George Takei was recently honored at the first-ever Critics Choice LGBTQ+ Awards. (Image from Georgetakei.com)

The LGBTQ+ History Archive Personal Stories Project is experiencing a surge in submissions. This decade-long effort documents LGBTQ+ history through personal narratives. Its success stems from a new partnership with actor George Takei and the .gay domain provider.

Charles Chan Massey co-founded and directs the Personal Stories Project. He credits the partnership’s success to Takei’s vast social media following. Takei, a vocal LGBTQ+ rights advocate, encouraged his 3.3 million X followers to share their stories.

Takei posted: “Each of us in the LGBTQIA+ community has a powerful coming-out story to tell. I want to hear yours. Head over to personalstories.gay today. Fill out the form to be featured on the Personal Stories website. I’ll be sharing some throughout the month to inspire others.”

Amplifying Community Voices

Logan Lynn is the creative director of .gay Domains. He emphasizes the partnership’s role in amplifying vital LGBTQ+ voices.

“Pride is about honoring and celebrating the depth of our communities,” Lynn said. “What better way to showcase this than through stories from people living LGBTQIA+ lives?”

Preserving Everyday Stories for Future Generations

Massey founded the LGBTQ+ archive project in 2012. His mission: preserve narratives of ordinary LGBTQ+ individuals, not just prominent figures.

“I wanted to archive our community’s history,” Massey explained. “Not just prominent members, but regular people who needed a platform. Regular people can identify with regular people. It’s important to see someone just like you.”

Massey maintains an online archive. This ensures accessibility of these oral histories for the LGBTQ+ community.

“As long as the internet exists, it can archive our stories,” Massey said. “We’re preserving stories for future generations. We’re also helping people find others with similar journeys.”

From Facebook Page to Registered Charity

The LGBTQ+ History Archive Personal Stories Project started as a simple Facebook page. It has evolved into a dedicated website and registered charity. It now supports LGBTQ+ organizations across the US and Canada.

Many participants share how LGBTQ+ organizations helped them. The Personal Stories Project encourages donations to these charities. Massey reports raising $15,000 to $25,000 annually for over 20 non-profits.

“95% of our budget goes to other 501(c)(3) organizations,” Massey said. “We support large and small community-based groups. A $200 donation can make a significant difference.”

A Diverse Collection of Experiences

The Personal Stories Project has a vast collection of LGBTQ+ stories. Massey is often struck by the depth of experiences shared.

“I met Peter, who was 85 at the time,” Massey shared. “He served in the Air Force, modeled in the 1940s, started an ad agency, and lived through the AIDS crisis. His story shows the power of these narratives.”

The project seeks submissions from all parts of the LGBTQ+ community. This includes people of various ethnicities and generations.

“People often think their story isn’t interesting,” Massey said. “But when they share, it’s captivating! Someone will identify with your story. Sharing is a powerful gift and a responsibility.”

Share Your Story

Do you have an LGBTQ+ story to share? Visit personalstories.gay to contribute to this important historical archive.

LOS ANGELES – On December 18, 2010, the U. S. Senate overturned the “Don’t Ask, Don’t Tell” policy by a 65-31 vote, which President Barack Obama signed a few days later.

As LGBTQ veterans mark Veterans’ Day 2023 today, the Los Angeles Blade takes a look back at a series of policies that marginalized and persecuted the LGBTQ community’s military service, and the activists who successfully pushed the government to repeal them.

Don’t Ask – Don’t Tell Repeal Act of 2010

During World War II, the U.S. Armed Forces established a policy that discharged homosexuals regardless of their behavior. In 1981, the Defense Department prohibited gay and lesbian military members from serving in its ranks with a policy that stated, “Homosexuality is incompatible with military service.” In the decade following, 17,000 service members were discharged from their duties for being homosexual.

This spurred a new policy called “Don’t Ask, Don’t Tell” during the Clinton Administration. In November 1993, the Defense Authorization Act put “Don’t Ask, Don’t Tell” into effect, allowing gay and lesbian citizens to serve in the military as long as they did not make their sexual orientation public. Commanders were prohibited from inquiring about a service member’s orientation provided that they adhered to this condition. Additionally, the policy forbid military personal from discriminating against or harassing closeted homosexual service members and applicants.

By 2008, more than 12,000 officers had been discharged from the military for publicizing their homosexuality. On December 18, 2010, the Senate overturned the “Don’t Ask, Don’t Tell” policy by a 65-31 vote, which President Barack Obama signed a few days later. The repeal allows gay and lesbian military members to serve openly in the armed forces.

On the anniversary of the Don’t Ask, Don’t Tell Repeal in 2018, former SLDN Board Chair Tom Carpenter wrote a reflection for the Los Angeles Blade:

“Many in our community never understood why any LGBT citizen would ever want to become part of a military that proclaimed “Homosexuality is incompatible with military service,” often sending LGBT service members to prison because of who they loved. The hard-core anti-war/military crowd wanted no part in the fight to lift the ban on open service.  Bowing to these objections, many large LGBT organizations paid nothing more than lip service to this effort.

As a candidate, Bill Clinton promised to lift the ban. Clinton had no idea the forces that opposed this change in policy. Those of us, who had served, knew better. The military and Senate leadership blocked him, including members of his own party. Instead of a policy, in 1993, we ended up with a federal law—“Don’t Ask, Don’t Tell.” (DADT).  This law proved almost as bad for LGBT service members as the outright ban.

Shortly after the law went into effect, two young lawyers, former Army Captain Michelle Beneke and Dixon Osburn, established Servicemembers Legal Defense Network (SLDN). They realized other LGBT organizations had neither the desire, nor expertise, to take on the task of providing legal assistance to those who would likely run afoul of the law. Their ultimate goal was to repeal the law in its entirety, allowing for open and honest service.

I joined the board of SLDN in 1994 and served as its co-chair for 7 years. It was clear to us that it would be another 10-20 years before Congress would be willing to take up this hot-button issue again. During the administrations of George W. Bush from 2000-2008, we felt as if we were in the wilderness. Thousands of service members were being discharged as the military asked, and some LGBT service members told. SLDN provided legal assistance to many and saved numerous careers.

Our arguments of how unfair the law was, and how much it was costing taxpayers to train replacements for highly skilled service members who were discharged, gained little traction. Sadly, it was the brutal murders of a sailor, Allan Schindler, and a soldier, Barry Winchell that finally focused attention on why this law was counterproductive to military readiness, unit morale and discipline. Both these young men were brutally beaten to death because one of their fellow service members merely thought they were gay.

These two tragedies captured the attention of the country. At SLDN, we recognized it was personal stories that would humanize this fight for equality. The mother of Schindler, as well as the parents of Winchell actively participated in SLDN’s lobbying efforts on Capitol Hill. Their emotional appeal to members of Congress was powerful. But it was not enough. 

Our strategy was to have veterans in the forefront of the lobbying and media effort.  Especially effective were those who had been discharged, resigned their commissions, or did not reenlist because of their sexual orientation. The most compelling personal stories came from Arabic linguists, medics, pilots, and infantrymen who had been on the front lines in the Global War Against Terror.  Many of these veterans appeared on television and had their stories reported by the press.  Through these efforts, it was becoming ever more clear to the public, the law was not working. These veterans made the case by revealing the simple truth—the law was contrary to the core values of the services. It required them to live a lie.

It was not until Barack Obama was elected in 2008 that we started to see an end game. With a Democrat in the White House and a more friendly Congress, we continued our strategy of telling personal stories. By this time over 12,000 patriots had lost their careers. There was much foot dragging from the White House during the early part of President Obama’s first term. The memory of what had happened to President Clinton’s effort, sixteen years earlier, clearly impacted the willingness to spend political capitol on this issue.

By 2010, SLDN marshaled Congressional allies and helped draft a bill to repeal DADT. It was becoming clear SLDN”s media and lobbying efforts had changed public opinion. Most Americans now favored repeal of DADT. Further, the Pentagon was being threatened by a series of lawsuits that challenged the law. The turning point was when the Senate held hearings and Secretary of Defense Robert Gates testified he favored repeal. In contrast to 1993, the Joint Chiefs of Staff agreed.

In the lame duck session of the 111^th Congress, notorious for inaction, a true miracle occurred. In a stroke of legislative brilliance, led by Army veteran, Congressman Patrick Murphy, DADT was repealed. On Dec. 22, 2010, President Obama signed the repeal law.

With the repeal of DADT, the first leg of institutional bias had collapsed. As predicted, in 2015, after a tremendous effort by LGBT groups, the Supreme Court ruled all Americans, regardless of sexual orientation, had a fundamental right to marry.

The only institution remaining in the way of equality is ministry. “Religious liberty” is now the rallying cry of the opponents of freedom for all Americans.  While progress is being made, many battles still lie ahead.  Never give up!”

On Sunday, Nov. 12 at 10 p.m. ET on MSNBC, and streaming on Peacock,  ‘Serving in Secret: Love, Country, and Don’t Ask Don’t Tell’ will air:

In 1970, Tom Carpenter graduated from the Naval Academy ready to follow his family’s lineage in the military as a US Marine Corps attack pilot. Then he met Courtland Hirschi. Tom and Court fell deeply in love, keeping their illicit relationship a secret. At that time, homosexuality – if discovered – resulted in being kicked out of the military with a dishonorable discharge, a court martial, jail time, or worse… Tom and Court’s story would be no exception. ‘Serving in Secret’ features leading voices in politics, historians, civil rights activists, and retired military personnel telling the story of LGBTQ discrimination in the military, and the controversial compromise known as “Don’t Ask, Don’t Tell.” Tom’s work towards its repeal along with many others was the Turning Point for LGBTQ+ rights, a fight that continues today.

‘Serving in Secret: Love, Country, and Don’t Ask Don’t Tell’ (Link)

BIRMINGHAM, Ala. — It was a quiet Sunday morning in Birmingham—around 10:24 on September 15, 1963—when a bomb made from dynamite exploded in the back stairwell of the downtown Sixteenth Street Baptist Church. Minutes before a white man was seen placing a box under the steps of the church.

The blast killed Addie Mae Collins, 14; Carole Robertson, 14; Cynthia Wesley, 14; and Denise McNair, 11 injuring 20 more and left the sister of Addie Mae Collins, 12-year-old Sarah Collins Rudolph, suffering from not only the loss of her sister, but her eyesight as well.

The Federal Bureau of Investigation notes in the agency’s history of the event that the bombing was a clear act of racial hatred: the church was a key civil rights meeting place and had been a frequent target of bomb threats.

Addressing the American people on Monday, September 16, 1963, President John F. Kennedy said:

“I know I speak on behalf of all Americans in expressing a deep sense of outrage and grief over the killing of the children yesterday in Birmingham, Alabama. It is regrettable that public disparagement of law and order has encouraged violence which has fallen on the innocent. If these cruel and tragic events can only awaken that city and State–if they can only awaken this entire Nation–to a realization of the folly of racial injustice and hatred and violence, then it is not too late for all concerned to unite in steps toward peaceful progress before more lives are lost.

The Negro leaders of Birmingham who are counseling restraint instead of violence are bravely serving their ideals in their most difficult task–for the principles of peaceful self-control are least appealing when most needed.

Assistant Attorney General Burke Marshall has returned to Birmingham to be of assistance to community leaders and law enforcement officials–and bomb specialists of the Federal Bureau of Investigation are there to lend every assistance in the detection of those responsible for yesterday’s crime. This Nation is committed to a course of domestic justice and tranquility–and I call upon every citizen, white and Negro, North and South, to put passions and prejudices aside and to join in this effort.”

The FBI’s account of the aftermath and investigation

At 10:00 p.m. that night, Assistant Director Al Rosen assured Assistant Attorney General Katzenbach that “the Bureau considered this a most heinous offense…[and]…we had entered the investigation with no holds barred.”

And we backed that promise up. Dozens of FBI agents worked the case throughout September and October and into the new year—as many as 36 at one point. One internal memo noted that:

“…we have practically torn Birmingham apart and have interviewed thousands of persons. We have seriously disrupted Klan activities by our pressure and interviews so that these organizations have lost members and support. …We have made extensive use of the polygraph, surveillances, microphone surveillances and technical surveillances…”

By 1965, we had serious suspects—namely, Robert E. Chambliss, Bobby Frank Cherry, Herman Frank Cash, and Thomas E. Blanton, Jr., all KKK members—but witnesses were reluctant to talk and physical evidence was lacking. Also, at that time, information from our surveillances was not admissible in court. As a result, no federal charges were filed in the ‘60s.

It has been claimed that Director Hoover held back evidence from prosecutors in the ‘60s or even tried to block prosecution. But it’s simply not true. His concern was to prevent leaks, not to stifle justice. In one memo concerning a Justice Department prosecutor seeking information, he wrote, “Haven’t these reports already been furnished to the Dept.?” In 1966, Hoover overruled his staff and made transcripts of wiretaps available to Justice. And he couldn’t have blocked the prosecution and didn’t—he simply didn’t think the evidence was there to convict.

For its part, the FBI noted that in the end, justice was served.

Chambliss received life in prison in 1977 following a case led by Alabama Attorney General Robert Baxley. And eventually the fear, prejudice, and reticence that kept witnesses from coming forward began to subside. We re-opened our case in the mid-1990s, and Blanton and Cherry were indicted in May 2000. Both were convicted at trial and sentenced to life in prison. The fourth man, Herman Frank Cash, had died in 1994.

Marking the 16th Street Baptist Church bombing, 60 years later

Birmingham NBC News affiliate WVTM-TV 13 reported that the 16th Street Baptist Church rang its bells in honor of bombing victims 60 years later at 10:22 a.m. and read the victims’ names out loud in remembrance.

U.S. Supreme Court Associate Justice Ketanji Brown Jackson was the keynote speaker Friday during the commemoration service at 16th Street Baptist Church 60 years after the bombing that killed four girls.

In her remarks, Jackson, the first Black woman to serve on the U.S. Supreme Court, standing at the pulpit in the historic church told those gathered for the commemoration services,

“Today we remember the toll that was paid to secure the blessings of liberty for African Americans and we grieve those four children who were senselessly taken from this earth and their families robbed of their potential,” Jackson said.

”The work of our time is maintaining that hard-won freedom and to that we are going to need the truth, the whole truth about our past,” the Justice said noting that while the American nation should celebrate the advancements that have been made since 1963, there is still work to do.

Jackson said she knows that atrocities “like the one we are memorializing today are difficult to remember and relive” but said it is also “dangerous to forget them.”

“If we are going to continue to move forward as a nation, we cannot allow concerns about discomfort to displace knowledge, truth or history. It is certainly the case that parts of this country’s story can be hard to think about,” she said adding, “Yes, our past is filled with too much violence, too much hatred, too much prejudice, but can we really say that we are not confronting those same evils now? We have to own even the darkest parts of our past, understand them and vow never to repeat them.”

Related:

Birmingham church bombing survivor speaks out 60 years later:

By Paulo Murillo | WEST HOLLYWOOD – The Academy Awards Museum recently featured three short films by trailblazing Los Angeles-based filmmaker and gay rights advocate Pat Rocco (1934–2018) last week, courtesy of Outfest UCLA Legacy Project at the UCLA Film & Television Archive.

Films featured were “Sign of Protest” (1970), “Meat Market Arrest” (1970), and “We Were There” (1976).

The short film “Sign of Protest” documents a February 7, 1970, gay liberation march outside Barney’s Beanery in West Hollywood, protesting a famous sign that read “Fagots [sic]–stay out” which hung proudly over the bar.

Rocco plays the role of neutral reporter on the scene in this activist interpretation of a newsfilm, interviewing the bar’s owners and patrons, as well as the protestors, and allowing their comments to speak for themselves.

Rocco is shown speaking with the daughter of the bar’s owner, who states nonchalantly that the sign has been up since 1959 and was originally accompanied by many more (since removed). She further states that the sign is part of the restaurant’s history and will not come down unless Barney’s is legally mandated to remove it.

Rocco then goes over to the sign posted above the bar and interviews customers about their opinion of it, which is largely positive.

Next, Rocco joins the 50 protesters outside and interviews Morris Kight, founder of the California chapter of the Gay Liberation Front, the organization that spearheaded the picket and a young Rev. Troy Perry, founder of the gay-affirming Metropolitan Community Church, who reiterates many of the comments heard from other protesters that the sign is offensive and should be taken down as a civil rights violation.

He also mentions a June 26, 1964, LIFE Magazine article about Barney’s Beanery and the controversial sign where the owner says homosexuals should be shot.

For those who missed on the big screen or wish to revisit it, the short film is available on YouTube, however, view at your discretion due to language some may find offensive.

Trailblazing Los Angeles-based filmmaker and gay rights advocate Pat Rocco (1934–2018) began his moviemaking efforts as a creator of queer male erotica in the late 1960s. When the public’s appetite shifted to hardcore, Rocco pivoted to documenting moments of LGBTQ protest and collective joy in his adopted city, often appearing on camera as an always gracious (and meticulously coiffed) interviewer of his many subjects.

Whether out in the streets capturing a demonstration of Barney’s Beanery in West Hollywood against their defamatory anti-gay signage (Signs of Protest), on the scene of an escalating situation with law enforcement at a gay bar (Meat Market Arrest), or capturing LA’s energetic early Pride parades (We Were There), Rocco’s films always culminate in moments of hope and a spirit of liberation that feel akin to Varda’s own joyful yet always inquisitive Weltanschauung.

**************************************************************************************

Paulo Murillo is Editor in Chief and Publisher of WEHO TIMES. He brings over 20 years of experience as a columnist, reporter, and photo journalist.

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The preceding article was previously published by WeHo Times and is republished with permission.

GALVESTON, Tx. – In the early summer of 1865, on a clear crisp June morning, the lead elements of the Federal Army of blue-coated soldiers of the 13th Army Corps occupied the island city of Galveston, Texas on Monday the 19th.

Led by Union Army Major General Gordon Granger, who had recently taken command of the Department of Texas, the 13th Corps was tasked with enforcement of the emancipation of slaves in the former Confederate state.

The bloody civil war had ended officially with the surrender of the Army of Northern Virginia commanded by Robert E. Lee to Commander of Union forces, Lieutenant General Ulysses S. Grant, at Appomattox Courthouse, Virginia on April 9, 1865.

The warfare between the last elements of the Confederate and Union troops however, dragged on for another month or so culminating in the Battle of Palmito Ranch, which was fought on May 12 and 13, 1865. The fighting occurred on the banks of the Rio Grande east of Brownsville, Texas on the Texas-Mexico border some 400 miles Southwest of Galveston.

It took approximately another two weeks for Confederate Lieutenant General Simon B. Buckner to surrender his command of the Trans-Mississippi Department (which included Texas) to Union Major General Peter J. Osterhaus on May 26, 1865.

General Granger was then tasked with implementing the order to free enslaved African Americans.

Once Granger’s Federals had taken control of the port city, he and his command staff headed to Union Army Headquarters located at the Osterman Building, once located Strand Street and 22nd Street.

It was there that General Order No. 3 was first publicly read out loud to a gathering of now newly freed Black Americans and other citizens of the city. 

“The people of Texas are informed that, in accordance with a proclamation from the Executive of the United States, all slaves are free. This involves an absolute equality of personal rights and rights of property between former masters and slaves, and the connection heretofore existing between them becomes that between employer and hired labor. The freedmen are advised to remain quietly at their present homes and work for wages. They are informed that they will not be allowed to collect at military posts and that they will not be supported in idleness either there or elsewhere.”

Sadly it would take nearly two years before all of the enslaved African Americans would actually be freed in Texas by white plantation owners and others who simply didn’t tell them or defied Federal authorities.

In 2014, the Texas Historical Commission placed a subject marker at the corner of  22nd and Strand, near the location of the Osterman Building, where General Granger and his men first read General Orders, No. 3.

While many Black Americans across the former Confederate States would celebrate their freedom granted by The Emancipation Proclamation, issued by President Abraham Lincoln on Sep. 22, 1862 during the height of the war, in annual celebrations still others yet would annually mark the date of passage of the 13th Amendment to the U.S. Constitution by Congress on January 31, 1865, which abolished slavery in the United States.

Yet on Galveston Island, the tradition of marking their first learning of The Emancipation Proclamation, issued by President Lincoln with General Granger’s General Orders, No. 3, was the benchmark for ongoing annual celebrations and as the years went by as the Black Americans from the Lone Star state migrated ever Northward, it would be that seminal moment that ultimately would lead to the creation of a federal holiday and recognition some 156 years later.

One observer also wryly pointed out that the June anniversary was seasonally tied to better weather than the other two dates and more conducive to celebrations and large gatherings, hence its popularity in being established as the federal holiday.

Information and photographs provided by the National Archives, the City Of Galveston, Galveston Historical Foundation, the Library of Congress, and State of Texas, Texas Historical Commission.

ATLANTA, Ga. – This Sunday, exactly fifty years ago to the day on a bright Sunday morning, about a hundred brave gay and lesbian Atlantans from the Georgia Gay Liberation Front, unfurled a lavender colored banner made from a bedsheet with the intertwined symbols representing male + male, female + female with the a raised fist of defiance and the words ‘Gay Power’ emblazoned on it and they marched.

The group inched its way up Peachtree Street to a soundtrack of chants, kazoos and a tambourine.

Mindful that stepping off the sidewalks could get them arrested — the city of Atlanta had turned down their request for a permit and the police were closely watching for jay-walkers — the marchers stopped at every corner until they were given the crossing signal, the Atlanta Journal-Constitution reported.

Prior to the coronavirus pandemic, the average estimated crowds in attendance at Atlanta Pride is upwards of 300,000 plus. But at the time the Journal-Constitution noted, even in the city that had just birthed the civil rights movement and was home to Dr. Martin Luther King Jr., LGBTQ rights was considered a radical issue that the Georgian liberal political establishment, including many Atlanta progressives, wanted to stay away from. At that time, gay sex was still illegal under state law, and the American Psychiatric Association characterized homosexuality as a mental illness.

For those GAGLF Atlantans who participated in that first pride march on June 27, 1971, the event was a turning point, a moment when, for the first time, they could publicly celebrate a part of themselves that society had long demanded they keep hidden.

“It was mostly about feeling good,” said Phil Lambert, a Vietnam veteran who was in attendance. “That we’re not a bunch of sick people. That we’re not the problem.”

Read the entire fascinating story: 50 years ago, Atlanta’s gay rights push took to street for first time

By August Bernadicou (with additional text and research by Chris Coats) | NEW YORK – Many enduring symbols that establish an instant understanding and define a diverse community are intrinsically linked with controversy, confusion, and ill-informed backstories dictated by vested interests and those who told the story loudest. The LGBTQ rainbow flag is no different.

While it was the work of many, the people who deserve credit the most have been minimized if not erased. Gilbert Baker, the self-titled “Creator,” screamed the story and now has a powerful estate behind his legacy. Before his death in 2017, Baker established himself as the complete authority on the LGBTQ rainbow flag. It was his story which he lived and became.

While there are disputed accounts on the flag’s origins, one thing that is not disputed is that the LGBTQ rainbow flag was born in San Francisco and made for the Gay Freedom Day Parade on June 25, 1978. 

For all of human history, rainbows have mystified and inspired. A greeting of light and serenity after the darkness and chaos of a storm. They have symbolized hope, peace, and the mysteries of existence. For a moment, we can see the invisible structure, the “body” of light, made visible. A secret revealed, then hidden again.

Though it may seem like a modern phenomenon, rainbow flags have waved throughout history.  Their origin can be traced to at least the 15th Century. The German theologian, Thomas Müntzer, used a rainbow flag for his reformist preachings. In the 18th Century, the English-American revolutionary and author, Thomas Paine, advocated adopting the rainbow flag as a universal symbol for identifying neutral ships at sea.

Rainbow flags were flown by Buddhists in Sri Lanka in the late 19th Century as a unifying emblem of their faith. They also represent the Peruvian city of Cusco, are flown by Indians on January 31st to commemorate the passing of the spiritual leader Meher Baba, and since 1961, have represented members of international peace movements. 

Now, the rainbow flag has become the symbol for the LGBTQ community, a community of different colors, backgrounds, and orientations united together, bringing light and joy to the world. A forever symbol of where they started, where they have come, and where they need to go. When many LGBTQ people see a rainbow flag flowing in the wind, they know they are safe and free. 

While the upper class and tech interests rule the city now, in the 1960s and 70s, San Francisco was a wonderland for low and no-income artists. The counterculture’s mecca. By the mid-1970s, the Haight-Ashbury neighborhood that had once been a psychedelic playground of hippie art, culture, and music had fallen into disarray. Hard, dangerous drugs like heroin had replaced mind-expanding psychedelics. Young queers and artists needed a new home, and they found it in the Castro.

Lee Mentley (1948-2020) arrived in San Francisco in 1972 and quickly fell in with the oddball artist and performers in the Castro neighborhood, donning flamboyant, gender-fucked clothes, performing avant-garde theater, and creating their own clubhouses. He was on the Pride Planning Committee in 1978 and ran the Top Floor Gallery on the top floor of 330 Grove, which served as an early Gay Center in San Francisco. 

Lynn Segerblom (Faerie Argyle Rainbow) was originally from the North Shore of Hawaii and moved to San Francisco where she attended art school at the Academy of Art. Her life changed when she found a new passion in tie-dye and rainbows in the early 1970s. Entrenched in the free-loving technicolor world of San Francisco, in 1976, Lynn legally changed her name to Faerie Argyle Rainbow. She joined the Angels of Light, a “free” performance art troupe where the members had to return to an alternative, hippie lifestyle and deny credit for their work. 

Shortly after the original rainbow flags were flown for the last time, both Lynn and Lee moved out of San Francisco. Lee moved to Hawaii and Lynn moved to Japan. When they returned, they were shocked to see how their contribution to history was becoming a universal symbol. They remain passionate about defending their legacies and giving a voice to the mute.

——–

LEE MENTLEY: “One day in 1978, Lynn came to 330 Grove with a couple of her friends, James McNamara and Robert Guttman, and said we should make rainbow flags for Gay Day to brighten up San Francisco City Hall and Civic Center because it’s all gray and cold in June. We thought that it sounded like a great idea.”

To get over the first hurdle, money, the young artists went to Harvey Milk, the first openly gay elected official in the history of San Francisco, California, for help. 

LEE: “There was no actual funding for it. We contacted Harvey Milk and another supervisor, and they asked the city if we could get a little funding. They found some leftover funds from the previous year’s hotel tax, and we got $1,000.” 

LYNN SEGERBLOM: “I remember having a meeting where I presented the idea of making rainbow flags. I had some sketches. At that meeting, there was just a handful of us there, and I remember, and even my friend assured me, that Gilbert Baker was not at that meeting. I don’t know where he was, I didn’t keep track of him, but he was not at the meeting where I suggested rainbow flags. We decided, yes, rainbow flags sounded great.”

The committee approved the rainbow imagery and made the decision to make two massive 40’ x 60’ foot rainbow flags to be flown at the Civic Center along with 18 smaller rainbow flags designed by different, local artists, to line the reflecting pool putting rainbows into the grey sky.

For the two large flags, one would be an eight-color rainbow starting with pink and including turquoise and indigo in place of blue, and the other a re-envisioning of the American flag with rainbow stripes which became known as Faerie’s flag.

——

Gilbert Baker’s name on his memoir, Rainbow Warrior, it says “CREATOR OF THE RAINBOW FLAG,” leaving little debate that Gilbert claimed full ownership for the concept and design of the legendary symbol. He never denied Lynn or James MacNamara’s involvement in the flags’ construction and speaks briefly and fondly of them and their talents in that same book. 

LEE: “We didn’t need one person saving our ass, and it certainly wouldn’t have been Gilbert Baker. He was no Betsy Ross. He was a very good promoter, and I give him all the credit in the world for making the rainbow flag go international. He did a great service, and he was a very talented, creative man, but he could never have done all of the work by himself; no one could have.

We never considered ownership. There was never this big ownership debate until Gilbert started it. Because AIDS hit us so fast after this, most of our leadership either went into HIV activism or died.”

LYNN: “The story is that a white gay man did all of this by himself, but, in fact, that is not true at all. He just promoted it. For that, though, he should be given great love.”

————

Making the two original rainbow flags was no easy feat. With a limited budget and limited resources, the group had to improvise and figure it out as they went along. While Lynn had dabbled in flags before, a project of this scope and importance was far beyond her comfort zone.

LEE: “The community donated the sewing machines we used. We asked people at the Center if anyone would like to volunteer. All sorts of people from all over the country helped us with the flags, over 100 people, which, to me, is an amazing story. That’s where it came from. It came from regular artists who wanted to have fun and make something pretty for gay people.”

LYNN: “The Rainbows Flags were hand-dyed cotton and eight colors. I made two different types. The one with just the stripes and then the American flag one, which I designed myself. There was a group of us that made them, James McNamara, Gilbert Baker, and myself. Originally they were my designs. I was a dyer by trade, and I had a dying studio at the Gay Community Center at 330 Grove Street.”

LEE: “People would come and help as long as they could. Then, somebody else would come and help as long as they could. We opened up the second floor of 330 Grove to people who came to be in the Parade and march. People came in and made posters, banners and did art stuff.”

LYNN: “We made the flags on the roof because there was a drain up there. There was a wooden ladder that led up to the roof. The hot water had to be carried up to the roof because we didn’t have hot water up there. We heated it up on the stove in pots. We put the hot water in trash cans on the roof.”

LEE: “We had trash cans and two by fours, and we had to keep agitating the fabrics in the dye. Since they were in hot water, they had to be poked and agitated for hours.”  

LYNN: “We had to constantly move the fabric in the dye, so the dye penetrated the fibers that weren’t clamped tight. We had to make sure there would be blue, and it wouldn’t just be white on white or white with a very murky, pale blue.

After they were washed and dyed, they went through the washer and dryer. Then, we ironed them. If the fabric stays out too long, once you take it out of the water, if it sits on itself even for just a few minutes, it starts to make shapes.”

—-

LEE: “Lynn’s flag, the new American flag, was a similar rainbow, but it had stars in the corner. I have photographs of that flag flying at gay events in San Francisco at City Hall and Oakland.” 

LYNN: “I always liked the American flag. I thought, oh, wouldn’t that be nice? I knew with some luck I could make it.” 

LEE: “I thought the one with the stars was more interesting because it symbolized a new flag for the United States.”

LYNN: “For my American flag, I decided to flip the order of the colors, so pink was at the bottom and purple was at the top in an eight-color spectrum. That was intentional. I wanted them to be different. 

​I made the stars with wood blocks and clamps. I got the white fabric and washed it, and folded it a different way. When I was making it, it looked like a big sandwich. The bread would be the woodblocks, and the fabric was in between. We immersed the whole flag in dye and swished it around. I wasn’t sure if it would come out right because it was the first time I did that fold. I was lucky. It worked.

I sewed lamé stars into one stripe with leftover stars from my Angels of Light costumes. On one side of the blue stripe, there was a star with silver lamé, and on the other side, there was a star with gold lamé. 

I got all these ideas because I worked with these mediums on a daily basis: paint, dye, fabric, and glitter.”

—

LEE: “We worked for weeks dying fabric, shrinking fabric, and sewing fabric.” 

LYNN: “We worked on them for seven weeks. I was worried that we weren’t going to finish on time. We worked hard and long hours. Towards the end, we decided we didn’t have time to go to the laundromat, so we started rinsing them on the roof and wringing them dry. We also ran out of quarters. We draped them off of the Top Floor Gallery’s rafters, and they drip-dried. They looked great. They were beautiful.”

Until that day, the pink triangle, used by the Nazis to label homosexuals in their genocidal campaign, was the most commonly used symbol for the LGBTQ movement, a symbol in solidarity with our fallen ancestors. But the triangle came from a place of trauma, it was a reminder of the storm while the rainbow was the hope that came after. The promise of brighter days ahead.

On that day in June 1978, it felt as if the rainbow had always been a symbol for the LGBTQ community, it just hadn’t revealed itself yet.

LEE: “We went out, flew the flags, and blew everybody’s fucking minds. People were blown away. The flags were so beautiful. They were waving warriors. The biggest ones were 40’ by 60’ feet. The Parade marched through the flags to get to Civic Center. We instantly proclaimed that this was our symbol. It wasn’t planned. It was organic.”

LYNN: “It was just what I wanted: a touch of magic, a touch of glitter, and a little bit of Angels of Light.”

LEE: “We weren’t creating this huge symbol. We were decorating Civic Center. We weren’t thinking of marketing our entire futures. It was an art project.”

LYNN: “We looked at the rainbow flags as a work of art, and we wanted them to be beautiful and unique. After the Gay Parade, the flags were a big hit. People loved them. Everybody loved them.”

—-

In the pre-technology world, people and property could just disappear. There were no surveillance cameras.  Lynn didn’t even have a phone.

Even though no one could have known the flag would become an eternal symbol for a worldwide community, it was clear even then that they were a piece of history to be coveted.

In his memoir, Baker hypothesizes that the Rainbow American flag was stolen shortly after it was hung up on the front of the Gay Community Center for Gay Freedom Day in 1979. He suggests it might have been a construction crew working on the new symphony across the street and in a homophobic act, stole the flag and buried it in cement.

LEE: “Later in 1979 or 1980, you can find it somewhere in the minutes for a Pride Foundation meeting, Gilbert came to us and asked to borrow the two large flags, and we agreed. We never saw them again.”

LYNN: “I went to work one day at 330 Grove, and Gilbert came in and said that the two 40’ by 60’ flags had been stolen.” 

Images published in the San Francisco Chronicle, videos of the march, and other widely distributed photographs only add to the mystery. They show both the classic rainbow flag of eight stripes and the American revision flying at the Civic Center on June 24, 1979 and not at the Gay Community Center.

As for the original eight-stripe flag, there are even fewer answers. In his memoir, Baker says that while they were taking down the flags from Civic Center, he was hit on the head on knocked out. “When I came to on the muddy ground,” he says “I saw people all around me hitting each other and screaming obscenities. They were fighting over the rainbow flags, pulling on them like a game of tug-of-war, tearing them.” 

LYNN: “It would have taken more than one person to carry the flags. It took three people to carry one folded-up flag for the Parade, and we needed a van. They weighed a lot, and 330 Grove did not have an elevator. Whoever stole them had help—one person could not do it on their own.”

—-

LYNN: “Before the rainbow flag missing, Gilbert came to one of my workshops. He wanted to watch me dying fabric all day and see how I did everything. 

I was like, oh yeah, I’ll show you, come in.

I said, here, put some gloves on and do it with me. 

He was like, oh, no, no, I don’t want to get my hands dirty.

​He was only trying to figure out how I did the dying.”

—-

LEE: “Gilbert went to these places like MoMa and told them these outrageous stories about how he made the rainbow flag all by himself. He said this about the flag he donated. When you look at it, you can tell that it was bought at a craft fair. It flat out wasn’t one of our flags. It was polyester.”

​LYNN: “It was polyester, it wasn’t the same size, and it wasn’t hand-dyed. My flags were different. The rainbow flag at MoMa was a beautiful flag inside a frame, but it wasn’t an original, not from 1978, not even a piece from 1978. I was hoping, oh, my God, maybe this is a piece of it.”

LEE: “It wasn’t even the original colors. MoMa said they were original flags, but they weren’t. It was a commercially produced rainbow flag with a primary color rainbow. The plaque cited Gilbert donating it as an original flag.” 

—-

LYNN: “I read online that Gilbert Baker said he named me “Faerie Argyle Rainbow,” a complete lie. Bethany the Princess of Argyle named me. I chose the name Rainbow because I was known as a rainbow artist.”

​LEE: “Even Lynn’s driver’s license said her name was “Faerie Argyle Rainbow.””

LYNN: “In 1976, I filled out a form at the DMV, and my name became Faerie Argyle Rainbow. Back then, they didn’t ask you for a birth certificate. The employee just said, “This is your name now,” and gave me a driver’s license that said Faerie Argyle Rainbow. 

​It all sounds crazy now, but back then, it wasn’t.”

—–

LEE: “I had my arguments and fights with Gilbert Baker because he claims he came up with the rainbow flag. If you go through all of his different interviews, you see that his story changes over and over and over again. He even said Harvey Milk came to him and asked him to create a symbol for the movement. No—I read that, and no such thing happened.” 

LYNN: “Just look at his interviews. His takes on what the colors in the rainbow flag mean are all in his head. The rainbow represents everyone, no matter what gender or race you are; that’s how I looked at it. Rainbows are in nature and beautiful. People love them, and I love them. I knew they would be great color healing.

Gilbert assigning meaning to each color is ridiculous. I think anyone could make up what each color means. If I wanted to, I could do the same. It wasn’t what I was thinking. I was thinking that rainbows encompass everybody, the whole group, unity.”

LEE: “I have tried to convince people that the rainbow flags were made with tax-payer dollars. We made them as a non-profit. 

Not even Gilbert owns them. I have always thought that anyone who sells anything rainbow should give a portion of the profits to homeless gay youth. We need to take care of our own kind because no one does. The whole concept of taking care of gay people has disappeared.” 

August Bernadicou is presenting a Pride event in NYC this year that all folks are cordially invited to attend- its virtual;

Here is the link for the event: https://www.lgbtqhp.org/pride-protest

Editor’s note: Judith Ann Reisman was a vocal opponent of women’s reproductive rights, LGBTQ rights and known for her criticism and condemnation of the work in sexual studies of Dr. Alfred Kinsey. Reisman, a prominent conservative, has been referred to as the “founder of the modern anti-Kinsey movement.”  New York-based LGBTQ journalist, activist and blogger Joe Jervis covered her for over a decade on his widely popular blogsite Joe.My.God.

By Joe Jervis | Longtime JMG readers will recall Reisman’s anti-LGBT claims as a regular feature here going back a decade or so. There was the time she appeared on the Liberty Counsel’s radio show to declare that all gays are inherent pedophiles:

We know that pedophilia, which was the original Greek they say it’s ‘love of’ but of course it isn’t, it’s ‘lust for’ boys. And there’s a strong, clear, cross-cultural, historical reality, people don’t want to do deal with, but the propaganda has been loud and strong to deny the fact, the aim of homosexual males and now increasingly females is not to have sex with other old guys and get married but to obtain sex with as many boys as possible. That’s the reality.

There was the time she called for a class action suit against groups that advocate for safer sex:

The reality is that condoms are manufactured and approved every day for natural, vaginal sex, not anal “sex.” They are not effectively designed to protect from disease those people who engage in sodomy. Such a lawsuit should target the AIDS Healthcare Foundation, Planned Parenthood and a myriad of teachers and school systems, too many to count, that have taught that anal “sex” (traditionally termed “sodomy” or “buggery” under British-based legal codes) as not so different than natural coitus. Due to the lies that have told, people who practiced sodomy are under the tragically mistaken notion that a condom is effective protection from disease.

There was the time she went to Jamaica to advocate for keeping homosexuality criminalized:

American Religious Right leaders Mat Staver and Judith Reisman are scheduled to be featured speakers at a conference in Jamaica this weekend hosted by a group that has been working to preserve the country’s criminal ban on consensual gay sex. The annual conference, hosted by the Jamaica Coalition for a Healthy Society, will focus on how “[c]ontemporary society has become increasingly hostile to the traditional definitions of marriage and family” and Staver.

There was the time she blamed the demise of “Don’t Ask, Don’t Tell” on a rise in reported sexual assaults in the military:

Why is the best-kept military secret that most soldierly sexual assaults are now definitively homo, not heterosexual, male-on-male sexual exploitation? While men are statistically more loathe to report their sexual victimization than are women, 10,700 male soldiers, sailors and airmen in 2010 actually reported their sexual assaults. What this means is not totally clear, since men are cannot technically be raped, despite the term being regularly used in the recent hearings on the matter.

There was the time she compared activists against school bullying to Hitler Youth:

Both the GLSEN youth and the Hitler Youth were trained to be revolutionary leaders of the brave new world order. GLSEN school clubs and their teacher sponsor/trainers are now funded by major corporations and by some state funds. GLESN’s Day of Silence and “GAY ALLY!” pledge cards for kindergartners and other children (left) are direct assaults on traditional parental, American values. German children’s literature historians document Hitler’s pioneering ban of both the Ten Commandments and biblical stories from Nazi school texts in favor of coarse and violent tales that ridiculed religious believers and their values.

There was the time she was condemned by the Anti-Defamation League:

Holocaust analogies generate headlines and get attention, they do little in the service of truth, history or memory. When [Peter] LaBarbera and Reisman suggest that gay, lesbian, bisexual and transgender people are “demonizing [Christians] like the Nazis used to do to the Jews,” they undermine the historical truth of the Holocaust as a singular event in human history that led to the murder of six million Jews and millions of others. Holocaust comparisons are deeply offensive and trivialize and distort the history and meaning of the Holocaust.

And let’s close with this notation from Rational Wiki:

Reisman is a supporter of Scott Lively and his completely insane screed, The Pink Swastika. She has claimed that she believes that a homosexual movement in Germany gave rise to the Nazi Party and the Holocaust. She enthusiastically and unconditionally endorses criminalization of homosexuality, despite the fact that homosexuals were were one of the Nazis’ target groups for annihilation. Reisman has claimed that the homosexuals employ recruitment techniques that rival those of the United States Marine Corps to transform innocent children into raving homosexuals.

Reisman, passed away on Friday, April 9, 2021, two days before her 86th birthday. From the magazine of the far-right John Birch Society:

Like Judith the Biblical heroine, Dr. Reisman was fearless and stood against the great powers of the world in our time. When her countrymen were ready to surrender to the mighty Assyrian army, the Biblical Judith, trusting in God, walked into the enemy camp — and walked out with the head of Holofernes, the Assyrian general, thus saving her people. Likewise, Judith Reisman repeatedly, over the past several decades, strode into many hostile enemy camps around the world — colleges, universities, legislative bodies, media outlets — to speak truth to power and to expose vile works of darkness.

The preceding article was originally published at Joe.My.God and republished by permission.

SAN FRANCISCO – An important and critical voice for the LGBTQ+ community in Northern California turns 50 this Spring as the venerable LGBTQ+ newspaper, The Bay Area Reporter, commences its fifth decade of service to San Francisco and the greater Bay Area.

Not unlike the beginnings of the Los Angeles Blade’s sister publication, The Washington Blade, which celebrated its 50th anniversary in 2019, the Bay Area Reporter traces its roots to an ad hoc distribution- in B.A.R.’s case atop cigarette machines in the city’s gay and lesbian watering holes.

Since then according to Michael Yamashita, a gay man who has been the paper’s publisher since 2013, the paper has never missed an issue deadline — not even when threatened by the Loma Prieta earthquake in 1989.

The Los Angeles Blade congratulates the publisher, editor, and staff of the The Bay Area Reporter on its Golden Anniversary of service to the LGBTQ+ community.

Read B.A.R.’s own coverage of its 50th here: https://www.ebar.com/index.php?id=303476

By Maya Mirsky | SAN FRANCISCO – Alvin H. Baum Jr., a philanthropist and activist known as Al to his friends and admirers, died March 28 at home in San Francisco. He was 90.

“Al lived a full, rich life,” his husband, Robert Holgate, told J. “Through his example of giving, he taught many how to live, love and give back,”

As a philanthropist, Baum was a generous donor to Jewish and LGBTQ causes, the arts, civil liberties, and a host of other causes and interests. In 2019, the S.F.-based Jewish Community Federation awarded Baum its Robert Sinton Award for Distinguished Leadership, and a J. profile at the time painted a full picture of his background and his longtime activism on multiple fronts.

Born into an affluent Jewish family at the height of the Great Depression, Baum grew up mostly in Highland Park, which in the 1930s was emerging as one of Chicago’s most prosperous Jewish-identified suburbs. He went to Harvard University as an undergrad and again for law school, then spent two years in the Army, in Berlin, during the Korean War.

Upon his return, he visited San Francisco to see how he liked it; at the time, he was living his life as a closeted gay man. He came out publicly in 1975, when he was in his 40s and living in San Francisco. It was a momentous step and not really planned.

“You know they say, ‘When you’re drowning, your whole life passes before your eyes?’” he said in an interview with OUTWORDS, an LGBTQ history archive, in 2017. “Well, it was like that. But I had been telling people, friends, that they should come out. And I wasn’t. I said to myself, ‘You have to be willing to do it yourself or you’re just being hypocritical.’”

From there he became an activist, working with the ACLU and Lambda Legal and many other organizations. Also, he worked as a city planner and attorney for many years and then, late in life, began a third career as a therapist, getting a degree from UC Berkeley in social work. In later years, with his husband, whom he married in 2014, he devoted himself to philanthropy.

Baum served on the boards of many organizations, including S.F.-based Jewish Family and Children’s Services, the Fine Arts Museums of San Francisco, the ACLU of Northern California, and the Lambda Legal Defense and Education Fund. He also founded the Federation’s gay and lesbian task affinity group. He was a founding member of the New Israel Fund, and has been an active supporter of LGBTQ senior organization Openhouse. In 2014, he served as grand marshal of the San Francisco Pride Parade, accompanied by Holgate.

Baum was a longtime member of Congregation Sha’ar Zahav in San Francisco. Holgate said details of a celebration of Baum’s life and a shiva would be forthcoming.

The preceding article was published by J. The Jewish News of Northern California and was republished by permission.