylum cases from Mexico.

Wilson: In the 1990s under Janet Reno, the Department of Justice allowed prejudice against gay men and women and people with HIV in Mexico to become a reason for them to seek asylum in the U.S. The standard, however, was strict—you had to have a reasonable fear for your own life if you were returned to your country of origin. Because on my anthropological side I had studied and written about gay life and HIV in Mexico, I was able to serve as an expert witness in over 60 cases in immigration court. Most of this was pro bono work, and it was great to be able to use my “academic” knowledge to help others. You don’t encounter that possibility very often in universities.

Los Angeles Blade: Do you have a next project?

Wilson: I have a nonfiction story called “Happy Monet Christmas, Darling” which is about actress Martha Hyer having hubby producer Hal Wallis’s great Impressionist paintings copied and sold off, which I’m preparing for publication. Ad line: ‘Skulduggery in the ranks of Hollywood Royalty.’

Los Angeles Blade: What’s your life like now?

Wilson: Quiet. Retired from the University of California Santa Cruz for 22 years, live within sight of the ocean (we can hear seals on the beach on winter nights when the wind is right), husband who prefers his cooking to mine, a lot of satisfaction with life, though I’m trying not to be piggy or smug or intolerable about that.

Los Angeles Blade: Any regrets?

Wilson: A younger and better-looking writer, 54, apparently has the same birth name as mine, and his production of thrillers and suspense has “blanketed” me some on Amazon and the Wiki. You can’t copyright a name. It was OK with me when a “Carter Wilson” from Virginia became Miss World America 1979. I told everyone I did OK in bathing suit and gown, but got lower marks in talent for my juggling on a unicycle act.

Los Angeles Blade: Do you sleep in the nude?

Wilson: I do. Also shower there.


Born and raised in Washington, DC, Carter Wilson taught at Harvard, Stanford, Tufts University, and UC Santa Cruz during his long career. His 1995 book “Hidden in the Blood: A Personal Investigation of AIDS in the Yucatán” won the Ruth Benedict Prize from the Gay and Lesbian section of the American Anthropological Association. He lives now on the Monterey Bay with his husband and their two dachshunds and one very mellow female pittie named Peaches.

Website: https://bankilal.ag-sites.net/index.htm

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Thom Gunn bio explores joys, complexities of modern gay life

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(Book cover image via Amazon)

‘Thom Gunn: A Cool Queer Life’
By Michael Nott
c.2024, Farrar, Straus and Giroux
$40/720 pages

A confession: Until reading “Thom Gunn: A Cool Queer Life,” I hadn’t known much about the accomplished, controversial gay poet’s life or read many of his poems. But this first biography makes me feel like I know him and his large body of work intimately. Michael Nott, coeditor of “The Letters of Thom Gunn,” draws on interviews with friends and family, as well as Gunn’s letters, notebooks, and diaries, to tell the triumphs and tragedies of his life.

Born in England in 1929 to journalist parents, when he was 15, he and his younger brother Ander found their mother dead from suicide. He would not discuss this tragic event in his poetry for years, including one of his last poems “My Mother’s Pride.” He published his first book of poems, “Fighting Terms,” while still an undergraduate at Cambridge University.

At Cambridge, Gunn met his life-long partner, Mike Kitay, an American studying theater. Gunn followed Kitay to America, studying poetry under Yvor Winters at Stanford University. At one point, Kitay, doing his military service, was investigated as part of suspicion of homosexuality among his unit. Gunn wrote to friends of his worry both of what might happen to Kitay as well as to himself. While nothing happened, the event reminds us of the precarious state in which gay men lived until recently.

Eventually, they settled in San Francisco, which Gunn loved. Even when he became worldwide famous, he enjoyed the anonymity of the city’s gay bars, where he could pick up men. He taught at UC Berkeley for 40 years, one term every year so he could concentrate on his poetry. His and Kitay’s home was filled with friends and sex partners, usually of Gunn. This arrangement seems common for many gay men of the time, reminiscent of Dan Savage’s idea of “monogamish,” where committed gay couples might have other side partners.

In San Francisco, Gunn discovered leather and drugs, both of which he took to readily. He caused a stir by appearing in his British publisher’s conservative club in leather gear. Toward the end of his life, he became a crystal meth addict, frequently using with other addicts whom he also slept with. In 2004, his housemates found him dead from substance abuse.

He explored leather, drugs, and gay sexuality frequently in his poems. His collection “Moly” (named after the drug in The Odyssey protecting from the witch Circe’s magic), looked at the appeal and downfall of drugs. The Man with Night Sweats, perhaps his most famous collection, dealt with the AIDS epidemic, the painful death of so many friends and lovers. He won the MacArthur Foundation “Genius” grant afterwards.

The biography presents Gunn in all his humanity, from his poetic genius to his insecurities. After each book came out, he struggled with writer’s block, which led to hookups and drug use. As he aged, he worried about finding “gerontophiles” who would sleep with him. I hope this book encourages readers to discover or revisit his work, filled with the joys and complexities of modern gay life.

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A rabid fan’s look at the best and worst of queer TV

Rainbow Age of Television’ a must-read for viewers

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(Photo courtesy of Abrams Press)

‘The Rainbow Age of Television: An Opinionated History of Queer TV’
By Shayna Maci Warner
c.2024, Abrams Press
$28/304 pages

Wanna hand over the clicker?

You don’t want to miss the season premiere of that show you binge-watched over the summer. You’re invested, a fan who can’t wait to see what happens next. You heard that this may be the last season and you’ll be sad, if that’s so. Is it time to start looking for another, newer obsession or will you want to read “The Rainbow Age of Television” by Shayna Maci Warner, and find something old?

Like most kids of the ’70s, ’80s, and ’90s, Shayna Maci Warner spent lots of time glued to a television screen, devouring programming before school, after school, and all summer long. For Warner, that programming eventually led to a revelation. They saw people that looked like them, for which they formed “a personal attachment.”

It was “life-changing.”

It didn’t happen all at once, and some of TV’s “milestones” are forever lost, since broadcasts were live until the 1950s. Shortly after shows were taped and preserved, homosexuality became a “source of worry and blunt fascination” but certain performers carefully presented gently risqué characters and dialogue that nudged and winked at viewers.

Some queer representation appeared in the 1960s, but it wasn’t until the 1970s when dramas began to feature more gay and lesbian characters, however subtly. It took a while for “the ‘rest’ of the alphabet” to be represented in a meaningful way and – despite that “Star Trek” and its many versions included gender-diverse characters – it wasn’t until 1996 that an intersex infant was featured on a regular television drama.

Since Ellen DeGeneres came out practically on her namesake TV show and “Will & Grace” became a wild hit, queer representation on TV has ceased to be an unusual thing. And yet, programmers and writers know that caution is still warranted: sometimes, “there can still be hesitation around pushing the envelope and fear that a queer character who burns too brightly just won’t last.”

Quick: name three after-school TV shows that aired when you were in fourth grade. If you can’t do it, one thing’s for certain: you need “The Rainbow Age of Television.”

But get ready for some argument. Author Shayna Maci Warner offers a rabid fan’s look at the best and the worst queer representation had to offer, and you may beg to differ with what they say about various programs. That makes this book a critique, of sorts, but Warner offers plenty of wiggle-room for argument.

Tussling over the finer points of queer programming, though, is only half the fun of reading this book. Microwave a box of pizza snacks or mac-and-cheese, demand “your” sofa seat, and dive into the nostalgia of old TV shows, most of them from the later last century. Yep, your faves are here. It’s like having an oldies channel on paper, and in your hand.

This is a must-have for former kids and current TV addicts who are happy to see themselves represented on TV. If that’s you, who brought the chips? “The Rainbow Age of Television” will just click.

The Blade may receive commissions from qualifying purchases made via this post.

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Author rails against racism and desire, politics, loss

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“Rage: On Being Queer, Black, Brilliant… and Completely Over It”
By Lester Fabian Brathwaite
c.2024, Tiny Reparations Books
$28/288 pages

Somewhere up in the clouds.

That’s where your blood pressure is, right there as high as it’s ever been. Hoo, boy, are you angry. Your teeth are clenched, your eyes are slits, and you can’t trust yourself to speak in more than a growl. You’re plenty steamed and, as in the new book “Rage” by Lester Fabian Brathwaite, it shouldn’t have to be this way.

When he came with his family to America from Guyana at just four years old, Brathwaite couldn’t believe what his new home country offered. Malls, new kinds of food, cable television? Shirtless white men on TV and in magazines? Yes, please!

He’s always had crushes on white men, but he loves being a gay Black man – even though racism, overt and subtle, can be an aggravation. When Brathwaite is on a dating app, white men sometimes dismiss him with a racial comment. He’s heard and seen the “n-word” more than once and he doesn’t tolerate it. Wouldn’t a greeting and a no thanks be less rude?

He is bothered by unnecessary meanness.

He is bothered in a different way by bodybuilding. Hot, muscular bodies, to be exact and he’s sure that whoever created the sport was a genius. Brathwaite participates in bodybuilding himself sometimes – it’s expensive and he does it for himself, not for other men – though he believes that gay men are bodybuilding’s biggest subset. For sure, he’s payed homage to his share of bodybuilders, superheroes in movies, and hot shirtless boys on TV.

There were many times, years ago, that Brathwaite ended up drunk and in a stranger’s bed or looking for an old hook-up, and he was arrested once. Nearing 30, though, he realized that that life wasn’t what he wanted anymore. His knees couldn’t take it. Besides, he liked who he was and he liked his blackness. He realized that he didn’t need anyone else to be a hero of his tale. He could do it better himself.

One thing’s for certain: “Rage” lives up to its title.

At times, author Lester Fabian Brathwaite rails against so many things: racism and desire, club society, being a writer and editor, the generational differences between gay men, politics, and loss. At other times, he’s outRAGEous and hilarious, writing to readers as though he’s holding court in a cafe somewhere and you’d better listen up.

You should know that that means honesty – poking in the corners, calling things out for what they are, chastising people who need schooling on how to behave in a way that doesn’t leave room for nonsense. This arrives unabashed and raw, accompanied by plenty of profanity.

You’ve been warned.

And yet, Brathwaite’s candor and his blunt talk is fresh and different. This gay man doesn’t pussy-foot around, and getting his opinions without fluff feels good and right. Readers will appreciate that, and they might come away educated.

Generally speaking, this ain’t your Grandma’s book, unless Grandma likes real talk laced with profanity. If that’s so, then get “Rage.” You’ll both be mad for it.

The Blade may receive commissions from qualifying purchases made via this post.

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Q&A with Chris Tompkins, author of “Raising LGBTQ Allies”

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In an enlightening interview with the Los Angeles Blade, Chris Tompkins, author of “Raising LGBTQ Allies,” shares invaluable insights on fostering acceptance and understanding in families and communities. Tompkins, inspired by a personal experience with his young nephew, delves into the complexities of discussing gender and sexuality with children, addressing internalized biases, and the importance of proactive, open conversations. His book, which has garnered critical acclaim, offers a compassionate guide for parents, educators, and LGBTQ individuals alike, aiming to create a more inclusive world for future generations.

Los Angeles Blade: What inspired you to write “Raising LGBTQ Allies”?

Chris Tompkins: A question from my six-year-old nephew inspired me. Despite being out and supported by my family, he asked if a woman sitting next to me was my girlfriend. This made me realize that homophobia can be multilayered, sophisticated, and sometimes manifest as silence.

Los Angeles Blade: How did your upbringing influence your work?

Chris Tompkins: Growing up gay in a religious household, I struggled with my relationship with God. Reconnecting with my version of a “higher power” was transformative. My experiences teaching social-emotional learning and working with the LGBTQ community have shown me the importance of spirituality and self-love.

Los Angeles Blade: Why is your book important for LGBTQ community members, whether they have kids or not?

Chris Tompkins: It helped me realize my own responsibility in raising LGBTQ allies, even as a single, out-of-state uncle. The book encourages LGBTQ individuals to embody the change they want to see in younger generations.

Los Angeles Blade: Who could benefit from your book?

Chris Tompkins: While it’s titled for parents, “Raising LGBTQ Allies” is also a resource for LGBTQ community members to heal from trauma and toxic shame, especially given the current surge of anti-LGBTQ legislation.

Los Angeles Blade: Why is addressing trauma and shame important for the LGBTQ community?

Chris Tompkins: Trauma stems from chronic invalidation, which is common in the LGBTQ experience. Addressing these issues is crucial for mental, emotional, and spiritual wellbeing.

Los Angeles Blade: Can you explain the concept of trauma in the context of LGBTQ experiences?

Chris Tompkins: Trauma can be subtle and insidious, like the “thousand paper cuts” of chronic invalidation. Even in seemingly accepting environments, internalized shame can persist, affecting mental health and leading to coping mechanisms like substance abuse.

Los Angeles Blade: What is “Benign Neglect” and how does it relate to LGBTQ issues?

Chris Tompkins: “Benign Neglect” refers to the unintended consequences of not communicating about important issues. In LGBTQ contexts, it’s often manifested as parents avoiding discussions about gender and sexuality with children, which can inadvertently perpetuate shame and misunderstanding.

Los Angeles Blade: How can parents discuss sexuality with young children in LGBTQ-affirming ways?

Chris Tompkins: Include same-sex examples in everyday conversations and challenge gender stereotypes. Start these discussions early – children as young as six can understand these concepts when explained appropriately.

Los Angeles Blade: How can adults ensure a child has a healthy space for self-discovery?

Chris Tompkins: Be curious and create space for open, honest conversations. It’s our responsibility to learn who children are, not for them to teach us.

Los Angeles Blade: Any advice for adults uncomfortable with these conversations?

Chris Tompkins: Focus on keeping open, not keeping up. It’s okay to feel uncertain, but don’t let that prevent you from having these important discussions.

Los Angeles Blade: What’s your perspective on the recent surge of anti-LGBTQ legislation?

Chris Tompkins: It’s a countercultural dynamic, like a pendulum swinging back after progress. This emphasizes the importance of proactive conversations to challenge bias and raise allies.

CHRIS TOMPKINS is an LGBTQ-affirming therapist who specializes in gay men’s identity and religious trauma.

Los Angeles Blade: Can you discuss problematic language in LGBTQ conversations?

Chris Tompkins: Words like “issues,” “lifestyle,” “different,” and “trend” can be harmful. They often carry subconscious bias and can unintentionally perpetuate the idea that being LGBTQ is a choice. It’s important to be mindful of our language.

Los Angeles Blade: How can we recognize and unravel our own biases?

Chris Tompkins: Start with self-reflection. Recognize that growing up in a heteronormative culture affects everyone’s beliefs. Consider the possibility that children in your life might be LGBTQ to help disrupt heteronormative thinking.

Los Angeles Blade: What are “messages from the playground”?

Chris Tompkins: It’s a metaphor for subconscious beliefs we pick up in childhood about gender, sexuality, and identity. These “messages” shape our worldview and can perpetuate shame if not addressed.

Los Angeles Blade: When and how should parents answer questions about where babies come from?

Chris Tompkins: Answer when children ask, as their curiosity indicates readiness. Use age-appropriate explanations. Discussing gender and sexuality early helps remove shame and fosters respect for these aspects of identity.

Los Angeles Blade: What’s the most important message you hope parents take from your book?

Chris Tompkins: This is a conversation for all parents, not just those with LGBTQ kids. Do the work yourself and maintain open, honest dialogues with your children.

Los Angeles Blade: How can readers engage more with your work?

Chris Tompkins: Visit my website, www.aroadtriptolove.com, or find me on Instagram: @aroadtriptolove.

Los Angeles Blade: What’s next for you and the book?

Chris Tompkins: “Raising LGBTQ Allies” has been published in Spanish and Vietnamese, with a paperback release on October 1st. It recently received the 2024 APA Distinguished Book Award, which will help it reach more readers, including educators and administrators.

Los Angeles Blade: Where can we find your book?

Chris Tompkins: It’s available wherever books are sold. You can pre-order the paperback edition now.

Los Angeles Blade: Any final advice?

Chris Tompkins: Don’t let fear of saying the wrong thing prevent you from speaking up. Ask for guidance, follow your heart, and remember that having these conversations is changing the narrative for future generations.

CHRIS TOMPKINS is an LGBTQ-affirming therapist who specializes in gay men’s identity and religious trauma. His work has been featured on TEDx, NBC, HuffPost, Psychology Todaythe Advocate, and more. An uncle of five, Chris believes the privilege of a lifetime is being able to affirm all children for who they are. www.aroadtriptolove.com 

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Two books to read when your child comes out as trans

Explaining what science knows about genetics and sexuality

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‘Free to Be: Understanding Kids & Gender Identity’
By Jack Turban, MD
c.2024, Atria
$29.99/304 pages

‘My Child is Trans, Now What?’
By Ben V. Greene
c.2024, Rowman & Littlefield
$26.95/203 pages

Your child has recently told you a secret that they can’t hold tight anymore.

You’ve suspected what they’re about to say for a long time. When they were small, they weren’t like other children. They may have even told you what they were thinking, even before they knew it themselves. But now you know, for sure, and so, going forward, you’re the loving parent of a child who’s trans, and there’s a learning curve.

These two books might help.

Surely, you must think that there has to be some science behind gender and identity, right? In “Free to Be: Understanding Kids & Gender Identity” by Jack Turban, MD (Atria, $29.99), you’ll follow the lives and struggles of three trans and gender diverse kids, Kyle, Sam, and Meredith, as Turban explains what science knows about genetics and sexuality.

To gain a basic understanding of the subject, says Turban, we need to look back in history to see how gender identity was perceived in the past and the attitudes that our ancestors held. He then touches upon language and “misnaming,” how social constructs attempt to set a child’s gender identity before it’s fully known, and why mothers often catch “blame” for something that’s never anyone’s “fault.” Further information on biology, puberty blockers, gender reassignment surgery for young trans people, and the “politics” of gender diversity round out this book nicely.

For the parent who wants a deeper dive into what makes their child tick and what they can do to make that kid’s life easier, this compassionate book is the one to read.

If you’re just finding out that your child is trans, then “My Child is Trans, Now What?” by Ben V. Greene (Rowman & Littlefield, $26.95) is a book to reach for now.

Beginning with the things you’ll want to know and understand immediately, this book is assuring and soothing – look, and you’ll see the word “joy” in its subtitle. Greene calls trans kids “VIPs,” and he means it, which sets a relaxing tone for what’s to come here.

In sharing his own experiences, Greene stresses that every trans experience is different, and he touches often upon his coming out. This launches discussions on topics like bathrooms, therapy (if you or your VIP want it), finding support, the politics of being trans, the stressors of medical treatment, and what it might be like to have even brief regrets. Greene finishes his book with advice on getting an education and living as a trans person.

“My Child is Trans, Now What?” is truly more of a book for parents and loved ones of trans teens or young adults. What’s in here goes well beyond childhood, so be aware before you reach for it on the shelf. And if these books aren’t enough, or don’t quite fit what you need, be sure to ask your favorite bookseller or librarian for more. In recent years, more and more authors have been willing to share their own journeys, making the transition one that doesn’t have to be so secret anymore.

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